SKU: LO.30-2766L
UPC: 000308130454.
Melody Green's classic worship song receives a majestic choral treatment in this striking arrangement by Mary McDonald. Opening quietly with men's voices alone and building to a dramatic, worshipful conclusion, this setting is enhanced by the optional lush orchestration that beautifully underscores the lovely vocal textures. Instrumentation: 2 Fl, Ob, 2 Cl, Bsn (sub B Cl), 3 Tpt, 2 Hn (sub 2 A Sax), 2 Tbn (sub T Sax/Btn TC), Tba, Timp, Perc, Harp, Pno, 2 Vln, Vla, Cello, Bass, Digital String Reduction.
Melod y Green's classic worship song receives a majestic choral treatment in this striking arrangement by Mary McDonald. Opening quietly with men's voices alone and building to a dramatic, worshipful conclusion, this setting is enhanced by the optional lush orchestration that beautifully underscores the lovely vocal textures. Instrumentation: 2 Fl, Ob, 2 Cl, Bsn (sub B Cl), 3 Tpt, 2 Hn (sub 2 A Sax), 2 Tbn (sub T Sax/Btn TC), Tba, Timp, Perc, Harp, Pno, 2 Vln, Vla, Cello, Bass, Digital String Reduction.
SKU: LO.30-2765L
UPC: 000308130447.
SKU: LO.30-3670MD
UPC: 000308153118.
Orche stral Score and Parts for 10/5298MD Jay Rouse presents a novel worship treatment for the classic hymn that focuses on the redemption sinners receive through the blood of Christ. The moving music portrays the forgiveness that is now ours. This anthem from the musical The Lamb (55/1192MD) will be additive to Lenten and Eastertide services or any service where the redeeming love of Christ is the focus.
SKU: LP.OR-2129
UPC: 765762121904.
SKU: FJ.B1866
English.
Based on the hymn Guide Me, O Thou Great Redeemer, this heartfelt work begins delicately, relying on fragments of the hymn. Overlapping entrances establish a sense of timelessness as the music develops, ultimately reaching a powerful climax where the piece's original melody and the full hymn tune are presented simultaneously. As the music fades, the listener is left with a sense of peace and closure. Simply magical.
About FJH Young Band
Appro priate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5