SKU: AP.1-ADV12018
UPC: 805095120189. English.
Includes 42 additional jazz and Latin originals from 20 of his critically-acclaimed recordings (discography included).Titles: 3/2 Rock * African Flutes * Alto-Tenor Duets * Aniversario * Bachi * Blues for Home * Brazilian Waltz * C. P. * Carnaval * Children's Pieces * Coco B. * Coming Home * Donna, My Love * Don't Ever Leave * Elizete * Gentle Breeze * I Remember Spring * Ice Crystals * In The Beginning * Leavin' * Legacy * Machaca * Malibu Glide * Melino do Rio * Millbrae Walk * Novelho * Once Again * Ontem á Noite * Piece For Scotty * Quiet Reflections * Samba Claro * Samba Da Borboleta * September Afternoon * Sleep Sweet Child * Solar Patrol * Sonho * Suerte * The Blues * The Duke * The Strut * Tom Cat * Western Airlines.
Includes 42 additional jazz and Latin originals from 20 of his critically-acclaimed recordings (discography included).Titles: 3/2 Rock * African Flutes * Alto-Tenor Duets * Aniversario * Bachi * Blues for Home * Brazilian Waltz * C. P. * Carnaval * Children's Pieces * Coco B. * Coming Home * Donna, My Love * Don't Ever Leave * Elizete * Gentle Breeze * I Remember Spring * Ice Crystals * In The Beginning * Leavin' * Legacy * Machaca * Malibu Glide * Melino do Rio * Millbrae Walk * Novelho * Once Again * Ontem á Noite * Piece For Scotty * Quiet Reflections * Samba Claro * Samba Da Borboleta * September Afternoon * Sleep Sweet Child * Solar Patrol * Sonho * Suerte * The Blues * The Duke * The Strut * Tom Cat * Western Airlines.
SKU: AP.1-ADV12016
UPC: 805095120165. English.
Over 40 songs by one of the most unique composers in the history of jazz, for the first time in print in their original form, using the composer's manuscripts, including his most popular songs Morning and Pensativa, tunes from his critically acclaimed record Extension, a representative collection of his best Latin material plus several new songs. Also included are forewords by Jerry Coker and Bill Dobbins, a biography and a complete discography. Titles: A Long Time Ago * Baroque * Basic Blues * Bittersweet * Blues at Play * Cal's On * Canto Africano * Clavo * Confusion in Dallas * DaVidaBel(l)a * Dancing Song * Elegy * Coker's Blues * Running Mate * Francis Paudrás * Funquiado * Fuzz Blues * Faviota * Hoaky Blues (alias Blues in G) * Igor * Love Come Upon Me * Love's Walk * Memento * Miles Behind * Minor Sights * Morning * Nova * O Canto * Ornithardy * Pájaro Loco (Crazy Bird) * Passacaglia * Passarinho * Pavillón * Pensativa * Quiet Dawn * Serenidade * Soloette * Starbright * Strayhorn * Suddenly * Tahlia (Song for Tahli) * The Greek * The House on Summit * Thiers' Tears * Twas Only Yesterday * Waiting (for Jack's Plane) * Waltz * When Autumn Comes.
SKU: M7.AHW-3008
English.
Eine einmalige und informative Stilstudie von 24 der einflussreichsten Pianisten der Jazzgeschichte.A comprehensive approach to keyboard improvisation.Both a continuation of the study of styles in Volume 3 and a representation of these style as developed by 24 of the most influential soloists ever, including Jelly Roll Morton, Earl Hines, Art Tatum, Monk, Cecil Taylor, Oscar Peterson, Chick Corea, and Keith Jarrett.
SKU: AP.1-ADV9709
UPC: 805095097092. English.
This album, completely improvised and recorded originally in 1975 in Germany on the Hans Georg Brunner-Schwer Steinway and re-released by advance music, shows off the range, the beauty and the versatility of this brilliant musician. (Gene Lees)Titles include: Yesterdays (Jerome Kern) * Du, Du, liegst mir im Herzen (Trad. / Clare Fischer) * Tahlia (Clare Fischer) * The Touch of Your Lips (Ray Noble) * Excerpt from Canonic Passacaglia (Clare Fischer) * Everything Happens to Me (Matt Dennis / Tom Adair) * Brunner-Schwerpunkt (Clare Fischer) * I Can't Get Started (Vernon Duke / Ira Gershwin).
SKU: AP.1-ADV31301
UPC: 805095313017. English.
Clare Fischer's Strayhorn is a feature that includes a completely written-out solo piano part so that it can also be played by good classically-trained musicians with little jazz experience. Jazz pianists are invited to improvise the solo. First trumpet goes to C (2 ledger lines above staff). Arranged for big band by Bill Dobbins.
SKU: AP.1-ADV31301-1
SKU: AP.1-ADV34016
UPC: 805095340167. English. Traditional; based on a version by Clare Fischer.
This big band orchestration, Du, Du, liegst mir im Herzen, of Clare Fischer's arrangement on the recording Latin Pattern begins with a piano introduction from the recording Alone Together (Clare Fischer) that establishes the Latin groove of this traditional German song. Later there is an open solo over a vamp that builds into a very exciting ensemble passage. Optional parts are included for flute, clarinet, French horn, tuba, and guitar.
SKU: AP.1-ADV8600
UPC: 805095086003. English.
From Bach's Suite for String Orchestra in D, arranged by Clare Fischer for clarinet choir, piano, and bass. The piano voice contains a transcription of Clare's improvised keyboard solo .
SKU: AP.1-ADV6004
UPC: 805095060041. English.
Piano Quartet No. 1: For Violin, Viola, Violoncello, and Piano by Clare Fischer contains jazz elements without being jazz. Some of the melodic structures are quite bluesy.
SKU: AP.1-ADV11307
ISBN 9783892211334. UPC: 805095113075. English.
Many different possibilities for harmonizing the same melody are illustrated and analyzed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans, and Clare Fischer. Techniques of melody harmonization are covered, along with linear writing, and counterpoint for 2, 3, 4, and 5 horns. A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers. Six complete scores in concert key are ideal for analysis, for playing the horn parts on the piano, or for following the performances on the CD. An extensive chapter on form and development deals with extended compositional forms and the use of compositional techniques in writing for the small jazz ensemble. A useful discography is included at the end of each chapter. Dans ce volume, beaucoup de différentes possibilités pour l'harmonisation de la même mélodie sont illustrées et analysées, en utilisant des techniques d'arrangeurs et compositeurs influents tels que Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans et Clare Fischer. Contents: Preface * About the Chord Symbols Used in This Book * Melody Harmonization: The Basic Techniques and the Linear Approach * Writing for Two Horns * Writing for the Rhythm Section * Writing for Three Horns * Writing for Four Horns * Writing for Five Horns * Form and Development * Minor D * Blues for Barry * Beautiful Dreamer * Suite for Swee' Pea' * Appendix: I. Ranges and Transpositions of the Instruments Used in this Book * II. Articulations and Jazz Inflections Used in this Book * III. Basic Procedures for Score Layout * Bill Dobbins Discography.
SKU: AP.1-ADV7665
UPC: 805095076653. English.
The Blues can be described as slow, laid back, and soulful. With all the rich textural colors and interplay found in the writing of Clare Fischer, this little blues is easy to play and a treat to hear.
SKU: AP.1-ADV7504
UPC: 805095075045. English.
Clare Fischer's Gaviota has been arranged by Ramon Ricker, and is a bolero with a beautifully flowing melody. Although originally written for five saxophones (SATTBar), piano,guitar, double bass, and percussion, this arrangement works equally well using the optional parts for a trumpet/flugelhorn and trombone.
SKU: AP.1-ADV40017
UPC: 805095400175. English.
Suite for Cello and String Orchestra by Clare Fisher has three movements, After the Rain, The Early Years, and Finale.
SKU: AP.1-ADV40016
UPC: 805095400168. English.
SKU: AP.1-ADV9003
UPC: 805095090031. English. Transcribed by Bill Dobbins.
Transcript ions of eight of the tunes Clare improvised on the solo piano recordings, Alone Together and Just Me. Titles: Yesterdays * Du, Du, liegst mir im Herzen * Excerpt from Canonic Passacaglia * Everything Happens To Me * 'Round Midnight * (I Would Do) Anything for You * Liebesleid (Love's Sorrow) * Ill Wind * Pensativa (Pensive Woman).
SKU: AP.1-ADV8305
ISBN 9783892212966. UPC: 805095083057. English.
Dedicated to Richard Stoltzman, Sonatine is arranged for B-flat clarinet and piano by Clare Fisher.
SKU: AP.1-ADV20071
UPC: 805095200713. English.
The Evolution of Solo Jazz Piano is a study of solo piano styles developed by 24 of the most influential solo pianists from 1900 to the present. In order to clearly illustrate the specific contributions of the various pianists, Bill Dobbins composed a theme based on the well-known standard All of Me. By applying the stylistic approaches of the different pianists to the same theme, one becomes aware of the subtle yet evocative elements of each individual style. Common elements between Waller, Ellington, Tatum, Monk and Rowles, Tatum, Hines and Wilson, Smith and Ellington, Corea and Beirach etc., should make it clear that musical individuality is largely the result of the subconscious emphasis of some musical elements over others, rather than the self-conscious cultivation of originality for its own sake. We sincerely hope that this DVD may serve as a stimulus toward the further study of the solo jazz piano tradition in particular and for creative music in general. Titles: Part 1: Traditional Styles Scott Joplin * Jelly Roll Morton * James P. Johnson * Willie The Lion Smith * Earl Fatha Hines * Thomas Fats Waller * Teddy Wilson * Duke Ellington * Art Tatum * Meade Lux Lewis * Pete Johnson * Jimmy Yancey * Part 2: Modern Styles Thelonious Monk * Bud Powell * Oscar Peterson * Erroll Garner * Lennie Tristano * Bill Evans * Clare Fischer * Jimmy Rowles * Cecil Taylor * Chick Corea * Keith Jarrett * Richie Beirach.
SKU: AP.1-ADV9408
UPC: 805095094084. English.
Saxology was originally formed in 1980, when the saxophone and rhythm sections of the top Eastman Jazz Ensemble got together. Since its beginning the group has received widespread acclaim including awards in 1981 and 1987 from Downbeat Magazine for the Best College Instrumental Jazz Group. Titles: Viper Cipher (Ramon Ricker) (6:37) * Times Lie (Chick Corea / arr. Ramon Ricker) (8:30) * Jones (Jerry Bergonzi / arr. Ramon Ricker) (6:09) * Gaviota (Clare Fischer / arr. Dirk Fischer / orch. Ramon Ricker) (7:35) * Creature Feature (Jerry Bergonzi / arr. Ramon Ricker) (6:51) * Prelude No. 5 (Bill Dobbins) (5:33) * Witch Hunt (Wayne Shorter / arr. Ramon Ricker) (7:48) * Black Narcissus (Joe Henderson / arr. Ramon Ricker) (7:08) * Evan's Dance (Bill Dobbins) (6:21) * Passing Glances (Ramon Ricker) (7:50).
SKU: AP.1-ADV33002
UPC: 805095330021. English.
Morning is a cha-cha that has evolved into a classic of the standard Latin jazz repertoire. In case the saxophone players don't double on flute and/or clarinet, there's an extra set of woodwind parts for additional woodwind players included. Morning can be performed with or without the string section.
SKU: AP.1-ADV33001
UPC: 805095330014. English.
SKU: AP.1-ADV7664
UPC: 805095076646. English.
A beautiful tone poem with flowing melodies, lush harmonies, mood changes, and a heroic climax. More musically challenging than technically demanding, it is playable and a welcome addition to the repertoire.
SKU: AP.1-ADV9002
UPC: 805095090024. English.
The exercises in this book are constructed towards two ends: finger strength and facility, and harmonic thinking at the keyboard.
SKU: AP.1-ADV11306
UPC: 805095113068. English.
Many different possibilities for harmonizing the same melody are illustrated and analyzed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans, and Clare Fischer. Techniques of melody harmonization are covered, along with linear writing and counterpoint for 2, 3, 4, and 5 horns. A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers. Six complete scores in concert key are ideal for analysis, for playing the horn parts on the piano, or for following the performances on the CD. An extensive chapter on form and development deals with extended compositional forms and the use of compositional techniques in writing for the small jazz ensemble. A useful discography is included at the end of each chapter. Contents: Preface * About the Chord Symbols Used in this Book * Melody Harmonization: The Basic Techniques and the Linear Approach * Writing for Two Horns * Writing for the Rhythm Section * Writing for Three Horns * Writing for Four Horns * Writing for Five Horns * Form and Development * Minor D * Blues for Barry * Beautiful Dreamer * Suite for Swee' Pea' * Appendix.
SKU: AP.1-ADV20072
UPC: 805095200720. German.
Die Evolution des Solo Jazz Pianos ist eine Studie über 24 der einflussreichsten Solo Jazz Piano Stile, von 1900 bis heute. Um die spezifischen Beiträge der einzelnen Pianisten deutlich zu veranschaulichen, komponierte Bill Dobbins ein Thema, das auf der Akkordfolge des bekannten Standards All of Me basiert. Durch die Übertragung der stilistischen Eigenheiten auf ein und dasselbe Thema ist es möglich, die subtilen aber trotzdem einprägsamen Elemente jedes Stiles klar zu erkennen. Gemeinsamkeiten zwischen Waller, Ellington, Tatum, Monk und Rowles, Tatum, Hines und Wilson, Smith und Ellington, Corea und Beirach etc. veranschaulichen, dass musikalische Individualität größtenteils das Ergebnis unbewusster Bevorzugung bestimmter musikalischer Elemente ist, und nicht die Kultivierung der Originalität um ihrer selbst willen. Wir hoffen aufrichtig, daß diese DVD das Interesse am Solo Jazz Piano aber auch an kreativer Musik im allgemeinen anregt. LEHR-Programm gemäß § 14 JuSchGTitles: Teil 1: Traditionelle Stile Scott Joplin * Jelly Roll Morton * James P. Johnson * Willie The Lion Smith * Earl Fatha Hines * Thomas Fats Waller * Teddy Wilson * Duke Ellington * Art Tatum * Meade Lux Lewis * Pete Johnson * Jimmy Yancey * Teil 2: Moderne Stile Thelonious Monk * Bud Powell * Oscar Peterson * Erroll Garner * Lennie Tristano * Bill Evans * Clare Fischer * Jimmy Rowles * Cecil Taylor * Chick Corea * Keith Jarrett * Richie Beirach.
SKU: AP.1-ADV3104
ISBN 9783892210795. UPC: 805095031041. English.
Improvisat ion is at the heart of jazz, but knowing how to play stylistically correct in a large jazz ensemble is also a necessity. How to Play Lead Trombone in a Big Band offers tips, suggestions, examples and a play along CD to help you put it all together. How to Play Lead Trombone in a Big Band by Mark Kellogg is an annotated guide written to help trombonists explore the joys and challenges of playing in a large jazz ensemble. Topics covered include the distinct roles of lead and section players in a big band; playing with a cohesive section sound; and performing with an even sense of balance, intonation, and rhythmic feel. These insightful comments are conveyed by taking a detailed look at seven compositions and addressing the specific challenges of each work. The CD which accompanies this text provides a helpful aural guide, enabling the trombonist to listen to each example or to play along with the recording. The variety of jazz styles covered in this volume include medium swing, funk, bossa, fast swing, and Afro-Cuban feels. Composers and arrangers of these pieces include some of the most innovative and respected voices of the genre, such as Clare Fischer, Bill Dobbins, Jim Snidero, Heiner Wiberny, and Joey Sellers. This publication is designed for use by trombonists of all ages and experience levels.
SKU: AP.1-ADV11305
ISBN 9783892210061. UPC: 805095113051. English.
Many different possibilities for harmonizing the same melody are illustrated and analyzed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans and Clare Fischer.Techniques of melody harmonization, linear writing and counterpoint for 2, 3, 4 and 5 horns.A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers.Six complete scores in concert key are ideal for analysis, for playing the horn parts on the piano or for following the performances on the audio download.An extensive chapter on form and development deals with extended compositional forms and the use of compositional techniques in writing for the small jazz ensembleA useful discography is included at the end of each chapter.