SKU: CA.3530250
ISBN 9790007302689. German.
None other than Johann Sebastian Bach arranged Giovanni Battista Pergolesiâ??s well-known Stabat Mater for performances at Leipzigâ??s Thomaskirche. Bach replaced the old liturgical sequence of the original with a rhymed version in German of the 51st Psalm, Tilge, Höchster, meine Sünden (God, annull all my transgression) (available from Carus under Carus 35.302).Both Pergolesiâ??s composition and Bachâ??s arrangement have only two solo vocal parts (soprano and alto). As early as the 18th century, the tradition developed of performing individual movements of the Stabat mater chorally, since some movements literally demand a choir. The presented edition now also offers this possibility for Bachâ??s version Tilge, Höchster, meine Sünden. Jörn Bartels has created choral versions for verses 3, 5-7 and 10-15 by adding male voices based on the basso continuo as well as Bachâ??s original viola part.- Bach's adaptation of the poignant Stabat Mater by Pergolesi- Suitable for small choirs and ensembles. Score available separately - see item CA.3530200.
SKU: CA.3530269
ISBN 9790007311629. German.
None other than Johann Sebastian Bach arranged Giovanni Battista Pergolesi’s well-known Stabat Mater for performances at Leipzig’s Thomaskirche. Bach replaced the old liturgical sequence of the original with a rhymed version in German of the 51st Psalm, Tilge, Höchster, meine Sünden (God, annull all my transgression) (available from Carus under Carus 35.302).Both Pergolesi’s composition and Bach’s arrangement have only two solo vocal parts (soprano and alto). As early as the 18th century, the tradition developed of performing individual movements of the Stabat mater chorally, since some movements literally demand a choir. The presented edition now also offers this possibility for Bach’s version Tilge, Höchster, meine Sünden. Jörn Bartels has created choral versions for verses 3, 5-7 and 10-15 by adding male voices based on the basso continuo as well as Bach’s original viola part.- Bach's adaptation of the poignant Stabat Mater by Pergolesi- Suitable for small choirs and ensembles. Score and parts available separately - see item CA.3530200.
SKU: CA.3530255
ISBN 9790007302696. German.
None other than Johann Sebastian Bach arranged Giovanni Battista Pergolesi’s well-known Stabat Mater for performances at Leipzig’s Thomaskirche. Bach replaced the old liturgical sequence of the original with a rhymed version in German of the 51st Psalm, Tilge, Höchster, meine Sünden (God, annull all my transgression) (available from Carus under Carus 35.302).Both Pergolesi’s composition and Bach’s arrangement have only two solo vocal parts (soprano and alto). As early as the 18th century, the tradition developed of performing individual movements of the Stabat mater chorally, since some movements literally demand a choir. The presented edition now also offers this possibility for Bach’s version Tilge, Höchster, meine Sünden. Jörn Bartels has created choral versions for verses 3, 5-7 and 10-15 by adding male voices based on the basso continuo as well as Bach’s original viola part.- Bach's adaptation of the poignant Stabat Mater by Pergolesi- Suitable for small choirs and ensembles. Score available separately - see item CA.3530200.
SKU: CA.3530212
ISBN 9790007052355. Language: German.
After the Stabat Mater by Giovanni Battista Pergolesi (1710-1736), BWV 1083. Score and part available separately - see item CA.3530200.
SKU: CA.3530205
ISBN 9790007052331. Language: German.
After the Stabat Mater by Giovanni Battista Pergolesi (1710-1736), BWV 1083. Score available separately - see item CA.3530200.
SKU: CA.3530219
ISBN 9790007139056. Language: German.
After the Stabat Mater by Giovanni Battista Pergolesi (1710-1736), BWV 1083. Score and parts available separately - see item CA.3530200.
SKU: CA.3530211
ISBN 9790007052348. Language: German.
SKU: CA.9700312
ISBN 9790007238766. Language: Latin.
Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.
SKU: CA.9700313
ISBN 9790007238773. Language: Latin.
SKU: CA.9700349
ISBN 9790007238797. Language: Latin.
SKU: CA.9700305
ISBN 9790007131777. Language: Latin.
Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score available separately - see item CA.9700300.
SKU: CA.9700314
ISBN 9790007238780. Language: Latin.
SKU: CA.9700300
ISBN 9790007113124. Language: Latin.
Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new.
SKU: CA.9700311
ISBN 9790007238759. Language: Latin.
SKU: CA.9700319
ISBN 9790007133757. Language: Latin.
Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and parts available separately - see item CA.9700300.
