The Gift Goes On

57 of the Most Popular Love Songs of All Time. This comprehensive collection of love songs includes selections by the finest composers and songwriters from the worlds of movies, pop, Broadway and jazz. The titles also span more than 80 years with hits from the 1920s all the way through 2007. This collection includes chord symbols and lyrics, and most of the pieces are in vocal ranges appropriate for singing along. The 57 titles include: Almost Like Being in Love * Angel Eyes * As Time Goes By * At Last * Beautiful (As You) * Beauty and the Beast * Because You Loved Me * Can You Feel the Love Tonight * Can You Read My Mind' * Dream a Little Dream of Me * Embraceable You * Emily * Endless Love * Five Foot Two, Eyes of Blue * The Gift * Hero * How Could I Ever Know' * How Deep Is Your Love * How Do I Live * I Believe In You and Me * I Could Write a Book * I Don't Want To Miss A Thing * I Get a Kick Out of You * I Only Have Eyes for You * I've Got You Under My Skin * I've Grown Accustomed to Her Face * Killing Me Softly With His Song * Kiss The Girl * Laura * Let's Do It (Let's Fall in Love) * Love Is a Many Splendored Thing * Love is Here to Stay * Misty * My Funny Valentine * Reflection * Send in the Clowns * Somewhere, My Love * Take My Breath Away * Taking a Chance on Love * Teach Me Tonight * The Morning After * The Rose * Theme from Ice Castles (Through the Eyes of Love) * This I Promise You * This Kiss * This Magic Moment * Three Coins in the Fountain * Up Where We Belong * Wedding Song (There is Love) * When A Man Loves a Woman * When I Fall in Love * Wind Beneath My Wings * You Light Up My Life * You Raise Me Up * You'll Be In My Heart * You'll Never Know * (Your Love Has Lifted Me) Higher and Higher. 144 pages. / Instrumental Music, Miscellaneous, Piano Music, So / Recueil / Piano

Aribert Reimann's idea to arrange the lieder of Franz Liszt for baritone and string quartet goes back to his collaboration with Dietrich Fischer-Dieskau, recording some of these lieder for the German broadcasting company formerly known as Sender Freies Berlin (SFB). Since then, Reimann has continued to be fascinated by Liszt's thrilling harmony and unconventional treatment of the voice. Here, he has compiled a cycle containing seven lieder from Liszt's middle and late periods, arranged so that each song is the logical continuation of its predecessor. Liszt's fundamental harmony has been retained, but the registers have been altered to such an extent that they appear in a completely new light. / Baryton Et Quatuor A Cordes

Uses: Communion Maundy ThursdayScripture: John 6:32An exquisite melody captures the passion of this beloved communion text with tender respect. Meeting the need for quality material for “LordSupper” events this sacred expression goes beyond the usual and with great sensitivity reminds us the body of our Lord is given as a gift of divine grace. A final quote from In Christ There is No East or Westcompletes this reflective moment for worship.

POD-Pawe ukaszewski's Like As The Waves for SSATBB choir unaccompanied. This vocal work is a setting of Shakespeare's Sonnet LX. Like as the waves make towards the pebbledshore So do our minutes hasten to their end;Each changing place with that which goes before In sequent toil all forwards do contend.Nativity once in the main oflight Crawls to maturity wherewith being crown'd Crooked eclipses 'gainst his glory fight And time that gave doth now his gift confound.Time doth transfix the flourishset on youth And delves the parallels in beauty's brow Feeds on the rarities of nature's truth And nothing stands but for his scythe to mow.And yet to times in hope myverse shall stand Praising thy worth despite his cruel hand. - William Shakespeare A Piano part is included for rehearsal purposes. Duration: 4 minutes.

Trevor Wye's renowned Practice Books For The Flute have been invaluable for flautists for many years. This Omnibus Edition features books 1-6 in one bumper compendium.Each Practice Book delves into great detail into a different aspect of playing the Flute. Having sold over 1 million copies, the series as a whole is invaluable for amateur or would-be professional flautists, providing in-depth tips on practising and how to overcome specific technical difficulties. The various books within this edition give hugely important information on the following:Book 1: ToneBook 2: TechniqueBook 3: ArticulationBook 4: Intonation and VibratoBook 5: Breathing and ScalesBook 6: Advanced PracticeWhen combined, this Omnibus Edition of the Practice Books For Flute create a wonderfully comprehensive and well-organised way to become a serious flautist. Within each individual book, Trevor Wye goes into an unparalleled level of detail, laying everything out logically and honestly, so that you are guided through the fine details but the practising itself must come from you. This edition represents great value for money, costing a lot less than it would to buy each book individually, and you also gain Trevor Wye's exceptional gift for instruction across all these concepts.For value for money when learning the Flute, you can't do better than this Omnibus Edition of Trevor Wye's Practice Books For Flute. The authoritative and detailed style is perfect for beginners and seasoned professionals, as there is always something that can be learned or improved upon. Pick up these Practice Books today and hear a difference in your playing. / Flûte

Par GRIFFIN MICHAEL. This clear and well organised text is suitable for students of arranging and composition, and for classically trained musicians wishing to further grasp the simple logic of jazz harmony. Essential understandings: - Triad structures and inversions - How to select chords - chord symbols - Simple but effective voicing formulae - The circle of 4th progressions, - Extensions to the 9ths and dominant 13ths, and altered 5ths and 9ths. Included in the 107 pages are comprehensive explanations, examples, exercises and solutions. For school students, the course can be started in year 9 and worked through to year 13. 'This book certainly delivers. Mr. Griffin does a superb job giving clear and concise steps that students should take when approaching the task of harmonizing a melody. The book is laid out in a clean, easy-to-understand format. Mr. Griffin is obviously a gifted teacher, and has developed a book that would be a great resource for any music teacher or student interested in understanding and implementing more complex theory/harmony concepts.' - Natalie Wickham, Music Matters, USA. 'Particularly good for A Level pupils composing in a pop and jazz style. The material gradually increases in difficulty and there are a lot of useful exercises to be completed by students”- Music teacher, UK. 'Excellent resource which will save teachers hours of preparatory work. Useful for a general understanding of options when harmonising in composition. An essential part of KS5 harmony work which goes beyond the common chords and progressions. Very professionally set out.”- ZigZag Education, UK./ Méthode / Tout Instrument

This is effectively a work in three movements - Allegro Andante cantabile and Presto - which Davies likens to 'three obstacle courses bristling with technical difficulties'. However as he goes on to say 'young people are naturally gifted with extraordinary rhythmic skills which normally remain untapped'. Given the opportunity older children have here the material for a highly arresting piece of music-making.These studies will provide a challenge to all percussionists for whom there is a distinct shortage of suitable studies. Duration c. 5mins. Book of parts. This is a special item which is made to order. Please e-mail our Mail Order Department for furtherinformation.

2008 Version-The Poet (2008 Version) for Violin Baritone Saxophone and Piano. Orig. version: WH30939 Programme note The Poet is the fourth of a series of seven compositions named after Karen Blixen's collection of short stories Seven Gothic Tales.My musical gothic tales are written for very different ensembles - THE SUPPER AT ELSINORE is a saxophone quartet THE OLD CHEVALIER is for bass trombone and piano THE MONKEY is a chamber orchestra work - but they all share musicalmaterial in a criss-cross of contextual references reminiscent of Blixen's narrativ ecomplexity: Themes and motivs from onepiece appear in others in new and surprising shapes and combinations.Karen Blixen's The Poet is about a retired counsilor who always desired to be an artist - once he even met his ideal Goethe - but knows that he is completely without talent.Instead he patronizes a young gifted writer to the extent of shaping himself into a father figure his protege depends upon.When a young italian widow arrives and the writer predictably falls in love with her and she with him the councilor arranges a marriage between the widow and himself in order to break the young poet's heart - only in the best intention: to make him into a real poet.But the writer decides to take his own life and the widow crushes the councilor's head with a heavy stone crying ”You poet!”As he dies helpless to the will of destiny the councilor realizes that fate has wrought a story greater than any he could have invented. The Poet isn't 'about' anything. The music is inspired by the artistic content of Blixen's short story - it's emotionalism dramatic construction atmosphere period and setting - but unfolds in time and musical space in ways that are completely independent of the story's narrative progression... except one might say that the violin kills off thepiano while the baritone saxophone goes drown

Par MIRANDA LIN-MANUEL. It was really fun to make an arrangement on these three great melodies from Encanto! Here, the band will be able to work with latin rhythms, syncopation (which doesn't rush) and with possible solo elements on the melody. Use your imagination and feel free to re-arrange to let your musicians shine. (Example: bar 27 and onwards can be performed as a duet) All three songs can be played separately. They have different degrees of difficulty and if the band lack the ability to perform the last melody, you can easily stop before that. 1. 'We don't talk about Bruno' (1-55) benefits greatly from having a Guiro saying 'go-ap tsh tsh'. This piece can be stopped by playing to the end of bar 54. If you want to play this piece only, you can easily extend it, by repeating from 27, perhaps with other soloists? 2. 'Surface Pressure' (55-116) If the cowbell-part is not played, percussionists have to play these two weak beats in 56. The groove for drum set is also very important from 68. Also, that you get a proper swing feeling on 84- 98 and that the drummer in 99 really goes back to even eighths. If you want to extend this piece, you may repeat from 84. If you want to end after this song, you can insert a ritardando 2 bars before 116 and preferably add a quarter note high G, then a quarter rest, and then a darker G. Another possibility is to repeat from 84 and then stop at the first note in 100. 3. 'The Family Madrigal' can of course also be played alone. This is truly a song that gets people clapping! I have chosen to make the opening rhythm a little easier by adding an eighth note to the one (120) If the ensemble has a very good understanding of rhythm, it can be skipped, but then the only tone in the phrase that is on the pulse beats will be the quarter note in the second measure. You can start the piece straight on bar 120 without the drum intro. If you want to extend this piece, you can repeat 152 – 199. (Or you can go all the way back to 136) If you do so, you can perhaps skip the first house at the end, if the audience is not standing on the chairs dancing Have fun performing this arrangement! The Movie Encanto is a 2021 American computer-animated musical fantasy comedy film produced by Walt Disney Animation Studios. It follows a multigenerational Colombian family, the Madrigals, led by a matriarch (Botero) whose children and grandchildren—except for Mirabel Madrigal (Beatriz)—receive magical gifts from a miracle that helps them serve the people in their rural community called the Encanto. When Mirabel learns that the family is losing their magic, she sets out to find out what is happening, and save her family and their magical house. Encanto premiered at the El Capitan Theatre in Los Angeles on November 3, 2021 The film received critical acclaim for its characterization, music, animation, voice acting, emotional depth, and cultural fidelity; reviews named magic realism and transgenerational trauma as the film's core concepts. Publications have described Encanto as a cultural phenomenon. The film was nominated for three awards at the 94th Academy Awards, winning Best Animated Feature, and received numerous other accolades. The film's soundtrack also became a success, reaching number one on the US Billboard 200 and UK Compilation Albums charts; 'We Don't Talk About Bruno' and 'Surface Pressure' were its two most successful songs, with the former topping both the US Billboard Hot 100 and UK Singles Chart for multiple weeks. Bjørn Morten Kjærnes / Date parution : 2023-07-31/ Répertoire / Ensemble Flexible à 7 Parties

The Faber Music Soundtracks Piano Anthology is an essential collection of some of the best-loved music from film and television, specially arranged for solo piano for the intermediate pianist. Featuring music from television favourites such as Sherlock, Downton Abbey, Killing Eve and Planet Earth, and movies including Lord of the Rings, Pan's Labryinth, The Piano, The Favourite and Manchester by the Sea./ Recueil / Piano

My First Book Of American Folk Songs contains 25 favourite pieces in easy piano arrangements as arranged by Bergerac. Includes Skip To My Lou Amazing Grace and The Yellow Rose Of Texas.