The Secret

SKU: HL.4008613

UPC: 196288183655. 9.0x12.0x0.845 inches.

In the Mississippi River valley, portions of Minnesota, Wisconsin, Iowa, and Illinois lie in a “driftless” region bypassed by ancient glaciers. The resulting scenic beauty is characterized by magnificent rocky bluffs, steep ravines, and forested hills. Secret Valley is a musical journey exploring a winding road through the misty bluffs, or an unexpected forested valley, a grand view of the mighty river, or a surprising burst of foliage on a crisp Autumn day. The piece uses imaginative textures and striking effects to help your imagination run wild. Dur: ca. 5:15.

SKU: HL.14016902

ISBN 9788759854532. 12.0x8.0x0.438 inches. English.

This is the Harpsichord Part for Kaija Saariaho's Jardin Secret II for Saariaho's 1986 work for Harpsicord and Electronics. This hair raising and spatially aware piece from 1986 also contains detailed performance instructions and tape guides. Also available is a CD and CD-Rom package, with accompaniments and all the patches and files required for a real time performance (KP00291).

SKU: HL.4008614

UPC: 196288183662. 9.0x12.0x0.09 inches.

In the Mississippi River valley, portions of Minnesota, Wisconsin, Iowa, and Illinois lie in a “driftless” region bypassed by ancient glaciers. The resulting scenic beauty is characterized by magnificent rocky bluffs, steep ravines, and forested hills. Secret Valley is a musical journey exploring a winding road through the misty bluffs, or an unexpected forested valley, a grand view of the mighty river, or a surprising burst of foliage on a crisp Autumn day. The piece uses imaginative textures and striking effects to help your imagination run wild. Dur: ca. 5:15.

SKU: HL.4008212

UPC: 196288138983.

This composition musically reveals the secrets of the former Duchy of Savoy. The slow, almost magical beginning describes the beautiful mountain location of the merged villages of La Motte-Servolex. The vastness of the Alps is echoed in the lyrical theme, which is followed by a faster, march-like section. After the romantic, almost religious middle section, the fast motif returns and the composition ends with a blissful final theme.

SKU: LO.30-1852H

SKU: CF.CM9587

ISBN 9781491154090. UPC: 680160912599. 6.875 x 10.5 inches. Key: C major. English. Transcribed by Wilson Hall. Hidegaard Von Bingen translated by William Hall.

I am the secret fire in all things, scored for SSAA divisi and two soprano soloists, was premiered by the Vancouver Chamber Choir, Jon Washbun, conductor, in November 2008. The Hildegard von Bingen text, translated by Wilson Hall (deceased professor of English at Shorter College in Rome, Georgia and dear friend), is a text that fosters many opportunities to depict the mysterious nature of God, His transcendence into all the human experience, and the hope, through vulnerability, that resonates in the gravamen for individual transubstantiation through the struggles inherent in Life's Stuff. This composition celebrates the transforming power of spirituality, the evolution of the human spirit when one amalgamates with unknowing, and the ecstasy that saturates Life when one acknowledges the God Presence already within.  .
I am the secret fire in all things, scored for SSAA divisi and two soprano soloists, was premiered by the Vancouver Chamber Choir, Jon Washbun, conductor, in November 2008. The Hildegard von Bingen text, translated by Wilson Hall (deceased professor of English at Shorter College in Rome, Georgia and dear friend), is a text that fosters many opportunities to depict the mysterious nature of God, His transcendence into all the human experience, and the hope, through vulnerability, that resonates in the gravamen for individual transubstantiation through the struggles inherent in Life's Stuff. This composition celebrates the transforming power of spirituality, the evolution of the human spirit when one amalgamates with unknowing, and the ecstasy that saturates Life when one acknowledges the God Presence already within.  .
I am the secret fire in all things, scored for SSAA divisi and two soprano soloists, was premiered by the Vancouver Chamber Choir, Jon Washbun, conductor, in November 2008. The Hildegard von Bingen text, translated by Wilson Hall (deceased professor of English at Shorter College in Rome, Georgia and dear friend), is a text that fosters many opportunities to depict the mysterious nature of God, His transcendence into all the human experience, and the hope, through vulnerability, that resonates in the gravamen for individual transubstantiation through the struggles inherent in Life's Stuff. This composition celebrates the transforming power of spirituality, the evolution of the human spirit when one amalgamates with unknowing, and the ecstasy that saturates Life when one acknowledges the God Presence already within.  .
I am the secret fire in all things, scored for SSAA divisi and two soprano soloists, was premiered by the Vancouver Chamber Choir, Jon Washbun, conductor, in November 2008. The Hildegard von Bingen text, translated by Wilson Hall (deceased professor of English at Shorter College in Rome, Georgia and dear friend), is a text that fosters many opportunities to depict the mysterious nature of God, His transcendence into all the human experience, and the hope, through vulnerability, that resonates in the gravamen for individual transubstantiation through the struggles inherent in Life's Stuff.This composition celebrates the transforming power of spirituality, the evolution of the human spirit when one amalgamates with unknowing, and the ecstasy that saturates Life when one acknowledges the God Presence already within. .

SKU: PR.140400670

UPC: 680160023271.

Secre t Geometry can be heard as a short piano sonata, with the movements forming a typical fast--slow--fast pattern. The electronic sounds on tape are tightly interworven with the piano, often serving to extend and transform the piano's sound. The goal is to create a hybrid sound world. The phrase secret geometry is used to describe the play of forms in certain paintings, referring to structural patterns that are used to organize the pictorial elements. Since the electronic medium permits a composer to focus on the micro-structure of individual sounds, as well as more customary concerns with patterns of pitch and rhythm, it seemed appropriate to choose a title that emphasizes the careful shaping of every compositional element. But this is not to neglect the spiritual impulse of the work. After all, the obscure motion of the Holy Spirit herself describes a secret geometry, what Thomas Merton called a hidden wholeness. Written for the distinguished pianist Aleck Karis, Secret Geometry was composed with the assistance of a grant from the Pennsylvania Council on the Arts. The tape was realized in the Presser Electronic Music Studio of the University of Pennsylvania.

SKU: CF.BPS132

ISBN 9781491158463. UPC: 680160917068. 9 x 12 inches.

Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! Itas an epic journey sure to spark your imagination. For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!.
Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! It's an epic journey sure to spark your imagination. For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!.
Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! It’s an epic journey sure to spark your imagination.For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!

SKU: CF.BPS132F

ISBN 9781491158470. UPC: 680160917075. 9 x 12 inches.

Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! Itas an epic journey sure to spark your imagination. For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!.
Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! It's an epic journey sure to spark your imagination. For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!.
Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! It’s an epic journey sure to spark your imagination.For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!

SKU: CL.024-4016-01

This powerful work for young bands depicts vivid images of ancient Chinese warriors in battle. Many battles were won through strategically kept secrets that would surprise the enemy. Using only 4 pitches (Ab, Bb, Eb and E) this work will amaze your listeners with the technical complexity displayed by your young players. Perfect for your next festival or concert performance!

SKU: CY.CC3150

ISBN 9790530111185. 8.5 x 11 in inches.

Here is a brief description of this very fine new work The Secret of Ben Sogen for Trombone and Piano by the composer, Elizabeth Raum: I've always been fascinated by the Nordic heroes that appear in comic books and video games like Thor or Odin. Years ago, I wrote a concerto for tuba called The Legend of Heimdall inspired by Scandinavian folklore, and for this new work for trombone, I found myself drawn to the Danish mythical character, Ben Sogen. My concept was to conjure up a video game champion who goes through various adventures to achieve his final quest. However, the Secret of Ben Sogen is that he doesn't exist. I made him up. My original title was Bone Quest, a pun on the word, trombone, combined with Quest but that didn't evoke the image I wanted so I decided to create a character from the Danish translation of Bone Quest. Thus Ben Sogen. The Hero Trombonist has a theme stated in the beginning, and this motif continues through a variety of backgrounds (or adventures) before the final major key of his goal being achieved. The work is about 7 minutes in length and appropriate for advanced performers.

SKU: IS.PN6157EM

ISBN 9790365061570.

The idea of composing this series of piano pieces was conceived on the occasion of the 80th birthday of the famous Belgian painter and sculptor Octave Landuyt. ‘Secret Inspirations’ is an unfinished series of 7 piano pieces written between 2002 and 2004. Each piece tells its own story and is conceived as a short poem based on intimate moments of the composers' private life. Moments of emotion, astonishment, grief, happiness, passion and beauty. Moments you want to hold on to and cherish until they can be committed to white paper with groups of 5 regularly interspaced parallel lines... All the pieces of ‘Secret Inspirations’ are freely inspired and all have their own individual style. Only the subtitles provide a hint about the image the composer had in mind... .

SKU: WD.080689373770

UPC: 080689373770.

Take a rollicking ride to Snowflake County-a place where Christmas celebrations have become so extravagant they threaten to over shadow the simplicity of Christmas'true meaning. It seems the only one who understands the secret of Jesus' simple birth is little Suzy Hallmark-but no one is listening. It will take a series of crazy mishaps during the community's annual seasonal program before the noise stops and everyone realizes that Christmas isn't about how brightly lights and decorations shine-it's about Jesus, the light of the world. Christy Semsen has once again combined her tuneful songs and clever dialogue with a strong spiritual theme in this delightful musical that is as contemporary as today's headlines. Daniel Semsen's sparkling accompaniment tracks feature musical styles that range from pop to rock to rap and polka. (There are even country line dancing angels and tap dancing wise men!) A full-color Teacher's Resource Kit and a performance IVD are available, providing all the production help you'll need. In addition to long-sleeve and short-sleeve T-shirts, you can also purchase Fun Paks for your choir to use in performance and keep as a souvenir. Your children and congregation are going to love their visit to Snowflake County, where the secret is out: Christ is the center of Christmas!

SKU: WD.080689561368

UPC: 080689561368.

Take a rollicking ride to Snowflake County-a place where Christmas celebrations have become so extravagant they threaten to over shadow the simplicity of Christmas'true meaning. It seems the only one who understands the secret of Jesus' simple birth is little Suzy Hallmark-but no one is listening. It will take a series of crazy mishaps during the community's annual seasonal program before the noise stops and everyone realizes that Christmas isn't about how brightly lights and decorations shine-it's about Jesus, the light of the world. Christy Semsen has once again combined her tuneful songs and clever dialogue with a strong spiritual theme in this delightful musical that is as contemporary as today's headlines. Daniel Semsen's sparkling accompaniment tracks feature musical styles that range from pop to rock to rap and polka. (There are even country line dancing angels and tap dancing wise men!) A full-color Teacher's Resource Kit and a performance IVD are available, providing all the production help you'll need. In addition to long-sleeve and short-sleeve T-shirts, you can also purchase Fun Paks for your choir to use in performance and keep as a souvenir. Your children and congregation are going to love their visit to Snowflake County, where the secret is out: Christ is the center of Christmas!

SKU: WD.080689836220

UPC: 080689836220.

Take a rollicking ride to Snowflake County-a place where Christmas celebrations have become so extravagant they threaten to over shadow the simplicity of Christmas'true meaning. It seems the only one who understands the secret of Jesus' simple birth is little Suzy Hallmark-but no one is listening. It will take a series of crazy mishaps during the community's annual seasonal program before the noise stops and everyone realizes that Christmas isn't about how brightly lights and decorations shine-it's about Jesus, the light of the world. Christy Semsen has once again combined her tuneful songs and clever dialogue with a strong spiritual theme in this delightful musical that is as contemporary as today's headlines. Daniel Semsen's sparkling accompaniment tracks feature musical styles that range from pop to rock to rap and polka. (There are even country line dancing angels and tap dancing wise men!) A full-color Teacher's Resource Kit and a performance IVD are available, providing all the production help you'll need. In addition to long-sleeve and short-sleeve T-shirts, you can also purchase Fun Paks for your choir to use in performance and keep as a souvenir. Your children and congregation are going to love their visit to Snowflake County, where the secret is out: Christ is the center of Christmas!