SKU: EM.XYZ1117
SKU: HL.303776
ISBN 9781540066145. UPC: 888680969004. 9.0x12.0x0.398 inches.
The Strum Together series enables players of five different instruments - or any combination of them - to strum together on 70 great songs. This new, easy-to-use format features melody, lyrics, and chord diagrams for five popular folk instruments: standard ukulele, baritone ukulele, guitar, mandolin, and banjo. This collection includes 70 folk songs: Amazing Grace * Beautiful Dreamer * Camptown Races * (Oh, My Darling) Clementine * Danny Boy * The Drunken Sailor * The Erie Canal * Home on the Range * In the Good Old Summertime * Kumbaya * Michael Row the Boat Ashore * My Bonnie Lies over the Ocean * On Top of Old Smoky * The Red River Valley * Shenandoah * Take Me Out to the Ball Game * When the Saints Go Marching In * Yankee Doodle * and more.
SKU: PR.114417130
ISBN 9781491110409. UPC: 680160626687. 9x12 inches.
A recipient of the New Music USA 2013 Live Music For Dance Award commissioning grant, Not Alone is inspired by the ancient Chinese poet Li Bai's poem Drinking Alone under the Moon with the Shadow. The premiere was given on April 26, 2014 by the PRISM Quartet with the Nai-Ni Chen Dance Company, which commissioned the work to celebrate its 25th Anniversary NYC Season. From the Program Note by Matthew Levy (The PRISM Quartet), Not Alone (2014) is an interdisciplinary work...but it stands alone in a chamber music setting. The work spans a stunning range of textures, from introspective solos for each of the four saxophones to majestic hyper-active gestures. The PRISM Quartet recorded Not Alone for a 2017 release on XAS Records titled Paradigm Lost. But we're excited for a wider community of saxophonists to embrace the work, and share it with their own audiences. Not Alone is published together with Happy Birthday to PRISM, a brief miniature that Chen Yi wrote for the quartet's 20th anniversary celebration in 2004. For advanced performers.______________ ___________Text from the scanned back cover:NOT ALONE for Saxophone QuartetHAPPY BIRTHDAY TO PRISM for Saxophone QuartetNot Alone is a 14-minute saxophone quartet and dance score inspired by the ancient Chinese poet Li Bai’s “Drinking Alone under the Moon with the Shadow.†The expansively-textured sax quartet matches the exploratory and dramatic movements and gestures in the dance. NOT ALONE was commissioned by the Nai-Ni Chen Dance Company which premiered the work in collaboration with the PRISM Quartet. Also included in this publication is Chen Yi’s fascinating take on “Happy Birthday to You,†composed in celebration of Prism’s 25th anniversary season.A recipient of the New Music USA 2013 Live Music For Dance Award commissioning grant, Not Alone is inspiredby the ancient Chinese poet Li Bai’s poem “Drinking Alone under the Moon with the Shadow.†The premierewas given on April 26, 2014 by the PRISM Quartet with the Nai-Ni Chen Dance Company, which commissioned thework to celebrate its 25th Anniversary NYC Season. Program Note by composer Chen YiThe original inspiration for this work for both the choreographer and the composer came from the Tang Dynasty poem - Alone Under the Moon by Li Bai. The poem describes the poet being alone in a garden. The moon and his shadow became his companions that night. The choreographer brings this idea to modern life in an urban setting. She created a series of “mindscapes†which are the result of the exploration of the different mental and physical states of being alone.Through self-examination, the choreographer raises the question: are we ever really alone? Our physical being may be standing by itself, but what about our introspective self? When we are still, we let our thoughts pass by like flowing water. If we could engage with our shadows, what would it be like?Program Note by Matthew Levy, The PRISM QuartetThe PRISM Quartet has commissioned a great many composers since our founding days in 1984. Chen Yi is among ahandful of our very favorites, and one to whom we’ve returned time and time again. Her music is powerful, expansive,intimate, and draws connections between Eastern and Western, ancient and modern traditions in a voice all her own.Chen Yi has written or adapted four works for the PRISM Quartet. She penned a wonderful miniature called HappyBirth day to PRISM to celebrate the ensemble’s 20th anniversary back in 2004 (Dedication, Innova Recordings).We subsequently commissioned her to compose Septet (2008) for Erhu, Pipa, Percussion, and Saxophone Quartet(2008), premiered and recorded with the New York ensemble Music From China (Antiphony, Innova Recordings 2010).In 2015, the PRISM Quartet performed and recorded (XAS Records) a new version of her saxophone quartet concerto,BA YIN, with the University of Missouri-Kansas City Wind Ensemble under the baton of Steven Davis (originally writtenfor the Rascher Quartet and scored for saxophones and string orchestra.).Finally, Not Alone (2014) is an interdisciplinary work written for the Nai-Ni Chen Dance Company with the PRISMQuartet, but it stands alone in a chamber music setting. The work spans a stunning range of textures, from introspectivesolos for each of the four saxophones to majestic hyper-active gestures. The PRISM Quartet recorded Not Alonefor a 2017 release on XAS Records titled Paradigm Lost. But we’re excited for a wider community of saxophonists toembrace the work, and share it with their own audiences.In his liner notes for the recording, WNYC’s John Schaefer writes: “As with much of her music, Chen employs percussiveeffects and glissandi; in Chinese music these are not considered “extended techniques†or special effects, but animportant part of the performer’s arsenal. Here, they help create the twilit mood of the opening moments. The piecesoon becomes more dramatic, suggesting the arrival of the drinker’s companions (real or imagined) and his or herincreasingly garrulous outbursts. Passages of consonance and discord can easily be heard as companionable singingand bouts of drunken argument. The piece bustles along on a kind of restless energy, until, finally, that restlessnesssubsides, giving way to a gently humorous ending where a short falling phrase signals the drinker falling asleep.â€.
SKU: LM.BOOK028
ISBN 9782362970276.
Alon e - I Won't go for more - Reason - Together (Feat. Childish Gambino) - Alive - The Light - Fear nothing - Daddy - Sadness - Feel - Right Where I Want U - Always Home - Falling Out - Gotta Make it Last - Stand Back - Direction - Alone (Acoustic Version).
SKU: AP.49211S
ISBN 9781470647285. UPC: 038081566511. English.
A great jazz standard that really hits the mark. The chart is played around 124 BPM with lead trumpet range to written B above the staff, and solo space for tenor 1 with a sample solo provided. The development section features trombones plus the other sections as well. Vibes and flute optional parts. A first-class chart! Alone Together is arranged by Mike Kamuf. (5:30).
SKU: AP.1-ADV9003
UPC: 805095090031. English. Transcribed by Bill Dobbins.
Transcript ions of eight of the tunes Clare improvised on the solo piano recordings, Alone Together and Just Me. Titles: Yesterdays * Du, Du, liegst mir im Herzen * Excerpt from Canonic Passacaglia * Everything Happens To Me * 'Round Midnight * (I Would Do) Anything for You * Liebesleid (Love's Sorrow) * Ill Wind * Pensativa (Pensive Woman).
SKU: AP.49211
ISBN 9781470647278. UPC: 038081566504. English.
SKU: PR.114422460
ISBN 9781491134269. UPC: 680160684632. 9 x 12 inches.
Artistic expression always finds a way to be heard, and coping with the 2020 quarantine inspired a great torrent of new outlets for musical performance. For Samuel Adler, this sparked new compositions for solo performers, and for flutist Mimi Stillman it led to streaming solo recitals featuring live composer interviews. Adler and Stillman intersected with a new solo flute work to be premiered online, with the composer remotely in attendance, and the perfectly titled ALONE, TOGETHER.
SKU: HL.14028683
UPC: 884088812775. 17.0x11.0x0.023 inches.
Composer's Note YTA is Swedish for 'surface'; my series of three YTA's - YTA 1 (alto flute), YTA 2 (Piano), YTA 3 (Cello)- were written with particular performers/friends in mind, and in each piece I have tried to capture and explore aspects of their virtuosity and that of their instrument. Being a Finn, 'surfaces' are often snowy and icy, and the music reflects a sparkling, crystalline and sometimes blinding quality, just as a vibrating, shimmering surface reflects a shing light. Although the surface of the music is extremely busy and dispenses with traditional medlody altogether, the formal process is considerably slower and partly hidden behind the frenetic stream and gleam of fast gestures. Esa-Pekka Salonen.
SKU: BT.9781408114612
ISBN 9781408114612. English.
Now in a third edition, Abracadabra Violin has a fresh and contemporary new look and is the perfect book for pupil and teacher.This title offers an identical selection of repertoire to the other books in theAbracadabra Strings series, so they can be used in any combination for group or whole class lessons and mixed ensemble performances. Used alone, they remain ideal for individual tuition.With tunes you know and want toplay, carefully graded in 20 learning steps, this new edition of the popular tutor also includes duets, trios and teacher's parts. Clear fingering and bowing diagrams and concise theory explanations help to teach thefundamentalsof the instrument, and each new technical aspect is reinforced by several pieces using that particular technique.Abra cadabra Violin now also includes two CDs of performance and backing tracks, featuringselected orchestral backings.
SKU: BT.9781408114629
ISBN 9781408114629. English.
Now in a third edition, Abracadabra Cello has a fresh, contemporary new look and is the perfect book for pupil and teachers.This title offers an identical selection of repertoire to the other booksin the Abracadabra Strings series, so they can be used in any combination for group or whole class lessons and mixed ensemble performances. Used alone, they remain ideal for individual tuition.With tunes you know andwant to play, carefully graded in 20 learning steps, this new edition of the popular tutor also includes duets, trios and teacher's parts. Clear fingering and bowing diagrams and concise theory explanations help to teachthefundamentals of the instrument, and each new technical aspect is reinforced by several pieces using that particular technique.Abrac adabra Cello now also includes two CDs of performance and backing tracks, featuringselected orchestral backings.
SKU: BT.9781408114582
ISBN 9781408114582. English.
Now in a third edition, Abracadabra Viola has a fresh, contemporary new look and is the perfect book for pupil and teachers.This title offers an identical selection of repertoire to the other booksin the Abracadabra Strings series, so they can be used in any combination for group or whole class lessons and mixed ensemble performances. Used alone, they remain ideal for individual tuition.With tunes you know andwant to play, carefully graded in 20 learning steps, this new edition of the popular tutor also includes duets, trios and teacher's parts. Clear fingering and bowing diagrams and concise theory explanations help to teachthefundamentals of the instrument, and each new technical aspect is reinforced by several pieces using that particular technique.Abracadabra Viola now also includes two CDs of performance and backingtracks, featuring selected orchestral backings.
SKU: MN.60-8004A
Marilyn BieryÕs new paraphrase of 1 Corinthians 12 celebrates all GodÕs people as individuals and as members of the body of Christ. The familiar tune Nettleton is given new life and vigor in James BieryÕs arrangement for congregation, choir, brass, and organ. Included are a festive introduction, a stanza for choir alone, a celebratory interlude for choir, brass, and organ, and a triumphant final stanza. Reproducible page for congregation included in choral score.
SKU: CF.YPS223
ISBN 9781491156643. UPC: 680160915187. 9 x 12 inches.
Notes to the Conductor This adaptation of Christmas Carol Trilogy was arranged to accompany the choral arrangement of the same title by Russell Robinson. It can be played with Robinson's vocal arrangements with band and chorus together or as a stand-alone piece for band. If performed together with a chorus, it is recommended that the performers play one to two dynamic levels lower than written (depending on the size of the chorus) so as not to overpower the singers. Please see the chart below for further explanation. Written Dynamic (To be used if band alone) Large Chorus (1 dynamic lower) Small Chorus (2 dynamics lower) mf f ff mp mf f p mp mf Another possibility for performance is for a small group of wind instruments with chorus. Here, performers would play the written dynamics. Below are a few recommended chamber ensembles that would work with a variety of choruses, though there are several other alternatives. In any case, the conductor should be careful to choose a set of instruments that is both balanced in register (soprano, alto, tenor, bass) and in role (melody, countermelody, bass line, etc.) Option 1 (Woodwind Sextet) Flute (Oboe) Clarinet 1 Clarinet 2 Alto Saxophone Tenor Saxophone (Bassoon) Baritone Saxophone (Bass Clarinet) Option 2 (Brass Quintet) Trumpet 1 Trumpet 2 Horn Trombone (Baritone) Tuba (Baritone Saxophone) A final option is to perform with one player per instrumental part. In all instances, the conductor should pay close attention to the balance of the percussion instruments.Notes to the Conductor This adaptation of Christmas Carol Trilogy was arranged to accompany the choral arrangement of the same title by Russell Robinson. It can be played with Robinson’s vocal arrangements with band and chorus together or as a stand-alone piece for band. If performed together with a chorus, it is recommended that the performers play one to two dynamic levels lower than written (depending on the size of the chorus) so as not to overpower the singers. Please see the chart below for further explanation. Written Dynamic(To be used if band alone)Large Chorus(1 dynamic lower)Small Chorus(2 dynamics lower)mffffmpmff pmpmf   Another possibility for performance is for a small group of wind instruments with chorus. Here, performers would play the written dynamics. Below are a few recommended chamber ensembles that would work with a variety of choruses, though there are several other alternatives. In any case, the conductor should be careful to choose a set of instruments that is both balanced in register (soprano, alto, tenor, bass) and in role (melody, countermelody, bass line, etc.)Option 1 (Woodwind Sextet)Flute (Oboe)Clarinet 1Clarinet 2Alto SaxophoneTenor Saxophone (Bassoon)Baritone Saxophone (Bass Clarinet)Option 2 (Brass Quintet)Trumpet 1Trumpet 2HornTrombone (Baritone)Tuba (Baritone Saxophone)A final option is to perform with one player per instrumental part. In all instances, the conductor should pay close attention to the balance of the percussion instruments.
