| The Cat Is in the Kitchen - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS179F
Composed by Bud Woodruff.
Young String Orchestra
(YAS). Full score. With
Standard notation. 12
pages. Carl Fischer Music
#YAS179F. Published by
Carl Fischer Music
(CF.YAS179F). ISBN
9781491151815. UPC:
680160909315. 9 x 12
inches. Key: F
major. Bud Woodruff
presents The Cat Is in
the Kitchen, a
tongue-in-cheek style
piece with jazz
influences that students
enjoy playing. This
quirky piece is designed
to help students
successfully navigate
playing F-naturals and
B-flats. Bud Woodruff
draws on his lengthy
career as a string
educator to help students
overcome the challenges
in this piece.
I wrote The
Cat Is in the
Kitchen for a group
of very talented young
players who, for some
reason, did not like
Bb's, and particularly
Bb's on the G string ...
especially the cellos
(who always faithfully
played them as B
naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission accomplished!
One will
find that changing the
bowings will change the
accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. My kids loved
playing this piece, and
the audience enjoyed
hearing it. I trust you
will have the same
results. . I wrote The
Cat Is in the
KitchenA for a group
of very talented young
players who, for some
reason, did not like
Bb's, and particularly
Bb's on the G string ...
especially the cellos
(who always faithfully
played them as B
naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission accomplished!
A One will
find that changing the
bowings will change the
accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. A My kids loved
playing this piece, and
the audience enjoyed
hearing it. I trust you
will have the same
results. . I wrote The
Cat Is in the
KitchenA for a group
of very talented young
players who, for some
reason, did not like
Bb's, and particularly
Bb's on the G string ...
especially the cellos
(who always faithfully
played them as B
naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission accomplished!
A One will
find that changing the
bowings will change the
accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. A My kids loved
playing this piece, and
the audience enjoyed
hearing it. I trust you
will have the same
results. . I wrote The
Cat Is in the
Kitchen for a group
of very talented young
players who, for some
reason, did not like
Bb's, and particularly
Bb's on the G string ...
especially the cellos
(who always faithfully
played them as B
naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission accomplished!
One will
find that changing the
bowings will change the
accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. My kids loved
playing this piece, and
the audience enjoyed
hearing it. I trust you
will have the same
results. . I wrote
The Cat Is in the Kitchen
for a group of very
talented young players
who, for some reason, did
not like Bb's, and
particularly Bb's on the
G string ... especially
the cellos (who always
faithfully played them as
B naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission accomplished! One
will find that changing
the bowings will change
the accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. My kids loved
playing this piece, and
the audience enjoyed
hearing it. I trust you
will have the same
results. I wrote The
Cat Is in the
Kitchen for a group of
very talented young
players who, for some
reason, did not like
Bb's, and particularly
Bb's on the G string ...
especially the cellos
(who always faithfully
played them as B
naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission
accomplished! One will
find that changing the
bowings will change the
accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. My kids
loved playing this piece,
and the audience enjoyed
hearing it. I trust you
will have the same
results.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Cat Is in the Kitchen - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS179
Composed by Bud Woodruff.
Young String Orchestra.
Set of Score and Parts.
With Standard notation.
8+8+5+2+5+5+3+12 pages.
Duration 2 minutes, 18
seconds. Carl Fischer
Music #YAS179. Published
by Carl Fischer Music
(CF.YAS179). ISBN
9781491151440. UPC:
680160908943. 9 x 12
inches. Key: C
major. Bud Woodruff
presents The Cat Is in
the Kitchen, a
tongue-in-cheek style
piece with jazz
influences that students
enjoy playing. This
quirky piece is designed
to help students
successfully navigate
playing F-naturals and
B-flats. Bud Woodruff
draws on his lengthy
career as a string
educator to help students
overcome the challenges
in this piece.
I wrote The
Cat Is in the
Kitchen for a group
of very talented young
players who, for some
reason, did not like
Bb's, and particularly
Bb's on the G string ...
especially the cellos
(who always faithfully
played them as B
naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission accomplished!
One will
find that changing the
bowings will change the
accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. My kids loved
playing this piece, and
the audience enjoyed
hearing it. I trust you
will have the same
results. . I wrote The
Cat Is in the
KitchenA for a group
of very talented young
players who, for some
reason, did not like
Bb's, and particularly
Bb's on the G string ...
especially the cellos
(who always faithfully
played them as B
naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission accomplished!
A One will
find that changing the
bowings will change the
accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. A My kids loved
playing this piece, and
the audience enjoyed
hearing it. I trust you
will have the same
results. . I wrote The
Cat Is in the
KitchenA for a group
of very talented young
players who, for some
reason, did not like
Bb's, and particularly
Bb's on the G string ...
especially the cellos
(who always faithfully
played them as B
naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission accomplished!
A One will
find that changing the
bowings will change the
accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. A My kids loved
playing this piece, and
the audience enjoyed
hearing it. I trust you
will have the same
results. . I wrote The
Cat Is in the
Kitchen for a group
of very talented young
players who, for some
reason, did not like
Bb's, and particularly
Bb's on the G string ...
especially the cellos
(who always faithfully
played them as B
naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission accomplished!
One will
find that changing the
bowings will change the
accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. My kids loved
playing this piece, and
the audience enjoyed
hearing it. I trust you
will have the same
results. . I wrote
The Cat Is in the Kitchen
for a group of very
talented young players
who, for some reason, did
not like Bb's, and
particularly Bb's on the
G string ... especially
the cellos (who always
faithfully played them as
B naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission accomplished! One
will find that changing
the bowings will change
the accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. My kids loved
playing this piece, and
the audience enjoyed
hearing it. I trust you
will have the same
results. I wrote The
Cat Is in the
Kitchen for a group of
very talented young
players who, for some
reason, did not like
Bb's, and particularly
Bb's on the G string ...
especially the cellos
(who always faithfully
played them as B
naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission
accomplished! One will
find that changing the
bowings will change the
accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. My kids
loved playing this piece,
and the audience enjoyed
hearing it. I trust you
will have the same
results.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Hymn Fake Book - C Edition
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
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fakebook (spiral bound).
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Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
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| Rehearsing the High School Orchestra GIA Publications
SKU: GI.G-10494 Composed by Sandy Goldie. Music Education. 104 pages. GIA...(+)
SKU: GI.G-10494
Composed by Sandy Goldie.
Music Education. 104
pages. GIA Publications
#10494. Published by GIA
Publications
(GI.G-10494). ISBN
9781574635195. This
book contains collective
insights from some of the
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school orchestra
directors in the United
States. They reveal their
ideas on rehearsal
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Rehearsing the High
School Orchestra. I know
the most joy in my life
has come from my violin.
(Albert Einstein)
—Gail Barnes,
University of South
Carolina, Columbia, South
Carolina Success is not
final, failure is not
fatal, it is the courage
to continue that counts.
(Winston Churchill)
—David Eccles, The
Lovett School, Atlanta,
Georgia I want every
student who comes through
my door to enjoy and see
the value of music.
—Creston Herron,
Klein High School, Klein,
Texas Without music, life
would be a mistake.
(Friedrich Nietzsche)
—Cathie Hudnall,
Norcross High School,
Norcross, Georgia To make
a resolution and act
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carefully taking a step
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(Shinichi Suzuki)
—Scott Laird,
North Carolina School of
Science and Mathematics,
Durham, North Carolina
Orchestra class teaches
so much more than how to
play a stringed
instrument. We learn
valuable life skills in
‘O.R.C.H.E.S.T.R.A
€™â€”Opportunit
y, Responsibility,
Concentration, Honesty,
Effort, Self-Discipline,
Trust, Respect, and
Attitude. —Charles
Laux, Alpharetta High
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Georgia I teach
excellence and the
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—Kirt Mosier,
Youth Symphony of Kansas
City, Kansas City,
Missouri You are the
music while the music
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—Kirk Moss,
University of
Northwestern—St.
Paul, Roseville,
Minnesota The job of
teaching is less about
feeding information to
students, and more about
making them hungry.
—Christopher
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Charlottesville High
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By George Frideric Handel. For SATB Choir, Piano Accompaniment. Baroque, Sacred,...(+)
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Violin 1 Part. By George Frideric Handel. (Violin). Choral Large Works. Size 9x1...(+)
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Composed by George Frederic Handel (1685-1759). 1741. Orchestral part for second...(+)
Composed by George
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| The Transposed Musician GIA Publications
SKU: GI.G-10049 Teaching Universal Skills to Improve Performance and B...(+)
SKU: GI.G-10049
Teaching Universal
Skills to Improve
Performance and Benefit
Life. Composed by
Dylan Savage. Music
Education. 278 pages. GIA
Publications #10049.
Published by GIA
Publications
(GI.G-10049). ISBN
9781622774333. Musi
c teachers know their
students don’t
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they are also exposed to
universal life skills
along the way. But
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left to learn these
universal
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Dylan Savage spent two
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Transposed Musician
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patience, critical
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collaboration,
improvisation, and
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“transposeâ€
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is for music educators
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better-equipped citizens
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“transposed
musicians†for life
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Savage is Associate
Professor of Piano at the
University of North
Carolina–Charlotte
. He is also a
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Artist, a Capstone
Records Recording Artist,
and a winner of the Rome
Festival Orchestra
Competition.
https://thetransposedmusi
cian.com/ This book is
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teacher should apply to
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Savage’s use of
universal skills
transforms music teaching
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essential part of
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twenty-first-century.
This teaching approach of
using universal skills
can revolutionize
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the private studio and
college level and will
give teachers a greater
sense of purpose and
satisfaction in their
work. This book
challenges many
preconceived ideas about
teaching music and
mastering performance.
Bravo for shaking up the
status quo.
—Randall Hartsell
  Composer,
Clinician, Teacher This
book asks and explores
fascinating questions
about what it means to
study music in a changing
world. Are there skills
we can learn in our music
lessons which can enrich
our lives in
other non-musical
areas, and then can we
bring those expanded
skills back into our
study of music itself?
Too often our
conservatories are
dead-ends, stuck with
outdated, one-dimensional
approaches which can lead
to stunted personal
development. This book
suggests ways in which we
can break down doors, for
students and teachers
alike, and celebrate
music as something
life-affirming, in and
out of the studio.
—Stephen Hough
  Pianist,
Composer, Writer Dylan
Savage has given us a
fresh and creative
pedagogy to guide our
music students toward
life as
twenty-first-century
musicians. His career as
pianist and teacher, and
his firsthand experience
in the marketplace of
business and industry,
allow him to forge a
systematic approach to
teaching universal skills
in the music lesson. In
each of the eight
chapters, skills such as
problem-solving, focus,
critical thinking,
collaboration, and
improvisation are defined
and applied to musical
skills. These in turn are
“transposedâ€
to non-musical
applications. We observe
the music lessons and the
active
“transpositionâ€
or transfer of
universal skills
exemplified through
descriptions of
particular lessons. The
anxieties, confusions,
and ultimate comfort and
understanding of students
are guided by the
questions of the teacher.
The book is beautifully
organized and is enriched
by quotations of artists,
musicians and
philosophers, and
suggested readings and
references. I really
think this is an
important and helpful
book with a point of view
that is much needed. The
empathy and knowledge of
the author steer the
reader toward the
realities of
today’s musical
world, a world that
requires skilled
musicians to have
universal skills that
benefit their lives,
regardless of their
ultimate career paths.
—Phyllis Alpert
Lehrer  Â
Professor Emerita,
Westminster Choir College
of Rider University Â
 Artist Faculty,
Westminster Conservatory
In The Transposed
Musician, Dylan Savage
combines a
visionary’s deep
understanding of the
challenges music students
and teachers face with an
eminently practical way
to meet those challenges.
Using a master
teacher’s insight,
Savage
“transposesâ€
eight potential stumbling
blocks into eight
universal skills that can
be acquired through a
beautifully organized,
step-by-step approach. In
turn, he shows how these
skills can be applied to
other areas in our
rapidly changing world,
helping us lead more
satisfying, meaningful,
and fulfilling lives, not
only as musicians, but as
human beings. For
students and teachers
alike, an inspired and
inspiring book.
—Barbara
Lister-Sink, Ed.D. Â
 Producer, Freeing
the Caged Bird The
Transposed Musician is an
important contribution to
our literature on
teaching essential life
skills including
problem-solving,
patience, focus, critical
thinking, and creativity
within the traditional
music lesson. Teachers
and students both can
benefit from the study
and application of these
skills. Applications are
made both to the
traditional lesson as
well as to non-music
applications.
—Jane Magrath Â
 Pianist, Author,
Teacher  Â
University of Oklahoma
Twenty-five hundred years
ago Plato recommended
music first in his ideal
curriculum for potential
leaders of
Athens—before
sport, mathematics, and
moral philosophy. None of
his candidates, one may
assume, aspired to become
a professional musician.
Nevertheless, throughout
centuries, otherwise
people have acknowledged
that the study and
practice of music
generates collateral
benefits essential to
human fulfillment. In his
new book The
Transposed Musician,
Professor Dylan Savage of
the University of North
Carolina at Charlotte
identifies eight of these
benefits—Problem
Solving, Focus, Patience,
Critical Thinking,
Communication,
Collaboration,
Improvisation, and
Creativity—and
calls them
“universal
skills†which may
be developed consciously
and systematically within
the context of
traditional music
lessons. Doing so takes
what has been implicit
all along and makes it
explicit. Music is good
for us! Music teachers,
even at the highest
conservatory level, learn
from Professor Savage
that they are not so much
professional trainers as
guides to a happier, more
successful life.
—Dr. Joseph
Robinson  Â
Principal Oboe, New York
Philharmonic
(1978–2005) Â
 Successful author,
teacher, producer, and
arts advocate Savage's
excellent book couldn't
be more timely, unique,
clear, full of wisdom,
and exactly what we need.
As he points out, music
teachers have known for
generations—in a
rather generalized
way—that musical
skills can strengthen
life skills in many ways.
Dylan Savage is the first
to address this
'transposition'
intentionally, with
specific exercises in the
transferrable skills.
What better gift could
there be for music
students facing an
ever-changing world?
—William Westney
  Award-winning
concert pianist (Geneva
Competition) and teacher
  Author
of The Perfect Wrong
Note: Learning to Trust
Your Musical Self. $22.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Chops Trombone Carl Fischer
(The Ultimate Guide to Building Tone Technique and Flexibility). By Frank T. Wil...(+)
(The Ultimate Guide to
Building Tone Technique
and Flexibility). By
Frank T. Williams. For
trombone. Softcover book.
64 pages. Published by
Carl Fischer
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Adventurer's Dream - Intermédiaire Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 4
SKU: CF.CAS98
Composed by Bud Woodruff.
SWS FS. Carl Fischer
Concert String Orchestra
Series. Set of Score and
Parts. With Standard
notation.
16+4+16+10+10+10+2+16
pages. Duration 2
minutes, 54 seconds. Carl
Fischer Music #CAS98.
Published by Carl Fischer
Music (CF.CAS98). ISBN
9781491146583. UPC:
680160904082. 9 x 12
inches. Key: G
major. Composer Bud
Woodruff takes his
musical inspiration for
Adventurer's Dream from a
rooster named Wally. Mr.
Woodruff turns this
charming four-note crow
into the main thematic
material for this piece
that is reminiscent of
classic movie
scores. The principal
theme to this piece has
an interesting history .
We had a very young
rooster named Wally . He
had a quite rhythmic
four-pitched crow, which
was very unique and
consistent . As he aged,
his crow settled into
pitches and the opening
melodic figure of this
piece is the very pitches
and rhythm of
Wally’s crow .
However, Wally had a
touch of a glissando
between the last two
pitches, which I chose to
eliminate, for
musicality’s sake
. Wally's crow is spun
out in different ways and
used one way or another
in all the sections of
the piece . Wally was a
very energetic, if not
egotistical, young bird,
and the piece should be
performed accordingly, in
a dashing, swashbuckling,
heroic style, which Wally
would appreciate greatly
and agree that it was
very
appropriate!Rehearsal
suggestions:The most
difficult thing to
accomplish in this work
will be deciding if you
want the repeated
eight-note figure on the
string or off the string
. I don’t care as
long as it sounds
staccato . On the string,
it needs to be played at
or by the camber point;
off the string, that
point will change
depending upon your
tempo, but the stroke
itself should remain
consistent .Although the
basses never have the
melody, they are a
critically important
section and can make or
break this piece . Their
part counters the others
and fills in rhythmic
gaps in a number of
places . It needs to be
played aggressively and
metronomically; they are
the glue that makes the
piece work . The cellos
need to sing for all they
are worth at m . 63 and
do so with joy in their
hands . Their theme needs
to be very lyrical and
smooth . The
countermelody at m . 79
should be understated,
yet not buried while
being intertwined with
the cellos’ theme
. It harkens back to the
main theme and needs a
dreamy quality to it .The
piece was written as a
string orchestra piece .
The optional harp part
was added later and is
not necessary for an
effective performance of
the piece . However, it
does add some extra
variety and color to the
piece, and reinforces the
basses when they fill in
those rhythmic gaps to
which I referred earlier
.A very special thanks
goes to harpist Jane
Minnis for the great and
insightful suggestions
for this part .Thank you
for playing this piece .
I trust you will enjoy it
as much as I do .
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pathway to Success - Teacher's Edition GIA Publications
SKU: GI.G-10120 Habits for Creating a Culture of Excellence. Compo...(+)
SKU: GI.G-10120
Habits for Creating a
Culture of
Excellence. Composed
by Scott Rush and Tim
Lautzenheiser. This
edition: Teacher's
edition. Habits. Music
Education. 116 pages. GIA
Publications #10120.
Published by GIA
Publications
(GI.G-10120). ISBN
9781622774388. NEW
DISTANCE LEARNING OPTION:
For teachers using
Pathway to Success, GIA
Publications has created
a Google Form that allows
students to
electronically submit
their answers to all
questions in the Pathway
to Success Student
Workbook. To download
your own copy of the
Google Form, use the
following link:
https://docs.google.com/f
orms/d/1JaU8fAOfaIMz0jSdg
QPuuuJyDhIzn8T5U78QaxGRns
U/copy. In music programs
across the country,
student leadership is
often thought of in terms
of titles, authority
status, section leader
positions, and being in
charge of others—a
responsibility assumed by
only a select few. But
what if we reframed and
broadened the idea of
leadership to include all
students as leaders of
their own pathway in
life? Band director Scott
Rush and leadership
legend Tim Lautzenheiser
join forces to create
Pathway to Success, a
dynamic and engaging
resource that fosters the
leadership qualities of
every student, not just
the chosen few. This
workbook guides students
through ten sequential
levels as they journey up
the metaphorical mountain
of self-leadership. Along
the way, students will
encounter lessons,
activities, stories,
quotes, and questions
that address the key
qualities of any
effective leader:
communication, attitude,
honesty, trust,
integrity,
self-discipline,
emotional health, goal
setting, relationships,
cooperation, loyalty,
selflessness. Upon
reaching the summit,
students are challenged
to create a
moonshot—to set a
goal and achieve
something that has never
been done before! True
leadership begins with
self-reflection in each
and every student. All
students can benefit when
they see themselves as
their own best leaders,
and therein lies the
foundation of a culture
of excellence. Pathway to
Success is a
groundbreaking leadership
program designed to
inspire student growth
and enhance any band,
choir, or orchestra
program—and
beyond. To borrow a
phrase: All children have
talents, however, not all
children have opportunity
and encouragement.
Pathway to Success by Tim
Lautzenheiser and Scott
Rush describes in detail
the how and provides that
encouragement young
people need to overcome
any reservations and
reluctance they may have
to step forward and
become a leader! History
is full of examples of
shy and timid youngsters
who responded to a
challenge and rose to
greatness as a leader.
This book is invaluable
for any age! Leadership
by example. Pathway to
Success. I wish it was
available when I was a
student. Tim and Scott
nailed it! —
Richard Crain, President
of The Midwest Band and
Orchestra Clinic. $34.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pathway to Success - Student Workbook GIA Publications
SKU: GI.G-10120W Habits for Creating a Culture of Excellence. Comp...(+)
SKU: GI.G-10120W
Habits for Creating a
Culture of
Excellence. Composed
by Scott Rush and Tim
Lautzenheiser. Habits.
Music Education. Book. 80
pages. GIA Publications
#10120W. Published by GIA
Publications
(GI.G-10120W). ISBN
9781622774395. Spec
ial student book pricing
in response to COVID-19:
$5.95 per student book.
NEW DISTANCE LEARNING
OPTION: For teachers
using Pathway to Success,
GIA Publications has
created a Google Form
that allows students to
electronically submit
their answers to all
questions in the Pathway
to Success Student
Workbook. To download
your own copy of the
Google Form, use the
following link:
https://docs.google.com/f
orms/d/1JaU8fAOfaIMz0jSdg
QPuuuJyDhIzn8T5U78QaxGRns
U/copy. In music programs
across the country,
student leadership is
often thought of in terms
of titles, authority
status, section leader
positions, and being in
charge of others—a
responsibility assumed by
only a select few. But
what if we reframed and
broadened the idea of
leadership to include all
students as leaders of
their own pathway in
life? Band director Scott
Rush and leadership
legend Tim Lautzenheiser
join forces to create
Pathway to Success, a
dynamic and engaging
resource that fosters the
leadership qualities of
every student, not just
the chosen few. This
workbook guides students
through ten sequential
levels as they journey up
the metaphorical mountain
of self-leadership. Along
the way, students will
encounter lessons,
activities, stories,
quotes, and questions
that address the key
qualities of any
effective leader:
communication, attitude,
honesty, trust,
integrity,
self-discipline,
emotional health, goal
setting, relationships,
cooperation, loyalty,
selflessness. Upon
reaching the summit,
students are challenged
to create a
moonshot—to set a
goal and achieve
something that has never
been done before! True
leadership begins with
self-reflection in each
and every student. All
students can benefit when
they see themselves as
their own best leaders,
and therein lies the
foundation of a culture
of excellence. Pathway to
Success is a
groundbreaking leadership
program designed to
inspire student growth
and enhance any band,
choir, or orchestra
program—and
beyond. To borrow a
phrase: All children have
talents, however, not all
children have opportunity
and encouragement.
Pathway to Success by Tim
Lautzenheiser and Scott
Rush describes in detail
the how and provides that
encouragement young
people need to overcome
any reservations and
reluctance they may have
to step forward and
become a leader! History
is full of examples of
shy and timid youngsters
who responded to a
challenge and rose to
greatness as a leader.
This book is invaluable
for any age! Leadership
by example. Pathway to
Success. I wish it was
available when I was a
student. Tim and Scott
nailed it! —
Richard Crain, President
of The Midwest Band and
Orchestra Clinic. $10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| In Grandfather’s Arms - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1.5
SKU: CF.FAS109F
Composed by James
Meredith. First-Plus
String Orchestra (FAS).
Full score. With Standard
notation. 8 pages.
Duration 3 minutes, 18
seconds. Carl Fischer
Music #FAS109F. Published
by Carl Fischer Music
(CF.FAS109F). ISBN
9781491151778. UPC:
680160909278. 9 x 12
inches. The warmth
of a grandfather's
embrace as he stares in
awe of a cherished baby
grandchild is the
inspiration for this
heartfelt composition. In
Grandfather's Arms is a
work for
developing orchestras
that emphasizes
expression, phrasing, and
dynamics. Lower strings
will also have the
opportunity to be
featured as they carry
the key melody making
this piece a wonderful
teaching tool. Good
music played well
inspires the imagination.
Whether it is a
grandfather, grandmother,
mom, dad, aunt or uncle,
everyone has had someone
they cuddled with before
bedtime. The warmth of
their body, their arms
protectively around you,
their soothing voice, and
the faint thumping
heartbeat rumbling from
their chest, all created
a trusting and warm place
for you to drift off to
slumber land. In their
arms you were adored, you
were special, you were
loved, and you always
knew that there was a
tomorrow. $7.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| In Grandfather’s Arms - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1.5
SKU: CF.FAS109
Composed by James
Meredith. First-Plus
String Orchestra (FAS).
Set of Score and Parts.
With Standard notation.
2+5+8+5+8+5+2+8 pages.
Duration 3 minutes, 18
seconds. Carl Fischer
Music #FAS109. Published
by Carl Fischer Music
(CF.FAS109). ISBN
9781491151402. UPC:
680160908905. 9 x 12
inches. Key: G
major. The warmth
of a grandfather's
embrace as he stares in
awe of a cherished baby
grandchild is the
inspiration for this
heartfelt composition. In
Grandfather's Arms is a
work for
developing orchestras
that emphasizes
expression, phrasing, and
dynamics. Lower strings
will also have the
opportunity to be
featured as they carry
the key melody making
this piece a wonderful
teaching tool. Good
music played well
inspires the imagination.
Whether it is a
grandfather, grandmother,
mom, dad, aunt or uncle,
everyone has had someone
they cuddled with before
bedtime. The warmth of
their body, their arms
protectively around you,
their soothing voice, and
the faint thumping
heartbeat rumbling from
their chest, all created
a trusting and warm place
for you to drift off to
slumber land. In their
arms you were adored, you
were special, you were
loved, and you always
knew that there was a
tomorrow. $53.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Composers' Specials - Special Collector's Edition Video - Pas de partitions [DVD] Devine Entertainment Corporation
6-DVD Set. (DVD). Performance video. DVD . Published by Devine Entertainment Co...(+)
6-DVD Set. (DVD).
Performance video. DVD .
Published by Devine
Entertainment
Corporation.
$159.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Of Womb and Tomb GIA Publications
SKU: GI.G-9816 Prayer in Time of Infertility, Miscarriage, and Stillbi...(+)
SKU: GI.G-9816
Prayer in Time of
Infertility, Miscarriage,
and Stillbirth.
Edited by Kate Williams.
Sacred. 214 pages. GIA
Publications #9816.
Published by GIA
Publications (GI.G-9816).
ISBN 9781622773633.
English. For those
who trust in God, in the
pain of sorrow there is
consolation, in the face
of despair there is hope,
in the midst of death
there is life.
—Order of
Christian Funerals Those
who struggle with the
inability to conceive,
those who know the pain
of losing a child before
birth, and those who have
faced their infant's
death at the time of
birth know that this
season of mourning is
often held inside, hidden
and unseen. But God does
not abandon us. Somehow,
on the other side of loss
an incredible story of
resilience emerges.
Bodies, though they are
never the same again,
heal. Couples try again,
adopt, or reimagine.
Those who mourn in
isolation find not one,
not two, but a community
of others with whom they
can identify. God's
silence is not absence,
it is the patient
listening of a God who
knows our grief
first-hand, who weeps
with us, who holds us as
a mother holds her child.
Death is never the whole
story. The hope of new
life surprises,
confounds, persists. Of
Womb and Tomb: Prayer in
Time of Infertility,
Miscarriage, and
Stillbirth is a
resource for individuals,
couples, and parish
communities who wish to
accompany those on their
grief journey. Filled
with stories, prayers,
Scripture, poems, and
rituals this book may
serve as a guide in
creating prayer
opportunities in a
variety of settings.
Together, let us bear
witness to the Christian
mystery—that new
life is born of the womb
and of the tomb. Once
in a great while we
encounter a resource that
fundamentally changes the
way we do ministry. We
are so moved and formed
and challenged that it is
difficult, perhaps even
impossible, to forget the
sacred treasures
contained within.
GIA’s Of Womb and
Tomb is exactly that
resource. —John
Kyler. $18.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jatekok - Games - Spiele 1 Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ8377 Composed by Gyorgy Kurtag. Educational Tool. Book ...(+)
Piano SKU:
BT.EMBZ8377 Composed
by Gyorgy Kurtag.
Educational Tool. Book
Only. Composed 1979. 88
pages. Editio Musica
Budapest #EMBZ8377.
Published by Editio
Musica Budapest
(BT.EMBZ8377).
English-German-Hungari
an. The idea of
composing 'Games' was
suggested by children
playing spontaneously,
children for whom the
piano still means a toy.
They experiment with it,
caress it, attack it and
run their fingers over
it. They pile up
seemingly disconnected
sounds, and if this
happens to arouse their
musical instinct they
look consciously for some
of the harmonies found by
chance and keep repeating
them. Thus this series
does not provide a tutor,
nor does it simply stand
as a collection of
pieces. It is a
possibility for
experimenting and not for
learning to play the
piano.Pleasure in
playing, the joy of
movement - daring and if
need be fast movement
over the entire keyboard
right from the
firstlessons instead of
clumsy groping for keys
and the counting of
rhythms - all these
rather vague ideas lay at
the outset of the
creation of this
collection. Playing - is
just playing. It requires
a great deal of freedom
and initiative from the
performer. On no account
should the written image
be taken seriously but
the written image must be
taken extremely seriously
as regards the musical
process, the quality of
sound and silence. We
should trust the picture
of the printed notes and
let is exert its
influence upon us. The
graphic picture conveys
an idea about the
arrangement in time of
even the most free
pieces. We should make
use of all that we know
and remember of free
declamation, folk-music
parlando-rubato, of
Gregorian chant and of
all that improvisational
musical practice has ever
brought forth.Let us
tackle bravely even the
most difficult task
without being afraid of
making mistakes: we
should try to create
valid proportions, unity
and continuity out of the
long and short values -
just for our own
pleasure! (BMC CD
139). $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jatekok - Games - Spiele 5 Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14002 Tagebucheintragungen, persönliche Botschaft...(+)
Piano SKU:
BT.EMBZ14002
Tagebucheintragungen,
persönliche
Botschaften. Composed
by Gyorgy Kurtag.
Contemporary Music. Book
Only. Composed 1997. 48
pages. Editio Musica
Budapest #EMBZ14002.
Published by Editio
Musica Budapest
(BT.EMBZ14002).
English-German-Hungari
an. The idea of
composing 'Games' was
suggested by children
playing spontaneously,
children for whom the
piano still means a toy.
They experiment with it,
caress it, attack it and
run their fingers over
it. They pile up
seemingly disconnected
sounds, and if this
happens to arouse their
musical instinct they
look consciously for some
of the harmonies found by
chance and keep repeating
them. Thus this series
does not provide a tutor,
nor does it simply stand
as a collection of
pieces. It is a
possibility for
experimenting and not for
learning to play the
piano.Pleasure in
playing, the joy of
movement - daring and if
need be fast movement
over the entire keyboard
right from the
firstlessons instead of
clumsy groping for keys
and the counting of
rhythms - all these
rather vague ideas lay at
the outset of the
creation of this
collection. Playing - is
just playing. It requires
a great deal of freedom
and initiative from the
performer. On no account
should the written image
be taken seriously but
the written image must be
taken extremely seriously
as regards the musical
process, the quality of
sound and silence. We
should trust the picture
of the printed notes and
let is exert its
influence upon us. The
graphic picture conveys
an idea about the
arrangement in time of
even the most free
pieces. We should make
use of all that we know
and remember of free
declamation, folk-music
parlando-rubato, of
Gregorian chant and of
all that improvisational
musical practice has ever
brought forth.Let us
tackle bravely even the
most difficult task
without being afraid of
making mistakes: we
should try to create
valid proportions, unity
and continuity out of the
long and short values -
just for our own
pleasure! (BMC CD
139). $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jatekok - Games - Spiele 2 Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ8378 Composed by Gyorgy Kurtag. Educational Tool. Book ...(+)
Piano SKU:
BT.EMBZ8378 Composed
by Gyorgy Kurtag.
Educational Tool. Book
Only. Composed 1979. 60
pages. Editio Musica
Budapest #EMBZ8378.
Published by Editio
Musica Budapest
(BT.EMBZ8378).
English-German-Hungari
an. The idea of
composing 'Games' was
suggested by children
playing spontaneously,
children for whom the
piano still means a toy.
They experiment with it,
caress it, attack it and
run their fingers over
it. They pile up
seemingly disconnected
sounds, and if this
happens to arouse their
musical instinct they
look consciously for some
of the harmonies found by
chance and keep repeating
them. Thus this series
does not provide a tutor,
nor does it simply stand
as a collection of
pieces. It is a
possibility for
experimenting and not for
learning to play the
piano.Pleasure in
playing, the joy of
movement - daring and if
need be fast movement
over the entire keyboard
right from the
firstlessons instead of
clumsy groping for keys
and the counting of
rhythms - all these
rather vague ideas lay at
the outset of the
creation of this
collection. Playing - is
just playing. It requires
a great deal of freedom
and initiative from the
performer. On no account
should the written image
be taken seriously but
the written image must be
taken extremely seriously
as regards the musical
process, the quality of
sound and silence. We
should trust the picture
of the printed notes and
let is exert its
influence upon us. The
graphic picture conveys
an idea about the
arrangement in time of
even the most free
pieces. We should make
use of all that we know
and remember of free
declamation, folk-music
parlando-rubato, of
Gregorian chant and of
all that improvisational
musical practice has ever
brought forth.Let us
tackle bravely even the
most difficult task
without being afraid of
making mistakes: we
should try to create
valid proportions, unity
and continuity out of the
long and short values -
just for our own
pleasure! (BMC CD
139). $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jatekok - Games - Spiele 6 Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14068 Tagebucheintragungen, persönliche Botschaft...(+)
Piano SKU:
BT.EMBZ14068
Tagebucheintragungen,
persönliche
Botschaften. Composed
by Gyorgy Kurtag.
Contemporary Music. Book
Only. Composed 1997. 56
pages. Editio Musica
Budapest #EMBZ14068.
Published by Editio
Musica Budapest
(BT.EMBZ14068).
The idea of
composing 'Games' was
suggested by children
playing spontaneously,
children for whom the
piano still means a toy.
They experiment with it,
caress it, attack it and
run their fingers over
it. They pile up
seemingly disconnected
sounds, and if this
happens to arouse their
musical instinct they
look consciously for some
of the harmonies found by
chance and keep repeating
them. Thus this series
does not provide a tutor,
nor does it simply stand
as a collection of
pieces. It is a
possibility for
experimenting and not for
learning to play the
piano.Pleasure in
playing, the joy of
movement - daring and if
need be fast movement
over the entire keyboard
right from the
firstlessons instead of
clumsy groping for keys
and the counting of
rhythms - all these
rather vague ideas lay at
the outset of the
creation of this
collection. We should
trust the picture of the
printed notes and let is
exert its influence upon
us. The graphic picture
conveys an idea about the
arrangement in time of
even the most free
pieces. We should make
use of all that we know
and remember of free
declamation, folk-music
parlando-rubato, of
Gregorian chant and of
all that improvisational
musical practice has ever
brought forth.Let us
tackle bravely even the
most difficult task
without being afraid of
making mistakes: we
should try to create
valid proportions, unity
and continuity out of the
long and short values -
just for our own
pleasure! (BMC CD
139). $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jatekok - Games - Spiele 3 Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ8379 Composed by Gyorgy Kurtag. Contemporary Music. Boo...(+)
Piano SKU:
BT.EMBZ8379 Composed
by Gyorgy Kurtag.
Contemporary Music. Book
Only. Composed 1979. 84
pages. Editio Musica
Budapest #EMBZ8379.
Published by Editio
Musica Budapest
(BT.EMBZ8379).
English-German-Hungari
an. The idea of
composing 'Games' was
suggested by children
playing spontaneously,
children for whom the
piano still means a toy.
They experiment with it,
caress it, attack it and
run their fingers over
it. They pile up
seemingly disconnected
sounds, and if this
happens to arouse their
musical instinct they
look consciously for some
of the harmonies found by
chance and keep repeating
them. Thus this series
does not provide a tutor,
nor does it simply stand
as a collection of
pieces. It is a
possibility for
experimenting and not for
learning to play the
piano.Pleasure in
playing, the joy of
movement - daring and if
need be fast movement
over the entire keyboard
right from the
firstlessons instead of
clumsy groping for keys
and the counting of
rhythms - all these
rather vague ideas lay at
the outset of the
creation of this
collection. Playing - is
just playing. It requires
a great deal of freedom
and initiative from the
performer. On no account
should the written image
be taken seriously but
the written image must be
taken extremely seriously
as regards the musical
process, the quality of
sound and silence. We
should trust the picture
of the printed notes and
let is exert its
influence upon us. The
graphic picture conveys
an idea about the
arrangement in time of
even the most free
pieces. We should make
use of all that we know
and remember of free
declamation, folk-music
parlando-rubato, of
Gregorian chant and of
all that improvisational
musical practice has ever
brought forth.Let us
tackle bravely even the
most difficult task
without being afraid of
making mistakes: we
should try to create
valid proportions, unity
and continuity out of the
long and short values -
just for our own
pleasure! (BMC CD
139). $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gyorgy Kurtag : Games for Piano - Volume 6 Piano seul EMB (Editio Musica Budapest)
By Gyorgy Kurtag. Arranged by Jatekok. EMB. Size 9x12 inches. 52 pages. Publishe...(+)
By Gyorgy Kurtag.
Arranged by Jatekok. EMB.
Size 9x12 inches. 52
pages. Published by
Editio Musica Budapest.
$29.95 - Voir plus => Acheter | | |
| Of Womb and Tomb - Bundle GIA Publications
SKU: GI.G-9817B Book, Music Collection and CD. Sacred. GIA Publica...(+)
SKU: GI.G-9817B
Book, Music Collection
and CD. Sacred. GIA
Publications #9817B.
Published by GIA
Publications
(GI.G-9817B).
For those who
trust in God, in the pain
of sorrow there is
consolation, in the face
of despair there is hope,
in the midst of death
there is life.
—Order of
Christian Funerals Those
who struggle with the
inability to conceive,
those who know the pain
of losing a child before
birth, and those who have
faced their infant's
death at the time of
birth know that this
season of mourning is
often held inside, hidden
and unseen. But God does
not abandon us. Somehow,
on the other side of loss
an incredible story of
resilience emerges.
Bodies, though they are
never the same again,
heal. Couples try again,
adopt, or reimagine.
Those who mourn in
isolation find not one,
not two, but a community
of others with whom they
can identify. God's
silence is not absence,
it is the patient
listening of a God who
knows our grief
first-hand, who weeps
with us, who holds us as
a mother holds her child.
Death is never the whole
story. The hope of new
life surprises,
confounds, persists. Of
Womb and Tomb: Prayer in
Time of Infertility,
Miscarriage, and
Stillbirth is a
resource for individuals,
couples, and parish
communities who wish to
accompany those on their
grief journey. Filled
with stories, prayers,
Scripture, poems, and
rituals this book may
serve as a guide in
creating prayer
opportunities in a
variety of settings.
Together, let us bear
witness to the Christian
mystery—that new
life is born of the womb
and of the tomb. This is
the printed music
collection, which
corresponds to the
selections found on the
recording (CD-1061),
offers some ideas for
congregational use, but
certainly does not
exhaust the musical
possibilities. This
bundle contains one copy
of the book (G-9816),
music collection
(G-9817), and CD
(CD-1061). $54.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
|