Trio-Fantasie op. 20

Par ULEHLA LUDMILA. Dream Trio was actually inspired by the concept of unique thoughts developing during sleep. The trio's two movements portray these changing fantasies to the delight of both performers and listeners./ Répertoire / Violon, Violoncelle et Piano

Beschreibung Dieses dreisätzige Trio von Carl Friedrich Abel oder Johann Stamitz gab es bisher nur in der Fassung für Flöte, Flöte/Violine und Bass. In der Ledenburg-Sammlung ist dieses Werk ebenfalls in Teilen enthalten, jedoch wird hier die erste Stimme eine Oktave tiefer der Viola da Gamba übertragen. Das Stück ist eine willkommene Bereicherung des frühklassischen Repertoires für Trios mit Viola da Gamba und Flöte/Violine. Das Trio erscheint mit dieser Edition in dieser Form zum ersten Mal. Die Ledenburg-Sammlung in Osnabrück wurde erst 2015 entdeckt. Sie enthält im wesentlichen Gambenmusik aus der Zeit um 1750. Die wichtigsten Werke der Sammlung sind die verschollen geglaubten zwölf Fantasien für Viola da Gamba solo von Georg Philipp Telemann.

French and Spanish Music. 'The Schott Recorder Consort Anthology' presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios, as well as five- and six-part pieces. The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are lively and stately dances, fantasias, and arrangements of expressive madrigals, catchy chansons and more restrained religious pieces; all are chosen for their effective realization by recorder consorts. 136 Renaissance pieces with notes on sources, editorial technique and interpretation. Volume I contains a valuable introduction to the series and to the art of consort playing. 2-6 recorders: Descant, Treble, Tenor, Bass in various combinations./ Recueil / 2-6 Flûtes à Bec [Aa/St/Stt/SAT/SATB/Attb/Aatt/SSA

Par PACHELBEL JOHANN. / Classics / Date parution : 2020-10-15/ Répertoire / Saxophone Alto et 2 Saxophones Tenor

Complete theoretical and practical method for organ-playing in three parts. Par PEETERS FLOR. Flor Peeters, born in Belgium in 1903, is one of the most important organists and organ composers of the 20th century. After completing his studies at the famous Lemmens Institute in Mechelen, he worked there as a teacher of organ and improvisation before becoming professor at and director of the Royal Flemish Conservatoire of Antwerp. Until his death in 1986, Peeters gave concerts all around the world, held numerous master classes and received several awards and prizes for his achievements as a composer, organist and teacher. In his successful three-volume educational work 'Ars Organi', Peeters combines theoretical knowledge and practical exercises on all aspects of organ playing, starting with basic information on the instrument, manual and pedal exercises and two-part manual and pedal playing. While Vol. 2 contains exercises on three-part playing, Vol. 3 contains exercises on four and five-part playing as well as studies on demanding trio playing. Each learning stage is accompanied by pedal exercises and tips on articulation, touch, interpretation, registration and organ specifications - a valuable compendium for every organist. / Méthode / Date parution : 1954-11-20/ Méthode / Orgue

Composée de deux mouvements, le tout d'abord lente et lyrique et le deuxième basé sur un principe scherzo et trio, ceci contraste agréablement et techniquement difficile pièce serait le complément parfait contemporain au répertoire du tout violoncelliste. / Violoncelle Et Piano

Fantasiestücke-Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

The recorder method Flötenzirkus is now complemented by a collection containing a variety of pieces from various periods. Ideal for auditions and concert performances. / 3 Flûtes A Bec

Edited Oscar BeringerCONTENTSMenuet; Sonatina; Menuet; Gavotte; Courante; Trio; Gigue; Prelude; Sarabande with Variations; Allegro; Gigue; Chaconne with Variations; Courante; Fantasie.

Sonatas Wq 71-74 BWV 1036 Violinsonaten nach den Trios Wq 143-147-Carl Philipp Emanuel Bach's works for Violin and Harpsichord obbligato pervade his entire compositional oeuvre. The earliest works like the Sonata in D minor still numbered BWV 1036 date back to the years of study with his father yet show already a remarkable creative will of his own. The latest work the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for Harpsichord (Piano) obbligato and Violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but alsothe arrangements of the trios Wq 143–145 for Violin and Harpsichord most of which are included in C. P. E. Bach's autographs as well as a – previously ignored – early version of Wq 71 which like BWV 1036 grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert together with Joseph Hellmesberger but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].