SKU: BT.YS10221
ISBN 9780711925137. English.
Great Idea For History Curriculum Project At Key Stage 2. The Main Story Takes Place In The Post-War Austerity Years. The Scenes Are Linked By Sketches And Songs Highlighting Events Such As Rationing, The Birth Of The Nhs And Nationalisation Of The Coal Mines. Score Contains 13 Songs, Some With Two Parts, Plus Parts For Recorders And Tuned Percussion. The Score Is Available (Catalogue No. Ys10213) And A Cassette Of Musical Accompaniments Is Also Available (Catalogue No. Ys10239).
SKU: BT.DHP-1165721-070
ISBN 9789043151641.
The 1972 Deep Purple smash hit Smoke on the Water is probably one of the most iconic rock songs ever written. Based on a true story, this track is still very popular across several generations, even with the youngsters of today. This arrangement was specifically arranged for four-voiced flexible ensemble in order to make it possible for young and beginning ensembles to enjoy the magic of Deep Purple. Deep Purple’s tophit Smoke on the Water uit 1972 is waarschijnlijk een van de meest iconische rocksongs die ooit zijn geschreven. Dit nummer, gebaseerd op een waar gebeurd verhaal, is nog altijd heel populair onder verschillende generaties, zelfs bij de jongeren van tegenwoordig. Deze bewerking is speciaal gearrangeerd voor vierstemmige flexibele bezetting om het voor jonge en beginnende ensembles mogelijk te maken de magie van Deep Purple te beleven.Der 1972 erschienene Superhit Smoke on the Water von Deep Purple ist wahrscheinlich einer der kultigsten Rocksongs, der je geschrieben wurde. Dieses Stück, das auf einer wahren Begebenheit basiert, ist über mehrere Generationen hinweg immer noch sehr beliebt, sogar bei den heutigen Jugendlichen. Dieses Arrangement wurde speziell für eine vierstimmige variable Besetzung geschrieben, damit auch junge Blasorchester den Zauber von Deep Purple genießen können.Le tube de Deep Purple de 1972 Smoke on the Water est probablement l’une des chansons rock les plus emblématiques jamais écrites. Inspiré de faits réels, ce thème est toujours populaire de génération en génération, même pour la jeunesse d’aujourd’h ui. Cet arrangement fut réalisé spécialement pour ensemble flexible quatre voix pour permettre aux plus jeunes de jouir de la magie de Deep Purple dès le début. Smoke on the Water, del 1972, è senza dubbio non solo il brano più noto dei Deep Purple, ma uno dei brani più iconici della storia del rock. Ispirato all’episodio dell’incendio del casinò di Montreaux del 1971, con il suo riff ha conquistato e continua a conquistare generazioni di appassionati. L’arrangiamento è per strumentazione variabile a quattro voci. Particolarmente indicato per giovani organici.
SKU: BT.DHP-1135401-010
9x12 inches. English-German-French-Dut ch.
Satoshi Yagisawa chose as the theme of this work the subject of Bushido, the fundamental Japanese code of samurai chivalry, and depicts the life of a heroic and passionate samurai knight of the 19th century. The Japanese-sounding mood can be furtherenhanced by the optional use of Japanese instruments such as drums and bamboo pipes.Voor dit werk koos Satoshi Yagisawa het thema bushido, de Japanse erecode van ridderlijkheid onder de samoerai (de Japanse krijgsadel). Hij schets in zijn muziek de levensweg van een hero sche en toegewijde krijger uit de 19e eeuw. De Japansesfeer kan desgewenst worden onderstreept met Japanse instrumenten, zoals trommels en slagwerk van bamboe.Satoshi Yagisawa wählte für dieses Werk das Thema Bushido, den fundamental japanischen Kodex des Samurai-Ritterordens, und zeichnete in seiner Musik den Lebensweg eines heroischen und leidenschaftlichen Samurai-Ritters im 19. Jahrhundert nach. Diejapanische Atmosphäre kann durch den optionalen Einsatz von japanischen Instrumenten, wie Trommeln und Bambusrohren, zusätzlich unterstrichen werden.The Life of a Samourai fait entendre au monde une musique évoquant l’esprit et l’histoire du Japon. Elle rappelle le code de vie des samoura s, qui exige loyauté et honneur, se transmettant de génération en génération tout en évoluant avec letemps. Cette oeuvre fait appel des instruments japonais tels que tambours et fl tes en bambou. Cependant, le compositeur a désigné des instruments pouvant remplacer ceux-ci afin que la pièce puisse être interprétée par des formations nonjaponaises.Sat oshi Yagisawa ha scelto il tema del Bushido, il codice fondamentale giapponese dei cavalieri Samurai, descrivendo in musica la vita di un eroico e appassionato cavaliere Samurai del XIX secolo. L’atmosfera giapponese può essere ulteriormenteesaltata con l’utilizzo facoltativo di strumenti giapponesi, come tamburi e canne di bambù.
SKU: BT.DHP-1074421-140
Missa Katharina is a mass - comprising of the standard movementsKyrie, Gloria, Credo, Sanctus, Benedictus and Agnus Dei. In additionto this the composer has added additional instrumental movements- Prelude, Offertory, Postludium and the massmovements Alleluiaand Amen. Missa Katharina was primarily written for choir, sopranosolo and concert band but can also be performed with a choir,accompanied by an organ or piano only. If there is no good solosoprano voice available, the sopranos canalso sing the sopranopart tutti, standing before the choir. A truly flexible work that willbe equally at home performed in the church or in the concert hall.Choral parts available separately.<Mi ssa Katharina is een mis die bestaat uit de gebruikelijke delen Kyrie, Gloria, Credo, Sanctus, Benedictus en Agnus dei. Er zijn instrumentale delen toegevoegd: een Preludium, Offertorium en Postludium,evenals eenAlleluia en een Amen. Het Preludium is bedoeld voor de aanvang van de mis, het Offertorium komt tussen de preek en de communieviering en het Postludium komt aan het eind vande mis. Het Alleluia wordt gezongenna het Gloria, het Amen volgt het Agnus dei.Er zijn verschillende uitvoeringsmogelijkheden: - een integrale versie,- een versie met alleen de gebruikelijke delen,- eenversie zonder koor, met alleen drie instrumentale delen,- eenuitvoering van elk afzonderlijk deel.Missa Katharina is in eerste instantie geschreven voor koor, sopraansolo en harmonieorkest. De mis kan ook worden uitgevoerdmet koor en orgel of piano. Als er geen geschikte sopraan te vinden is, kunnen desopranen van het koor de solo voor hun rekening nemen.Koorpartijen apart verkrijgbaar.M issa Katharina ist eine Messe aus den Ordinariumsteilen Kyrie, Gloria, Credo, Sanctus, Benedictus und Agnus Die. Dazu kommen die Instrumentalteile Präludium, Offertorium und Postludium sowie die MesseteileAlleluja und Amen. Missa Katharina ist in erster Linie geschrieben für Chor, Sopran-Solo und symphonisches Blasorchester. Verschiedene Aufführungsmöglichk eiten (z.B. rein instrumental oder in unterschiedlich langen Versionen) eröffnenzahlreiche Verwendungsmöglichkeit en für dieses eindrucksvolle Werk, mit dem der Komponist 2007 einen internationalen Kompositionswettbewerb gewann.Chorstimmen separat erhältlich. Missa Katharina est une œuvre de commande pour le Concours International de Composition « Missa Katharina », organisé par la Fondation allemande Dr. Dazert (Kempten/Allgäu) en collaboration avec la Confédération Internationale desSociétés Musicales (CISM), l’Euregio Via Salina et le quotidien bavarois Allgäuer Zeitung. Les membres du jury, Johann Mösenbichler (Autriche), Siegfried Bauer (Allemagne), le Père Stefan Kling (Allemagne), Isabelle Ruf-Weber (Suisse) et ReinaldScheule (Allemagne), eurent pour t che de choisir l’œuvre lauréate du concours parmi les 32 œuvres qui leur furent soumises. Après délibération, le prix du Concours fut attribué Jacob de Haan. L’œuvre fut donnée en création mondialedans la célèbre basilique d’Ottobeuren (Allgäu) en Allemagne par l’Orchestre Vent Euregio (Euregio-Blasorchester) et un Chœur formé pour cette occasion, placés sous la direction de Johann Mösenbichler.Prénom féminin d’origine grecque,Catherine (Katharina) est le symbole de la pureté. Parmi les femmes remarquables qui ont porté ce prénom, on citera Catherine de Sienne (fille d’un Ordre, mystique et docteur de l’Église), Catherine d’Alexandrie (martyre, sainte auxiliatrice),Catherine Labouré (religieuse, mystique), Anne Catherine Emmerick (religieuse, mystique), Catherine de Bologne (abbesse) et Catherine de Suède (abbesse).Missa Katharina est une messe composée des cinq mouvements Kyrie, Gloria, Credo,Sanctus, Benedictus et Agnus Dei. Ces mouvements sont complétés par trois mouvements instrumentaux (Prélude, Offertoire, Postlude) et deux mouvements de messe, l’Alléluia et l’Amen. Le Prélude marque l’ouverturedu culte, l’Offertoire célèbre la communion et le Postlude clôt le culte. L’Alléluia est chanté après le Gloria tandis que l’Amen suit l’Agnus Dei.Les possibilités d’interprétatio n sont les suivantes :-enversion intégrale-une version qui ne comprend que les mouvements.Partitions pour chÅ“ur disponibles séparément. Parti per coro disponibili a parte.
SKU: BT.DHP-1074421-010
Missa Katharina is a mass - comprising of the standard movementsKyrie, Gloria, Credo, Sanctus, Benedictus and Agnus Dei. In additionto this the composer has added additional instrumental movements- Prelude, Offertory, Postludium and the massmovements Alleluiaand Amen. Missa Katharina was primarily written for choir, sopranosolo and concert band but can also be performed with a choir,accompanied by an organ or piano only. If there is no good solosoprano voice available, the sopranos canalso sing the sopranopart tutti, standing before the choir. A truly flexible work that willbe equally at home performed in the church or in the concert hall.Choral parts available separately.Mis sa Katharina is een mis die bestaat uit de gebruikelijke delen Kyrie, Gloria, Credo, Sanctus, Benedictus en Agnus dei. Er zijn instrumentale delen toegevoegd: een Preludium, Offertorium en Postludium,evenals eenAlleluia en een Amen. Het Preludium is bedoeld voor de aanvang van de mis, het Offertorium komt tussen de preek en de communieviering en het Postludium komt aan het eind vande mis. Het Alleluia wordt gezongenna het Gloria, het Amen volgt het Agnus dei.Er zijn verschillende uitvoeringsmogelijkheden: - een integrale versie,- een versie met alleen de gebruikelijke delen,- eenversie zonder koor, met alleen drie instrumentale delen,- eenuitvoering van elk afzonderlijk deel.Missa Katharina is in eerste instantie geschreven voor koor, sopraansolo en harmonieorkest. De mis kan ook worden uitgevoerdmet koor en orgel of piano. Als er geen geschikte sopraan te vinden is, kunnen desopranen van het koor de solo voor hun rekening nemen.Koorpartijen apart verkrijgbaar.M issa Katharina ist eine Messe aus den Ordinariumsteilen Kyrie, Gloria, Credo, Sanctus, Benedictus und Agnus Die. Dazu kommen die Instrumentalteile Präludium, Offertorium und Postludium sowie die MesseteileAlleluja und Amen. Missa Katharina ist in erster Linie geschrieben für Chor, Sopran-Solo und symphonisches Blasorchester. Verschiedene Aufführungsmöglichk eiten (z.B. rein instrumental oder in unterschiedlich langen Versionen) eröffnenzahlreiche Verwendungsmöglichkeit en für dieses eindrucksvolle Werk, mit dem der Komponist 2007 einen internationalen Kompositionswettbewerb gewann. Chorstimmen separat erhältlich. Missa Katharina est une œuvre de commande pour le Concours International de Composition « Missa Katharina », organisé par la Fondation allemande Dr. Dazert (Kempten/Allgäu) en collaboration avec la Confédération Internationale desSociétés Musicales (CISM), l’Euregio Via Salina et le quotidien bavarois Allgäuer Zeitung. Les membres du jury, Johann Mösenbichler (Autriche), Siegfried Bauer (Allemagne), le Père Stefan Kling (Allemagne), Isabelle Ruf-Weber (Suisse) et ReinaldScheule (Allemagne), eurent pour t che de choisir l’œuvre lauréate du concours parmi les 32 œuvres qui leur furent soumises. Après délibération, le prix du Concours fut attribué Jacob de Haan. L’œuvre fut donnée en création mondialedans la célèbre basilique d’Ottobeuren (Allgäu) en Allemagne par l’Orchestre Vent Euregio (Euregio-Blasorchester) et un Chœur formé pour cette occasion, placés sous la direction de Johann Mösenbichler.Prénom féminin d’origine grecque,Catherine (Katharina) est le symbole de la pureté. Parmi les femmes remarquables qui ont porté ce prénom, on citera Catherine de Sienne (fille d’un Ordre, mystique et docteur de l’Église), Catherine d’Alexandrie (martyre, sainte auxiliatrice),Catherine Labouré (religieuse, mystique), Anne Catherine Emmerick (religieuse, mystique), Catherine de Bologne (abbesse) et Catherine de Suède (abbesse).Missa Katharina est une messe composée des cinq mouvements Kyrie, Gloria, Credo,Sanctus, Benedictus et Agnus Dei. Ces mouvements sont complétés par trois mouvements instrumentaux (Prélude, Offertoire, Postlude) et deux mouvements de messe, l’Alléluia et l’Amen. Le Prélude marque l’ouverturedu culte, l’Offertoire célèbre la communion et le Postlude clôt le culte. L’Alléluia est chanté après le Gloria tandis que l’Amen suit l’Agnus Dei.Les possibilités d’interprétatio n sont les suivantes :-enversion intégrale-une version qui ne comprend que les mouvements.Partitions pour chÅ“ur disponibles séparément. Parti per coro disponibili a parte.
SKU: BT.DHP-1064049-010
The French-speaking Flemish singer, composer and lyricist Jacques Brel was born in Brussels in 1929. In the 1950s, he broke away from his bourgeois social background of his family and started an artist’s life in Paris, where he initially wrote chansons and earned a living by performing in small cabarets and bars. Over the following years he achieved worldwide fame with his chansons, which were alternately harsh and melancholic Roland Kernen has selected a number of the wonderful chansons written by this most creative artist to produce this unforgettable chanson medley.De Franstalige Vlaamse zanger, componist en tekstschrijver Jacques Brel (1929-1978) spreekt ook vandaag de dag nog tot de verbeelding en zijn muziek is nog altijd geliefd. In zijn Brel-medley voor harmonieorkest verwerkte RolandKernen een aantal van de prachtige chansons die deze onvergetelijke artiest schreef: Vesoul, Amsterdam, Ne me quitte pas (Laat me niet alleen) en La valse mille temps.Mit seinen Chansons, die mal barsche, mal melancholische Töne aufweisen, erlangte der flämische Sänger, Komponist und Lyriker Jacques Brel in den fünfziger und sechziger Jahren des vergangenen Jahrhunderts Weltruhm. Auch weit über seinen Tod im Jahr 1978 hinaus kennt und liebt die Welt seine Lieder. In seinem Medley für Blasorchester verarbeitete Roland Kernen einige der wundervollen Chansons dieses unvergessenen Künstlers. Auteur, compositeur, chanteur, acteur, cinéaste mais avant tout poète, Jacques Brel (1929-1978) a magnifié la chanson française.Par la justesse de ses textes, par son talent d’interprétatio n, cet artiste - obsédé par la mort et amoureux de la vie - a su trouver les mots qui, génération après génération, continuent de nous toucher. Près de trente ans après sa mort, sa voix, sa désespérance et sa rage résonnent toujours en nous. Autore, compositore, cantante, attore, cineasta ma soprattutto poeta, Jacques Brel (1929-1978) ha rappresentato magnificamente la canzone francese. Con i suoi testi, il suo talento di interpretazione, questo artista - ossesso dalla morte e innamorato della vita - ha saputo trovare le parole che continuano a commuoverci anche trent’anni dopo la sua morte.
SKU: HL.48182754
UPC: 888680948856. 12.5x16.5 inches.
“Oliv ier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms, harmony, melodies and his passion for ornithology, his The Transfiguration of Our Lord Jesus Christ for Choir, Seven solo instruments and Orchestra is no exception to the composer's popular, distinctive style. Composed between 1965-1969, The Transfiguration of Our Lord Jesus Christ is based on the account of Jesus' Transfiguration, found in the Gospels of Matthew, Mark and Luke. The work requires a huge 200 performers and with 14 movements, a typical performance lasts about an hour and a half. The Transfiguration of Our Lord Jesus Christ incorporates Messiaen's popular compositional techniques, such as his modes of limited transposition, and the use of birdsong. Texts are largely based on the Bible. The Transfiguration of Our Lord Jesus Christ is essential to all advanced musicians seeking to expand and vary their ensemble repertoire on a large-scale.&rdquo.
SKU: PR.41641530L
UPC: 680160625925.
The Respiration of the Earth is inspired by the breathing motion. The music focuses on the tension of the air of breathing. There are many different types of breathing such as slow breath, long breath, short breath, holding breath, uneven breath, etc. The shape of the music is created by the inhale and exhale motion. The piece starts with a long holding breath, gradually create a tension until one can't hold that breath and release the air out. The Suona is acting as the motion of the air so the orchestra has to follow. This piece ends with the chaotic motion so the audiences can feel the tension as if they are running out of breath. It's a main concern about the environment of the Earth so this piece is a message to people to keep the environment clean so the Earth can breath for a longer time. Respiration of the Earth is commissioned and dedicated to Mr. Shi Haibin with the gracious support from John Simon Guggenheim Foundation.The Respiration of the Earth is inspired by the breathing motion. The music focuses on the tension of the air of breathing. There are many different types of breathing such as slow breath, long breath, short breath, holding breath, uneven breath, etc. The shape of the music is created by the inhale and exhale motion. The piece starts with a long holding breath, gradually create a tension until one can’t hold that breath and release the air out. The Suona is acting as the motion of the air so the orchestra has to follow. This piece ends with the chaotic motion so the audiences can feel the tension as if they are running out of breath. It’s a main concern about the environment of the Earth so this piece is a message to people to keep the environment clean so the Earth can breath for a longer time.Respiration of the Earth is commissioned and dedicated to Mr. Shi Haibin with the gracious support from John SimonGuggenheim Foundation.
SKU: HL.49019860
ISBN 9783795708023. German.
'Weimar am Pazifik' wurde die Anhaufung beruhmter Personlichkeiten des deutschsprachigen Geisteslebens in Los Angeles genannt. Kunstler, die aufgrund ihres Werkes oder ihrer ethnischen Herkunft von den Nationalsozialisten vertrieben wurden, liessen sich hier nieder und bauten sich fernab der Heimat eine neue Existenz auf. Der in Wien geborene Komponist Ernst Toch (1887 - 1964) war einer von ihnen. Das Schicksal der Emigration traf ihn auf dem Hohepunkt seiner Karriere: Wurde er in den Zwanziger- und beginnenden Dreissiger Jahren des 20. Jahrhunderts noch in einem Atemzug mit Paul Hindemith oder Kurt Weill genannt, musste er im Exil als Unbekannter noch einmal von vorne anfangen. In diesem Buch wird auf der Basis bislang weitgehend unveroffentlichter Quellen nicht nur der Weg des Komponisten in die Emigration, sondern auch seine Assimilation und Akkulturation an das Leben in Kalifornien nachgezeichnet.
SKU: PR.110407440
UPC: 680160002085.
A piano poetry project from Maneval, Migrations was completed in 1998 and premiered in 2002 by Ignat Solzhenitsyn at the Kimmel Center in Philadelphia. The cycle is comprised of thirty separate reflections of the incredible migratory journey of the Monarch butterfly, a multi-generational trek. While conceived as a whole, Migrations can be performed as selected individual pieces or sets of pieces. For advanced performers. Duration: 35'.
SKU: HL.49007596
ISBN 9783795702182. German.
Die Kriterien, die fur die Wahl eines Fingersatzes entscheidend sind, richten sich nicht nur nach Stil und Charakter des betreffenden Werkes, sondern auch nach dem interpretatorischen Zeitstil und dem personlichen Geschmack des Geigers. Die Spezialliteratur hat bisher neue Tendenzen allenfalls angedeutet. Daher hat Klaus Eichholz in diesem Buch den Versuch unternommen, rationale und rationelle Prinzipien des Geigenfingersatzes aufzuzeigen und anhand von uber 400 Notenbeispielen anschaulich vergleichend darzustellen.
SKU: CL.RWS-2241-00
A highly energetic concert opener, High Vibration is a bright and fast fanfare that will leave your audience in awe. This brilliantly scored fanfare will showcase the intensity of the brass section, the sweeping flourishes of the woodwind section, and the metallic nature of keyboard and auxiliary percussion. High Vibration emphasizes consistent transitioning from compound meter to simple meter exposing the ensemble to multiple time signatures and metric modulation.
SKU: CA.1632800
ISBN 9790007112745. Language: all languages.
E texts of the French author Anne-Marie Albiach have long been the point of departure for my works. Following the viola concerto << monstrueuse vecut dans le cadre >> la memoire, which is based on her << H II>> lineaires, the three texts entitled << une geometrie >> have generated a new cycle. As in the other two works of the cycle, << figurations de memoire >> is predicated on two different readings of the text: on the one hand a (private) reading by Anne-Marie Albiach in which time is measured [demarcated] out; while on the other hand the graphic text is measured millimeter by millimeter. The latter serves as the basis - the genetic code - for the temporal, horizontal structure of the quintet, whereas the reading of the author appears in rhythmic surfaces which interrupt the horizontal plane. In << figurations de memoire >> two clearly recognizable elements are repeated: the tone b (which plays a central roll in most of my works) and a chord of fifths built around the tone b - a piece of memory (memoire) from viola concerto. In contrast, the extended chords of the reading consist of five tones which in their frequencies are equidistant from each other (like an overtone chord). For the generation of tone materials the chords of both levels are compressed and stretched within the ranges (frames) of tones from which the horizontal positions of the text fragments are derived: lower, borderline tones on the left margin, and higher borderline tones on the right margin. Thus the disposition on the page, essential for Anne-Marie Albiach (and first introduced in poetry by Mallarme in Un coup de des jamais n'abolire le hasard), is rendered in sound. Naturally each element of the text serves to mold structure and dynamic, to include typography: fragments within quotation marks, in italics, etc., yield different sonorous images [sonorities] and movements. Each word from the typographical reading is orchestrated [instrumentated] differently, which is important for the whole cycle (however, the chords of the spoken reading are always played by five instruments; here only speech and pauses in speech [[interruptions of speech]are distinguished from each other). Thus a tight network of instrumental combinations is created in which, word for word, the text is made audible. The most important element in the process: the vertical, synchronized playing together of the individual instruments (Synchorniestudie), ranging from solo to quintet.
SKU: CF.PAS19
ISBN 9781491146347. UPC: 680160903849. 9 x 12 inches. Key: D major.
Aspirations is written for the most beginning musicians. It uses minimal material, including no more than two repeated eighth notes as the most difficult rhythm. It contains bold fanfare gestures, marcato main melodic material, and a contrasting legato theme. Every section of the ensemble is featured in this sophisticated piece.Aspirations is written for the youngest and least experiences musicians, who have only had a short time on their instruments. This piece uses minimal material, including no more than two repeated eighth notes as the most difficult rhythm. When I composepieces for young people, I often try to pick titles that will be uplifting and inspiring. Certainly, we want our young musicians to aspire to great things through music.The pieces opens with a fanfare type of musical gesture. This material is the glue that holds the piece together. It should be played marcato throughout. The main melody then follows, first sparse and then with the full ensemble. A bridge section is presented that is legato that leads to a return of the main melody. Some development then begins with fragments of the melody taken by the lower strings followed by interjections by the upper strings on the opening fanfare material. After this development, the piece builds to one final full statement of the main melody and then a short coda based on the fanfare material to bookend the piece.As with all of my pieces for young students, I encourage you to adjust the tempo to fit this needs of your students. My tempo is only a recommendation and you should chose a tempo that best works for your students.It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.—Larry ClarkLakeland, FL 2017.
SKU: AP.98-RWS224101
SKU: AU.9780800620363
ISBN 9780800620363.
Chor al gospel acclamations for Advent through Transfiguration. One per Sunday or festival day in the church year, years A, B, C. Unison with keyboard accompaniment. Part of the (Evangelical Lutheran Worship) family of products.
SKU: YM.GPE01100796
ISBN 9784636105797.
This is Simplified Chinese (Mandarin) Edition. THIS IS NOT ENGLISH EDITION, which is available as another book. About the book: The ELS-02 is the latest Electone model in the STAGEA series. Featuring the latest electronic technology, it offers a broader range of performance expression with higher quality sounds and rhythms than ever before. The Basic Book provides a complete and detailed explanation of the functions of the ELS-02 series. Starting with basic operations such as how to change Volume, it covers the basics of creating registration data, including various Displays and Voice Condition Displays. In addition, the Super Articulation Voice, first introduced in the ELS-02 series, is explained in detail. The Advanced Book, a sequel to the Basic Book, provides more detailed and advanced explanations of Rhythm Programs, Effects, Voice Edit, and other important topics and tips for creating original data. This guide is recommended for those who want to challenge making original data differently than before because it always sounds the same. Also included as an appendix is a list of Voice, Effect, and Effect Parameter useful for creating original data. We hope the perfect guides will deepen your understanding of STAGEA and enrich your Electone life.
SKU: IS.PN6157EM
ISBN 9790365061570.
The idea of composing this series of piano pieces was conceived on the occasion of the 80th birthday of the famous Belgian painter and sculptor Octave Landuyt. ‘Secret Inspirations’ is an unfinished series of 7 piano pieces written between 2002 and 2004. Each piece tells its own story and is conceived as a short poem based on intimate moments of the composers' private life. Moments of emotion, astonishment, grief, happiness, passion and beauty. Moments you want to hold on to and cherish until they can be committed to white paper with groups of 5 regularly interspaced parallel lines... All the pieces of ‘Secret Inspirations’ are freely inspired and all have their own individual style. Only the subtitles provide a hint about the image the composer had in mind... .
SKU: AP.1-ADV11315
ISBN 9783892210641. UPC: 805095113150. English. [Gil Evans; Miles Davis] By Steve Lajoie.
Gil Evans & Miles Davis: Historic Collaborations 1957--1962 offers a first-time in-depth analysis of major works by Gil Evans and Miles Davis, including transcribed full scores for Blues for Pablo, New Rhumba, Bess, You Is My Woman, and Will O' the Wisp. It examines the historical context of these legendary collaborations and assesses their impact on jazz ensemble literature.
SKU: ST.B629
ISBN 9790220212895.
In two volumes, Timothy Roberts has selected duets by leading composers from the period following the Restoration of King Charles II in 1660. For Soprano (or Tenor) and Bass, the volume contains six items featuring the main preoccupations of Restoration art: the dramatic and contemplative sides of religion; love anticipated and requited or rejected; and alcohol. The basso continuo has been realised in simple style for keyboard, and players should elaborate or alter it as they wish. CONTENTS Tho' my mistress be fair (Purcell) (D - A) and (F - D) How sweet, how lovely (Eccles) (F - A flat) and (B flat - D) In some kind dream (Purcell) (D - G) and (D (E) - D) Go, perjured maid (Blow) (C - A) and (A - F) Lucifer's fall (Blow) (A - A) and (D (E) - E) Upon a quiet conscience (Purcell) (C - A flat) and (F - E flat).
SKU: CA.1632809
Language: all languages.
E texts of the French author Anne-Marie Albiach have long been the point of departure for my works. Following the viola concerto << monstrueuse vecut dans le cadre >> la memoire, which is based on her << H II>> lineaires, the three texts entitled << une geometrie >> have generated a new cycle. As in the other two works of the cycle, << figurations de memoire >> is predicated on two different readings of the text: on the one hand a (private) reading by Anne-Marie Albiach in which time is measured [demarcated] out; while on the other hand the graphic text is measured millimeter by millimeter. The latter serves as the basis - the genetic code - for the temporal, horizontal structure of the quintet, whereas the reading of the author appears in rhythmic surfaces which interrupt the horizontal plane. In << figurations de memoire >> two clearly recognizable elements are repeated: the tone b (which plays a central roll in most of my works) and a chord of fifths built around the tone b - a piece of memory (memoire) from viola concerto. In contrast, the extended chords of the reading consist of five tones which in their frequencies are equidistant from each other (like an overtone chord). For the generation of tone materials the chords of both levels are compressed and stretched within the ranges (frames) of tones from which the horizontal positions of the text fragments are derived: lower, borderline tones on the left margin, and higher borderline tones on the right margin. Thus the disposition on the page, essential for Anne-Marie Albiach (and first introduced in poetry by Mallarme in Un coup de des jamais n'abolire le hasard), is rendered in sound. Naturally each element of the text serves to mold structure and dynamic, to include typography: fragments within quotation marks, in italics, etc., yield different sonorous images [sonorities] and movements. Each word from the typographical reading is orchestrated [instrumentated] differently, which is important for the whole cycle (however, the chords of the spoken reading are always played by five instruments; here only speech and pauses in speech [[interruptions of speech]are distinguished from each other). Thus a tight network of instrumental combinations is created in which, word for word, the text is made audible. The most important element in the process: the vertical, synchronized playing together of the individual instruments (Synchorniestudie), ranging from solo to quintet. Score and parts available separately - see item CA.1632800.
SKU: AP.37810S
UPC: 038081433219. English.
Exploratio ns takes you on a musical journey into uncharted territory with rich harmonies and a multitude of textures. Beginning with a strong statement, the melody moves along with rhythmic interactions and catchy melodic motives as it evolves and develops before arriving at a brief recapitulation and an exciting coda. Everyone in the ensemble has an important role in the musical discoveries of Explorations. Use your imagination to create your own musical expedition.
SKU: YM.GPE01100794
ISBN 9784636105773.
Abou t the book: The ELS-02 is the latest Electone model in the STAGEA series. Featuring the latest electronic technology, it offers a broader range of performance expression with higher quality sounds and rhythms than ever before. The Basic Book provides a complete and detailed explanation of the functions of the ELS-02 series. Starting with basic operations such as how to change Volume, it covers the basics of creating registration data, including various Displays and Voice Condition Displays. In addition, the Super Articulation Voice, first introduced in the ELS-02 series, is explained in detail. The Advanced Book, a sequel to the Basic Book, provides more detailed and advanced explanations of Rhythm Programs, Effects, Voice Edit, and other important topics and tips for creating original data. This guide is recommended for those who want to challenge making original data differently than before because it always sounds the same. Also included as an appendix is a list of Voice, Effect, and Effect Parameter useful for creating original data. We hope the perfect guides will deepen your understanding of STAGEA and enrich your Electone life.
SKU: AP.37810
UPC: 038081433202. English.
Exploratio ns takes you on a musical journey into uncharted territory with rich harmonies and a multitude of textures. Beginning with a strong statement, the melody moves along with rhythmic interactions and catchy melodic motives as it evolves and develops before arriving at a brief recapitulation and an exciting coda. Everyone in the ensemble has an important role in the musical discoveries of Explorations. Use your imagination to create your own musical expedition. (3:10).
SKU: HL.49012396
ISBN 9790001103435.
Das Werk verbindet modellartig das Prinzip der Gruppenimprovisation mit den Mitteln des Orff-Instrumentariums. Es werden hier also im Rahmen einer fortgeschrittenen Musikpadagogik neue Wege der Musikbetatigung beschritten, die von grosser Wichtigkeit fur die neue Orientierung der Musikpraxis mit der Jugend sind. Vibration bringt zunachst eine didaktische Einfuhrung zur genauen Anwendung des darauffolgenden Notenteils: der Komposition Vibration. Hierfur ist gleichzeitig eine Spielpartitur bereitgestellt fur eine Normalbesetzung aus je 2 verschiedenen Stabspielen (insgesamt 8), dazu einige Rhythmus- bzw. Schlaginstrumente fur 1-3 Spieler. Weitere Varianten der Besetzung sind angegeben.
SKU: HL.49012397
ISBN 9790001103442.
