Langue : Français
/ Piano
SKU: HL.50579771
SKU: CF.CM9622
ISBN 9781491156957. UPC: 680160915514. 6.875 x 10.5 inches. Key: F# minor. Latin. 18th century Latin hymn, 9th century origin.
Trotta conceived this well-known Latin text as a dialogue between supplicants and the Creator. He masterfully juxtaposes a personal longing for something still to come with the steadfast assurance of something ever-present, yet not always seen. While the original theme is associated with the Christmas season, the wider theme of longing for something greater is universal to the human condition and allows this piece to be programmed throughout the year. An exciting piece for any concert, contest, or festival. Also available for SATB voices (CM9418), SSA Voices (CM9436), Three-Part Voices (CM9546), and TTBB Voices (CM9564).
SKU: HL.35030078
ISBN 9781495007422. UPC: 888680038182. 5x5 inches. By Jill & Michael Gallina.
“Sha ke It Up With Shakespeare” is part of the “Rise and Shine Series”. This musical for 2-part voices will provide your students with a fun and unforgettable introduction to English literature's most famous writer, William Shakespeare. Shakespeare not only wrote a wide range of plays and sonnets that touch upon all aspects of the “human condition,” he also created words and phrases that are still very much a part of our everyday language. Through the use of an easily memorized rhyming script and a healthy sprinkling of his most famous quotes, this musical serves as the basis for an overview of five well-known Shakespearean plays. The opening song is followed by five musical selections that highlight the essence of the plays featured: two comedies, two tragedies and one history. Along with his ability to expose the darker aspects of human nature, Shakespeare also demonstrated a gift for highlighting the humorous side of everyday life. The six original songs written for this musical are more reflective of the latter perspective of his works. The Enhanced Teacher Edition includes piano/vocal arrangements, rhyming program script as well as choreography, prop, staging and performance suggestions. The enclosed CD-ROM offers reproducible singer and speaking parts. A performance/accompaniment CD is available separately or in a kit with the enhanced Teacher edition. Suggested for Grades 2-5. Performance Time: 20 minutes.
SKU: CF.CAS105
ISBN 9781491146651. UPC: 680160904150. 9 x 12 inches. Key: E minor.
Shadow Run is a secret mission under the cover of night. The motor-driven accompaniment present throughout the piece is inspired by the minimalist works of Steve Reich and Philip Glass, while the melodic and harmonic content reflect the polychordal harmony of composers like Roy Harris, William Schuman, and Vincent Persichetti. Composer George Sweet has written a new tour de force for the more advanced string orchestra.Shadow Run is inspired by the idea of a dangerous secret mission under the cover of night . The motor driven accompaniment present throughout the piece is inspired by the minimalist works of Steve Reich and Philip Glass, while the melodic and harmonic content reflect the polychordal harmony of composers like Roy Harris, William Schuman, and Vincent Persichetti . The piece begins with a brief motor introduction, which sets the mood for what is to follow . Make sure all elements of the motor are equal in volume and articulation so that the voices create a blended whole . The A-theme is stated in a legato fashion by the upper voices at m . 9 . This should be played as legato as possible to contrast with the motor in the lower voices . The voices unite for an aggressive B-section at m . 25 . The A-section returns at m . 33; however, the melodic material has mutated and features variations on a melodic fragment found in the first violin back in m . 24 . After a return of the B-material, the piece enters a subdued C-section at m . 57, in which the motor and melodic roles are reversed . Following a transitional section in which the motor returns, both A- and B-sections are repeated one final time . At m . 115, a dark and mysterious coda appears and drives the piece to a dramatic conclusion .
About Carl Fischer Concert String Orchestra Series
Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: CF.CM9774
ISBN 9781491164457. UPC: 680160923359. Key: E major. English. Leslie Grant Scott adapted by Composer.
I Have Heard the Music There for treble voices, optional descant, with piano is a lyrical work that utilizes a reoccurring motif which grows and varies. The developing variation-like use of this theme speaks to the image or notion of growth; the growth of a tree, of a person, or a choir. We may start out small, then vary, change, develop, transform. The vocal line’s slight variation, use of repetition, imitation, and canonic-like movements weave a thread of familiarity through the piano’s tapestry of subtle shifts in timbre, register, and alternation between chorale-like writing and moments of florid flourishing; the music paints the imagery of the text.The text by Leslie Grant Scott illuminates themes of the humanity, solace, and comfort we find in Nature. The forest’s foliage filters out the harshness of the world, and we are calmed by the forest’s heart. To me Nature is also a metaphor for community, or the network of loved ones you may have, over perhaps your choir; together with compassion and kindness we are able to filter the world’s harshness, together we grow, we celebrate, and we listen to the music around us.SILENCE [Leslie Grant Scott, 1912 PD] adpt. M. EmeryI have heard the music thereIn the deep forest's heart, Where filters the sun's rays, In a still, golden haze.I have heard the music there.The breathless silence speaks, Bringing Nature's soft balm And her great soothing calm To all those who will hear.I have heard the music there.
SKU: PE.EP73535B
ISBN 9790577022833. Words by Vikram Seth.
Earth and Sky was commissioned by the BBC for the Proms 2000 season. In keeping with the millennial theme, a work presenting a vision of the future was requested. Trying to be helpful, the BBC provided me with the predictions of various pundits, but their ideas seemed dizzyingly contradictory. Then the simple thought struck me that however varied and complex the answers, the big questions will always remain the same. We may now have a map of the human genome, but how to use the map? How shall I know where I should go? How may I see the I that's me?As a musician I am hopeful that, no matter how the world develops, future generations will still come together to dance and sing and play. The mysterious power of music to bind us socially and inspire us individually seems to be built into our genes. So, a song of questions; a song about music---these were the ideas which I took to Vikram Seth, who had generously agreed to write the words for me. The resulting poem provided lots of inspiration. It is entirely monosyllabic, enabling considerable variety of rhythmic treatment. I love its permutations and its imagery of paradox and inversion and I have amused myself by playing similar games with the musical material. But there is seriousness as well as fun---the text's juxtaposition of the certainty of death with the search for purpose in life achieves great poignancy when sung by young voices.(Alec Roth)This product is Printed on Demand and may take several weeks to fulfill.
SKU: PE.EP73535C
ISBN 9790577022840. Words by Vikram Seth.
SKU: PE.EP73535
ISBN 9790577022581. Words by Vikram Seth.
SKU: PE.EP73535A
ISBN 9790577022598. Words by Vikram Seth.
Earth and Sky was commissioned by the BBC for the Proms 2000 season. In keeping with the millennial theme, a work presenting a vision of the future was requested. Trying to be helpful, the BBC provided me with the predictions of various pundits, but their ideas seemed dizzyingly contradictory. Then the simple thought struck me that however varied and complex the answers, the big questions will always remain the same. We may now have a map of the human genome, but how to use the map? How shall I know where I should go? How may I see the I that's me?
(Al ec Roth)