Through All Eternity

Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, Clarinet 1, Clarinet 2, Congas, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mark Tree, Oboe, Percussion 1, Percussion 2, Percussion 3, Tam-tam, Tambourine, Timpani, Trombone 1, Trombone 2 and more. - Grade 2.5

SKU: CF.YPS240F

Composed by Kelly Dugger. Full score. 24 pages. Carl Fischer Music #YPS240F. Published by Carl Fischer Music (CF.YPS240F).

ISBN 9781491159644. UPC: 680160918232.

An Ankh is an ancient Egyptian hieroglyphic representing the word Life. The Ankh of Eternity depicts an epic journey through ancient lands to find the mythical Ankh of Eternity amulet promising eternal life. The piece journeys through the desert in a caravan, with a stop for a Kaff celebration, an Arabic hand-clapping folk art. The discovery of the tomb is spine chilling and eerie with special percussion effects. After the Ankh is discovered, swarms of locusts descend and our travelers run for their lives. They may have found eternal life, but will they be forever cursed? The Ankh of Eternity uses an Arabic or double harmonic-major scale. Performers have multiple soloing and improvising opportunities. Complex but repeating rhythms offer players a chance to practice getting in the groove. Players and audiences alike will be invigorated by the many celebratory moments and thrilled at the eerie and downright scary moments! The Ankh of Eternity offers cultural and historical inclusion opportunities, improvisation, unique scales, rhythmic challenges, and a thrilling story. Conductor Notes: Measures 45-61: Kaff is the ancient Arabic art of hand clapping over improvised poetry. The Kaff Celebration section represents this art form. The improvising soloists should be designated by the conductor and should each be four measures long . Alternatively, soloists may copy the phrase in the second ending as a solo. The AYE! should be shouted joyously. The repeat may be omitted for performance time concerns, or, of course, repeated multiple times for more solos. Measures 64-73: Experiment with different cymbal noises, such as scrapes with a nail or coin, taps with triangle beaters, bowed cymbals, etc. Water-cymbal techniques should also be used. Fill a storage tub with water, and with the suspended cymbal still on the stand, hit the cymbal a couple times with a soft mallet, and lower the cymbal into the water for a glissando effect. The overall effect should be creepy cave-like echoes bending around corners.
An Ankh is an ancient Egyptian hieroglyphic representing the word Life. The Ankh of Eternity depicts an epic journey through ancient lands to find the mythical Ankh of Eternity amulet promising eternal life. The piece journeys through the desert in a caravan, with a stop for a Kaff celebration, an Arabic hand-clapping folk art. The discovery of the tomb is spine chilling and eerie with special percussion effects. After the Ankh is discovered, swarms of locusts descend and our travelers run for their lives. They may have found eternal life, but will they be forever cursed?The Ankh of Eternity uses an Arabic or double harmonic-major scale. Performers have multiple soloing and improvising opportunities. Complex but repeating rhythms offer players a chance to practice getting in the groove. Players and audiences alike will be invigorated by the many celebratory moments and thrilled at the eerie and downright scary moments! The Ankh of Eternity offers cultural and historical inclusion opportunities, improvisation, unique scales, rhythmic challenges, and a thrilling story.Conductor Notes: Measures 45–61: Kaff is the ancient Arabic art of hand clapping over improvised poetry. The Kaff Celebration section represents this art form. The improvising soloists should be designated by the conductor and should each be four measures long . Alternatively, soloists may copy the phrase in the second ending as a solo. The AYE! should be shouted joyously. The repeat may be omitted for performance time concerns, or, of course, repeated multiple times for more solos. Measures 64–73: Experiment with different cymbal noises, such as scrapes with a nail or coin, taps with triangle beaters, bowed cymbals, etc. Water-cymbal techniques should also be used. Fill a storage tub with water, and with the suspended cymbal still on the stand, hit the cymbal a couple times with a soft mallet, and lower the cymbal into the water for a glissando effect. The overall effect should be creepy cave-like echoes bending around corners.

Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, Clarinet 1, Clarinet 2, Congas, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mark Tree, Oboe, Percussion 1, Percussion 2, Percussion 3, Tam-tam, Tambourine, Trombone 1, Trombone 2, Trumpet 1 and more. - Grade 2.5

SKU: CF.YPS240

Composed by Kelly Dugger. Set of Score and Parts. 24+8+8+4+8+8+4+4+6+4+4+4+ 8+8+8+6+6+6+4+6+2+4+6 pages. Duration 5 minutes, 20 seconds. Carl Fischer Music #YPS240. Published by Carl Fischer Music (CF.YPS240).

ISBN 9781491159637. UPC: 680160918225.

An Ankh is an ancient Egyptian hieroglyphic representing the word Life. The Ankh of Eternity depicts an epic journey through ancient lands to find the mythical Ankh of Eternity amulet promising eternal life. The piece journeys through the desert in a caravan, with a stop for a Kaff celebration, an Arabic hand-clapping folk art. The discovery of the tomb is spine chilling and eerie with special percussion effects. After the Ankh is discovered, swarms of locusts descend and our travelers run for their lives. They may have found eternal life, but will they be forever cursed? The Ankh of Eternity uses an Arabic or double harmonic-major scale. Performers have multiple soloing and improvising opportunities. Complex but repeating rhythms offer players a chance to practice getting in the groove. Players and audiences alike will be invigorated by the many celebratory moments and thrilled at the eerie and downright scary moments! The Ankh of Eternity offers cultural and historical inclusion opportunities, improvisation, unique scales, rhythmic challenges, and a thrilling story. Conductor Notes: Measures 45-61: Kaff is the ancient Arabic art of hand clapping over improvised poetry. The Kaff Celebration section represents this art form. The improvising soloists should be designated by the conductor and should each be four measures long . Alternatively, soloists may copy the phrase in the second ending as a solo. The AYE! should be shouted joyously. The repeat may be omitted for performance time concerns, or, of course, repeated multiple times for more solos. Measures 64-73: Experiment with different cymbal noises, such as scrapes with a nail or coin, taps with triangle beaters, bowed cymbals, etc. Water-cymbal techniques should also be used. Fill a storage tub with water, and with the suspended cymbal still on the stand, hit the cymbal a couple times with a soft mallet, and lower the cymbal into the water for a glissando effect. The overall effect should be creepy cave-like echoes bending around corners.
An Ankh is an ancient Egyptian hieroglyphic representing the word Life. The Ankh of Eternity depicts an epic journey through ancient lands to find the mythical Ankh of Eternity amulet promising eternal life. The piece journeys through the desert in a caravan, with a stop for a Kaff celebration, an Arabic hand-clapping folk art. The discovery of the tomb is spine chilling and eerie with special percussion effects. After the Ankh is discovered, swarms of locusts descend and our travelers run for their lives. They may have found eternal life, but will they be forever cursed?The Ankh of Eternity uses an Arabic or double harmonic-major scale. Performers have multiple soloing and improvising opportunities. Complex but repeating rhythms offer players a chance to practice getting in the groove. Players and audiences alike will be invigorated by the many celebratory moments and thrilled at the eerie and downright scary moments! The Ankh of Eternity offers cultural and historical inclusion opportunities, improvisation, unique scales, rhythmic challenges, and a thrilling story.Conductor Notes: Measures 45–61: Kaff is the ancient Arabic art of hand clapping over improvised poetry. The Kaff Celebration section represents this art form. The improvising soloists should be designated by the conductor and should each be four measures long . Alternatively, soloists may copy the phrase in the second ending as a solo. The AYE! should be shouted joyously. The repeat may be omitted for performance time concerns, or, of course, repeated multiple times for more solos. Measures 64–73: Experiment with different cymbal noises, such as scrapes with a nail or coin, taps with triangle beaters, bowed cymbals, etc. Water-cymbal techniques should also be used. Fill a storage tub with water, and with the suspended cymbal still on the stand, hit the cymbal a couple times with a soft mallet, and lower the cymbal into the water for a glissando effect. The overall effect should be creepy cave-like echoes bending around corners.

Composed by Anna Laura Page. For organ solo, 2-staff. Sacred, Holy Week, Lent. Moderately easy. Published by Lorenz Publishing Company

SKU: LO.99-3444L

Composed by Patricia Mock. Arranged by Brian Buda. Choral. Sacred Anthem, Christian Life, General. Performance/accompaniment CD. Lorenz Publishing Company #99/3444L. Published by Lorenz Publishing Company (LO.99-3444L).

UPC: 000308144376.

With a subtle folk-song flavor, this memorable anthem explores the ministry of Jesus and the beauty of His boundless grace. His love for me, high as the heavens and deep as the sea, love that will last through eternity..

Composed by Travis Boyd. Choral. Sacred Anthem, All Saints' Day, General. Octavo. Lorenz Publishing Company #10/5480L. Published by Lorenz Publishing Company

Composed by Patricia Mock. Arranged by Brian Buda. For SATB choir, piano (with optional acoustic guitar). Sacred Anthem, Christian Life, General. Octavo. Lorenz Publishing Company #10/4743L. Published by Lorenz Publishing Company

Composed by Frank Ferko. Ordinary of the Mass, Pentecost. Octavo. Published by E.C. Schirmer Publishing (EC.7679).

SKU: LP.765762212503

Discovering the God of Creation. Composed by Celeste Clydesdale. Arranged by David Clydesdale. Musical. Sacred. CD preview pack. Published by Lillenas Publishing Company (LP.765762212503).

UPC: 765762212503.

Blast off on an intergalactic adventure in the newest release from best-selling children's music creator Celeste Clydesdale! Join Rudy Rachel and Riley aboard the space shuttle Discovery as they travel through space and discover all the indescribable things in creation that were made by the hand of God. With help from various stars planets a cantankerous robot and the wise and patient Flight Commander Mr. Houston they learn that the God who created the stars and the heavens is the same God that loved the world so much that He sent His son to die for them wants to have a relationship with them and that with Him nothing is impossible. An accompaniment DVD with videos for three songs and a spaced-themed video loop has been created to aid in performance as well as a Digital Resource Kit and Demonstration DVD to help with teaching and choreography. This year gather your students and Blast Off together to discover the God of Creation!

By Dragonforce. Guitar Recorded Versions (Authentic note-for-note transcriptions). Softcover. Guitar tablature. 304 pages. Published by Hal Leonard.

By Filippo Ledda. For concert band. Music for Young band. Grade 2. Score and full set of parts. Duration 5 minutes, 50 seconds. Published by Scomegna Edizioni Musical srl

Over 400 Songs. Fake Book (Includes melody line and chords). Size 9x12 inches. 583 pages. Published by Hal Leonard.

Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.

Dan Welcher’s most enduringly and frequently played orchestral work, Prairie Light is a fascinating musical companion to three of Georgia O’Keeffe’s most unusual paintings, Light Coming on the Plains, Canyon with Crows, and Starlight Night. This work is ideal for performances using visual projections of the paintings, and is frequently programmed for subscription concerts as well as those for educational settings. Duration: 14’ Parts available on rental.
This work for full orchestra was inspired by three paintings of the noted Americanartist Georgia O’Keeffe. These three watercolors were done in 1917 while the artist was living in Canyon, Texas (near Amarillo), and deal primarily with color and shape. Consequently, the music is primarily concerned with broad lines and shapes rather than rhythms, with subtle washes of color rather than constant harmonic movement, and with arching melody instead of linear counterpoint.The first movement, Light Coming on the Plains, is an elliptical-shaped painting, deep blue to indigo with a “horizon” at the bottom that seems flat and unchanging. The sun hasn’t risen yet, although it does in the course of this movement, but it seems instead to be providing light from behind the canvas. The music is unmoving in terms of rhythm or harmony (although there is a modulation midway through), a color-infused mantra of sound that is almost Eastern.At the height of the sun, we proceed to the second movement, entitled Canyon with Crows. The canyon is red-orange, with black crows circling above friendly unfolding hills. The music is gentle but lively and more rhythmic, with the birds represented by solo oboe, clarinet, and sometimes flute. Halfway through, the brass have a chorale version of the opening motive, played very slowly, over the unending triplets of woodwinds and strings. At the end of the movement, the birds return for a duo-cadenza, accompanied by the dying rays of the sun in muted strings and the ongoing triplets of the solo quartet.The stage is set for the final movement, Starlight Night. In O’Keeffe’s painting, the stars are represented by regularly-spaced rectangles of bright pale yellow on a blue-black sky, with the same shape to the field of vision and the horizon that is found in Light Coming on the Plains. The stars become audible: harp, celesta, glockenspiel, and string pizzicati all lend a sparkle while a solo flute introduces a slowly unfolding theme. After this theme has been heard twice and the sky has begun to really brighten, there is a sudden interruption: a xylophone and a piano begin another “mantra” in brittle staccato chords. This is the same mechanical eternity as O’Keeffe’s regularly-spaced square stars, and it continues on its own as the night progresses. The music builds and grows as the moon rises and arcs, then falls as the pre-dawn light that opened the work returns to bring it to a close. Acycle of light, changing with the movements of sun, moon, and stars, appearing differently from various points of view

Performed by Dream Theater. Guitar tablature songbook for guitar and voice. 172 pages. Published by Alfred Publishing.

C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For piano. Format: piano solo book. With piano reduction, introductory text, instructional text, lyrics and performance notes. Baroque. 184 pages. 9x12 inches. Published by Schirmer

Over 500 Songs For All C Instruments. By Various. Fake Book. Love, Wedding. Softcover. 456 pages. Published by Hal Leonard

C Edition. Fake Book (Includes melody line and chords). Book only. Size 9x12 inches. 352 pages. Published by Hal Leonard.

Concert Band/Harmonie - Grade 2.5

SKU: BT.DHP-1185861-010

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Set (Score & Parts). Composed 2018. De Haske Publications #DHP 1185861-010. Published by De Haske Publications (BT.DHP-1185861-010).

English-German-French- Dutch.

‘The Fellowship’ is a musical homage to friendship and camaraderie, symbolised in two alternating, complementary themes. The themes are based on popular songs from two sister municipalities, one lying in Normandy (France), and the other in Rheinland-Pfalz (Rhineland-Palatinate, Germany). Through the merging of their songs in this composition, their bond of friendship is sealed for eternity.

The Fellowship staat voor vriendschap en kameraadschap. Deze symboliek komt tot uiting in twee thema’s, die elkaar afwisselen en elkaar aanvullen. Het ene thema is gebaseerd op een Frans lied, het andere op een Duits lied. Beide zijn populaire liederen uit twee partnergemeenten, waarvan de ene in Normandië (Frankrijk) ligt, en de andere in Rheinland-Pfalz (Duitsland). Door de samensmelting van hun liederen in deze compositie wordt hun vriendschapsband voor altijd beklonken.

The Fellowship ist eine musikalische Hommage auf die Freundschaft und Kameradschaft. Diese Symbolik wird durch zwei Themen dargestellt, die sich abwechseln und gegenseitig ergänzen. Die beiden Themen basieren auf zwei Liedern aus einer deutschen Stadt und aus einer französischen Partnerstadt. Das Verschmelzen der beiden Lieder in dieser Komposition symbolisiert ihre immerwährende Freundschaft.

The Fellowship est un hommage musical l’amitié et la camaraderie symbolisé par deux thèmes qui s’alternent et se complémentent. Au travers de ces chansons populaires issues de deux municipalités jumelées, l’une en Normandie et l’autre en Rhénanie-Palatinat (Allemagne) cette composition a bouclé leur lien d’amitié pour l’éternité.

The Fellowship (L’amicizia) è un omaggio musicale all'amicizia, simboleggiata da due temi che si alternano e si completano a vicenda. Un tema è basato su una canzone popolare francesee una tedesca di due comuni gemellati, situati in Normandia (Francia) e a Rheinland-Pfalz (Renania-Palatinato, Germania). Attraverso la fusione delle due canzoni, il legame di amicizia è stretto per l'eternit .