SKU: LP.OR-2462
UPC: 765762115200.
SKU: WD.080689168475
UPC: 080689168475.
SKU: LP.765762176027
ISBN 7-65762-17602-7. UPC: 765762176027. Orchestrated by Cliff Duren.
Breathe new energy into the prayer liturgy with this contemporary rendering of The Lord's Prayer. From the same duo that brought us Your God Will Come, this anthem was written with simple scriptural lyrics and beautiful harmonies by Nick Robertson and orchestrated with confident instrumentation by Cliff Duren. We have a feeling Give Us Today will become a favorite for worship leaders, choirs, and congregations alike!
SKU: LP.OR-2661
UPC: 765762079106.
Like to find an easy SATB anthem with a big sound? Marty Parks' new arrangement of this familiar hymn features an insightful rewording of the Lord's Prayer by Gail Blanton plus a magnificent symphonic orchestration. A rewarding musical experience for all.
SKU: LO.30-3182L
UPC: 000308140446.
This fervent prayer will set the tone for a meaningful worship experience. Mary McDonald's lyrics plea for God to be present in our midst and to change our lives through the power of the Holy Spirit. The music builds from a reflective opening to a passionate affirmation: We need you, Lord! The instrumental ensemble includes a score and CD with printable parts for Piccolo, 2 Flutes, Oboe, 2 Clarinets, Bassoon, 2 Horns, 2 Trumpets, 2 Trombones, Tuba, Timpani, Percussion, Harp, Piano, 2 Violins, Viola, Cello, and Bass.
SKU: CA.3111919
ISBN 9790007136673. Key: C major. Language: German/English. Text: Goes, Albrecht. Text: Albrecht Goes.
Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the representative form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement. Score and parts available separately - see item CA.3111900.
SKU: CA.3111913
ISBN 9790007048778. Key: C major. Language: German/English. Text: Goes, Albrecht. Text: Albrecht Goes.
Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the representative form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement. Score and part available separately - see item CA.3111900.
SKU: CA.3111911
ISBN 9790007048754. Key: C major. Language: German/English. Text: Goes, Albrecht. Text: Albrecht Goes.
SKU: CA.3111905
ISBN 9790007048730. Key: C major. Language: German/English. Text: Goes, Albrecht. Text: Albrecht Goes.
Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the representative form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement. Score available separately - see item CA.3111900.
SKU: CA.3111909
ISBN 9790007048747. Key: C major. Language: German/English. Text: Goes, Albrecht. Text: Albrecht Goes.
SKU: CA.3111912
ISBN 9790007048761. Key: C major. Language: German/English. Text: Goes, Albrecht. Text: Albrecht Goes.
SKU: CA.3111914
ISBN 9790007048785. Key: C major. Language: German/English. Text: Goes, Albrecht. Text: Albrecht Goes.
SKU: HL.35028368
UPC: 884088651671. 5.25x7.5 inches. Joseph M. Martin.
Uses: Advent, ChristmasScrip ture: Luke 2From the composer of Tapestry of Light and The Winter Rose comes a new major work that is based on the traditional “Lesson and Carols” service. Filled to overflowing with beloved carols and original seasonal songs, this cantata tells the story of Christ's birth adorned with beautiful arrangements and meaningful Scriptures. The work includes optional moments for congregational participation, handbell ringers, and children's choir, if desired. Stunning orchestrations and a full line of support products are available to support your presentation. Titles include: A Christmas Overture; O Come, All Ye Faithful; A Prayer for Advent; People of Promise, Arise!; Song of Hope and Joy; O Little Town of Bethlehem; My Soul Doth Magnify the Lord; Lullabies of Bethlehem; Angels We Have Heard on High; Carols for Seekers; Let Christmas Begin; A Christmas Trilogy. Available separately: SATB, SAB, iPrint Orch CD-rom, Printed Orchestration, iPrint Consort Orch CD-rom, iPrint Handbells CD-rom, StudioTrax CD, Listening CD, 10-Pack Listening CDs, Preview Pack, RehearsalTrax CDs, Digital Resource Kit (Power Point, Poster/Program PDFs, Rehearsal Tips, Choir Devotionals, Children's Program, Composer Bios). Duration: ca. 59:21 (full performance) or ca. 48:37 (w/o opt. congregational anthems).
SKU: HL.35028365
UPC: 884088651640. 5x5 inches. Joseph M. Martin.
Uses: Advent, ChristmasScrip ture: Luke 2From the composer of Tapestry of Light and The Winter Rose comes a new major work that is based on the traditional “Lesson and Carols” service. Filled to overflowing with beloved carols and original seasonal songs, this cantata tells the story of Christ's birth adorned with beautiful arrangements and meaningful Scriptures. The work includes optional moments for congregational participation, handbell ringers, and children's choir, if desired. Stunning orchestrations and a full line of support products are available to support your presentation. Titles include: A Christmas Overture; O Come, All Ye Faithful; A Prayer for Advent; People of Promise, Arise!; Song of Hope and Joy; O Little Town of Bethlehem; My Soul Doth Magnify the Lord; Lullabies of Bethlehem; Angels We Have Heard on High; Carols for Seekers; Let Christmas Begin; A Christmas Trilogy. Available separately: SATB, SAB, iPrint Orch Cd-rom, Printed Orchestration, iPrint Consort Orch CD-rom, iPrint Handbells CD-rom, StudioTrax CD, Listening CD, 10-pack Listening CDs, Preview Pack, RehearsalTrax CDs, Digital Resource Kit. Duration: ca. 59:21 (full performance) or ca. 48:37 (w/o opt. congregational anthems).
SKU: LO.10-5623MD
ISBN 9780787775551.
The prayerful nature of this classic worship chorus has been crafted into a choral worship anthem with the option for an expressive soloist on the first verse as the arrangement builds with new choral textures, dynamic key changes, and a soaring orchestration. Congregations can join in and sing along as the arrangement’s structure is familiar and easy to follow.
SKU: BR.SON-442
ISBN 9790004803509. 10 x 12.5 inches.
This volume contains three reworkings and orchestrations of religious works by Felix Mendelssohn Bartholdy which were originally set for smaller ensembles (solo voices, four-part chorus and organ). They were composed at different times and for different occasions, two of them as commissions. The anthem ,,Why, o Lord, delay forever MWV A 19 was originally the sacred vocal piece MWV B 33, published in England in 1841 with the additional title ,,[…] The Thirteenth Psalm, and in Germany in the same year as ,,Lass, o Herr, mich Hilfe finden with the title ,,Drei geistliche Lieder which was composed at the suggestion of the English literature and music lover Charles B. Broadley who also provided the paraphrase of the psalm text. After Mendelssohn had refused an initial request by Broadley to furnish the anthem post festum with an organ prelude, the composer did not want to turn down a second request to orchestrate the work and he even expanded the existing material with a lengthy closing fugue involving additional trumpets and timpani. The ,,Ave Maria MWV B 19 was written in connection with Mendelssohn's appointment as municipal music director, a position which at the same time included the responsibility for the musical organization of church services. The instrumentation of the work with an accompaniment of two clarinets and two bassoons as well as low strings was due to the fact that the organ in Dusseldorf's principal church St. Lambertus was out of order for an extended period of time, and Mendelssohn considered this solution explicitly only as a surrogate for the organ should there be none. A further psalm paraphrase in English, this time by William Bartholomew, of the hymn ,,Hear my prayer MWV B 49 was set to music in early 1844; the orchestration of the organ part commissioned by the distinguished Dublin musician Joseph Robinson was not completed until 1847 so that the premiere finally only took place after Mendelssohn's death. In the further course of the century ,,Hear my prayer would, particularly in the version with organ accompaniment, come to enjoy great popularity in Great Britain and Ireland.
SKU: HL.277282
UPC: 840126915006. 6.75x10.5 inches.
Program note:Looking Up is a piece for large chorus and orchestra, and is in three sections, played without pause. In the 16th century, a variety of psalters in meter were printed in England, with the idea of making psalm-singing something that could happen easily at home, with the rhyming meter being an aid to memorization. These translations are wonderful exercises in brevity and sometimes clumsy rhymemaking, and were usually prefaced by a lengthy explanation as to their merits; the title of one of the first such volumes in English is: The Psalter of Dauid newely translated into Englysh metre in such sort that it maye the more decently, and wyth more delyte of the mynde, be reade and songe of al men. I thought it would be appropriate to set one of these introductions, and the first section of Looking Up sets the preface to Thomas Ravenscroft's psalter (1621), in which he writes: “The singing of Psalmes (assay the Doctors) comforteth the sorrowfull, pacifieth the angry, strengtheneth the weake, humbleth the proud, gladdeth the humble, stirres up the slow, reconcileth enemies, lifteth up the heart to heavenly things, and uniteth the Creature to his Creator.”It begins meditatively, but eventually grows agitated and fervent, with a vision of the “quire of Angels and Saints” “redoubling anddescanting” - an ecstatic and terrifying vision of the skies opening up. Ravenscroft then encourages the use of instrumental musicfor worship, at which point, a long, acrobatic orchestral interlude with jagged edges antagonizes the choir, who sing a kind of private, anxious meditation on two pitches.One of the most delicious biblical texts is an Apocryphal prayer known as the Benedicite or the Prayer of the Three Children (the same who were rescued by an angel after King Nebuchadnezzar tried to have them burnt in an oven for not bowing to his image). The text is repetitive, obsessive, and a gift to composers - each line is an invocation of an element of the natural world, followed by the phrase, “blesse ye the Lord, praise him & magnify him for ever.” In Looking Up, the setting begins with three solo voices, and then grows to include the whole choir, itemizing the whole of creation. The idea that these boys are spared from the furnace and then five minutes later are saying, “O ye the fire and warming heate, blesse ye the Lord...” has always felt very loaded to me, and the orchestra plays with this conflict between joyful praise and a more terrible (in the 16th-century sense) awefor the divine.The text for the third, and shortest, section is taken from Christopher Smart's (1722-1771) A Song to David, purportedly written during his confinement in a mental asylum. This ode to King David points out how David, as the author of some of the Psalms, observes the whole world from the “clustering spheres” to the “nosegay in the vale.&rdquo.
