Top Ten, No. 67

Tenor. Véritable référence parmi les recueils d'airs lyriques, voici des airs et des extraits de rôles tirés des opéras de John Adams, Benjamin Britten, Carlisle Floyd, Richard Strauss et beaucoup d'autres édités par Boosey and Hawkes. Ce volume propose des indications détaillées sur le déroulement des oeuvres, ainsi, le cas échéant, que des traductions (en anglais). / Niveau : Difficile / Recueil / Tenor et Piano

A great vocal collection of ten musical theatre classics in their original keys. Includes matching CD with full performances of each song by professional artists and piano accompaniments for practice.

15 Selected Songs by Jean Sibelius for Voice and Piano. This collection can be understood as an introduction to the Finnish composer's extensive and highly varied lieder output. Selected from various collections the songs represent a stylistically broad spectrum. The compilation comprises only lieder that were originally written in Swedish and provides singable German and English translations that date from the time of the first publications. The two Shakespeare Lieder op. 60 at the end of the volume were based on Swedish texts and written for a staging of the comedy Twelfth Night in Helsinki in 1909.

Cette nouvelle série importante fête des plus grands trésors dans l'opéra américain, avec arias, les favoris et les gemmes moins connues, de progrès de râteaux de Stravinsky, John Adam, Nixon en Chine, Trouble de Bernstein in Tahiti et autres grands opéras par Dominic Arg / Tenor Et Piano

Stephen Albert's Into Eclipse for Tenor and Chamber Orchestra. Full score.'Into Eclipse is based on Ted Hughes' adaptation of Seneca's Oedipus. The five episodes chosen astexts for this musical setting form an abbreviated version in song of this Roman dramatisation of the Oedipus myth.Seneca's play has no external action. As Peter Brook informs us in his introduction to the play '...it takes place nowhere...possibly it was read aloud in the bathhouse to friends.' It therefore seemed possible to take the essential elements of the tale and transform them into a rather complete musical statement that wasnon-theatrical yet dramatic in its own terms. Into Eclipse is thus not a monodrama nor even a solo oratorio but rather a 'Herosong.' It is somewhat in the tradition but not of course in the manner of earlyballadeers and minstrels who often set ancient stories and myths to music and performed these musical narratives for both court and country village.The story is sung from different viewpoints (that of Creon thechorus of citizens and of course Oedipus the king) all encompassed within the bounds of one man's voice and his complement of instruments. There is no concious attempt to 'paint' or emphasise particular words or phrases withinthe text nor was there an effort to musically heighten Seneca's already nightmarish vision with its withering onslaught of bloodthirsty images. To do so seemed to risk weighing down the cycle in a morbid atmosphere one filledwith caricature and the grotesque.' - Stephen AlbertThe full-Orchestra version of Into Eclipse was premiered on September 8 1986 by the Seattle Symphony with Gary Lakes Tenor andGerard Schwarz conductor. It is also available in a version for Tenor and Chamber Ensemble [Flute/Piccolo Clarinet/Piccolo Clarinet Horn Trumpet Percussion (2 players) Harp Piano and Strings]. This version was premiered on

Repertoiresammlung herausgegeben von Peter Anton Ling. Par . The Three Tenors Are Coming On the opera stage, the tenor is often the most eminent protagonist. Whether as ardent lover or tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura. The three volumes for tenor represent the grand finale of the most comprehensive collection of repertoire for all vocal genres, with 16 volumes. ?Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.? (Peter Anton Ling, editors) OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2023-03-11/ Recueil / Tenor et Piano

The third collection in the series of performance folios for Countertenor voices with full Piano accompaniment. Ten pieces by a variety of composers from Dowland to Vaughan Williams for the accomplished high male voice. Selected by Frederic Hodgson with foreword by James Bowman.

Tenorsaxophon. Hören, lesen & spielen, die Bläserschule von heute, zeichnet sich unter anderem durch Ergänzungshefte mit genau auf das eigentliche Schulwerk abgestimmter Spielliteratur aus. Zu den vorhandenen Heften mit gemischter Sololiteratur ( Liederspielbuch, Solospielbuch und Stilbuch ) sowie den Ausgaben für kleine Ensembles aus gleichen Instrumenten ( Duobuch und Triobuch ) gesellt sich nun Weihnachten, eine Sammlung von Liedern für die Festtage, die zu jeder Lektion des Schulwerks mindestens ein passendes Lied enthält. Neben zahlreichen bekannten, schülergerecht ausgesuchten und arrangierten Liedern umfasst die Auswahl auch eineAnzahl eigens komponierter, sehr leichter Lieder passend zu den ersten Lektionen von Hören, lesen & spielen. Untermalt von den stimmungsvoll arrangierten Begleittracks auf der beigefügten CD, wird so Anfängern auf dem Tenorsaxophon selbst nach kurzer Unterrichtszeit die Möglichkeit für ein Vorspiel in weihnachtlicher Atmosphäre gegeben. Weihnachten kann kommen! / Niveau : Très Facile / Date parution : 1905-07-08/ Méthode / Saxophone Ténor

Qui ne and rsquo -t aime jouer un des instruments de vent dans la musique de Earth, Wind and Fire (Phoenix cornes), Tower Of Power, Kool and the Gang, sang, sueur and Tears, Michael Jackson (Jerry Hey, Bill Reichenbach) ou James Brown (Horny cornes) ? Ce volume / Saxophone Tenor

Instrumental Play-Along-Solo arrangements of a dozen jazz blues tunes are featured in this collection for beginning to intermediate instrumentalists.It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound and so you can sound great while playing along with the backing tracks!Songs include Basin Street Blues C-Jam Blues Freddie Freeloader Night Train One for Daddy-O The Swingin' Shepherd Blues Tenor Madness and more.The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK a multi-functional audio player thatallows you to slow down audio without changing pitch set loop points change keys and pan left or right.

This book contains ten pieces that reflect the diverse Jazz styles used by professional jazz musicians over the past fifty years or so. Each piece has been written specifically for tenor saxophone making best use of the range timbre and agility of the instrument.