SKU: KU.GM-1252
Originally for string trio.
SKU: AP.36-52783147
ISBN 9781621569657. UPC: 679360641590. English.
The most popular wedding selections scored for traditional piano trio. All parts featured soloistically, cellist requires tenor clef skills.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: BT.DHP-0970800-070
German.
Georg Eduard Goltermann, ein Frankfurter, der im 19. Jahrhundert lebte, war Cellist, Komponist und Dirigent. Oliver Kohnen arrangierte sein romantisches Stück Romance für Klarinettentrio.
SKU: SU.50015030
Op. 37. Playing time: approx. 10 minutes.Copyright 1970. Published by: Seesaw Music.
SKU: SS.50015030
Copyright 1970.
SKU: HL.48181148
UPC: 888680906801. 9.0x12.0x0.15 inches.
Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. The composer wrote for a variety of instrumentations and his works remain popular to this day, Trio for Violin, Cello and Harp being no exception. Composed in 1944, Trio is suitable to advanced level violinists, cellists and harpists. Ibert was a unique composer who did not associate himself with any particular style. His music is generally lighthearted, often reflecting the composer's wit and humour. Containing a variety of musical aspects and techniques, and significantly composed for an unusual arrangement of violin and cello with harp accompaniment, Ibert's Trio is an exciting addition to the advanced level violin, cello and harp ensemble repertoire.
SKU: HL.49007894
ISBN 9783795751746. 9.0x12.0x0.247 inches. German. Renate Mantel.
Diese Celloschule wendet sich an den Einzel- und Gruppenunterricht mit Kindern von 5-10 Jahren. Die Lese- und Spielfahigkeit werden parallel entwickelt. Neben der traditionellen Notenschrift gibt es zur visuellen Verdeutlichung Block-Noten und eine Griffschrift. Von Anfang an wird Musik gemacht. Die cellistischen Bewegungsablaufe werden leicht verstandlich erlautert und bewusst trainiert. Mit speziellen Hinweisen erhalten auch die Eltern die wichtigsten Informationen, damit sie das Uben ein wenig unterstutzen konnen. Locker formulierte Texte, frohliche Lieder, farbige Illustrationen und Anregungen fur Improvisation und Auswendigspiel bringen Spass am Cellospiel. Band 2 stabilisiert den engen Griff in der 1. Lage, erschliesst den weiten Griff nach oben und nach unten, und fuhrt uber die 4. Lage in das Lagenspiel ein.
SKU: BT.EMBZ14930
The latest volume of this popular series extends the repertoire of beginner and intermediate cello students with excellent transcriptions of works by music history's three great Bs. Ãrpád Pejtsik, the editor of the series, has transcribed the Trio Sonata in G Major for Flute, Violin and Basso continuo by Bach (BWV 1038), a witty bagatelle by Beethoven (WoO 56) and two archaizing piano works (Sarabande, op. posth. 5 no. 2, Gavotte, op. posth. 3 no. 1) by Brahms for three cellos. While intermediate instrumental skills are required due to the use of higher positions when in the upper two parts, the lower part can be performed by beginner cellists. Interpretation is helped byfingerings and bowings provided by the editor. The latest volume of the popular series extends the repertoire of beginner and intermediate cello students with excellent transcriptions of works by music historys three great Bs. Ãrpád Pejtsik, the editor of the series, has transcribed for three cellos the Trio Sonata in G Major for Flute, Violin and Continuo by Bach, a witty bagatelle by Beethoven and two works originally written for the piano (Sarabande,Gavotte ) by Brahms in his youth. While at least intermediate instrumental skills are required due to the use of higher positions when playing the top parts, the bottom parts can be performed by beginner cellists. Interpretation is helped by thefingering and bowing being provided by the editor.Der neueste Band dieser beliebten Serie verfolgt das Ziel, das Repertoire der Celloschüler der Anfänger- und Mittelstufe mit ausgezeichneten Transkriptionen von Werken der drei großen Bs der Musikgeschichte zu bereichern. Ãrpád Pejtsik, der Herausgeber der Serie, bearbeitete neben Bachs Triosonate in G-Dur für Flöte, Violine und Basso continuo (BWV 1038) eine geistreiche Bagatelle von Beethoven (WoO 56) und zwei archaisierende Klavierstücke von Brahms (Sarabande, op. posth. 5 no. 2, Gavotte, op. posth. 3 no. 1) für drei Celli.
SKU: HH.HH585-FSP
ISBN 9790708213000.
Stan ley Sadie’s opinion, expressed in 1963, that the two of the twelve trio sonatas by Frederick Ernest Fisher(1711/12–176 0), divided equally between Op. 1 (c.1751) and Op. 2 (c.1761), were ‘among the finest of their time’ while some of the others were ‘remarkably inventive and original’ almost sells this composer short. Every single one of these works, scored for two violins, cello and harpsichord, is masterly and deserves a permanent place in the repertoire. Born in or near Kassel, Fisher spent several years in Holland, teaching music from 1741 to 1745 at the university of Leiden, before emigrating to England. After spending about two years in London he settled permanently in Cambridge, where he taught music to members of the local music society. His Op. 1 set, dedicated to the same society, epitomizes the ‘social’ character of the trio sonata genre, where individual virtuosity yields its place to amicable interaction between the players. Fisher was a cellist as well as a violinist, and this background is brought out by the rare eloquence of his bass lines. The diversity of movement types in these ordinarily three-movement sonatas is very attractive. They include powerful fugues, expansive movements in sonata form, languorous middle movements reminiscent of those in operatic overtures and a selection of dance movements, all of which mix baroque, galant and classical elements in a convincing synthesis.
SKU: HH.HH584-FSP
ISBN 9790708185994.
SKU: HL.49044398
This piece is concerned with the world of shaman, which I have been very interested in lately. A shaman is a person who creates a path connecting this world and the underworld. In this trio, the violin represents female, and the cello male. The instruments sing a duo as an extension of the voices of two shamans. The piano is the cosmos and the nature. Violin and piano have a 'Yin and Yang' relationship, the creation principal of the Taoism cosmos: polar opposites which compliment one another without cancelling each other out, creating perfect harmony. Toshio Hosokawa.
SKU: HH.HH528-FSP
ISBN 9790708185413.
Amon g Vienna’s many composers and pianists of the time, Anton Eberl (1765–1807) was the one considered most worthy of comparison with Beethoven. His Sonata in B flat major, Op.10 No.2, is the first known Viennese sonata for keyboard with clarinet, offered as a first-named alternative to violin. The alternatives are included in this edition. It is probably the fourth of his seven sonatas which included the violin and was published with an optional ‘basse’ – doubtless intended to be a part for a cellist – which permits performance as a piano trio. The sonata was composed around 1800 and dedicated to Franz Joseph the Prince of Dietrichstein, an official at the court of Emperor of Russia Paul I in St Petersburg. Eberl spent two periods in that city, 1796-9 and 1801-2, as Kapellmeister, performer and teacher. The work was first published by the St Petersburg firm of Gerstenberg & Dittmar. As contemporary reviewers found Beethoven’s Sonatas Op.12 with violin – works published in 1799 – challenging and ‘overladen with strange difficulties’, so too were the two sonatas Op.10 thought to be overlong and excessively complex. But in its duration, formal and harmonic novelty, and in the lively relationship between the clarinet or violin and the keyboard, his Op.10 No.2 shares much of the musical ambition and quality of Beethoven’s works in this genre.
SKU: BT.DV-21777
SKU: HL.48022611
9.0x12.0x0.204 inches.
Over 50 melodic exercises specifically designed to reinforce shifting between 2nd, 3rd, 5th, 6th, and 7th positions. Many offer a counterline or two that may be performed as a duet or trio in concert.
SKU: HL.49044164
ISBN 9790001192118. 0.112 inches.
Peter Ludwig ist als Pianist, Komponist, Arrangeur und Kabarettist ein bayrisches Multitalent. Er schreibt Filmmusik, Chansons, Kammermusik, Klaviermusik und vor allem: wunderschone, inspirierte Tangos, die eine Brucke zwischen Sudamerika und Europa schlagen! Zusammen mit der Cellistin Anja Lechner erhielt er fur seine CD 'Tango mortale' in der 1980er Jahren den Preis der Deutschen Phono-Akademie.Der Tango hat ihn seither nicht mehr losgelassen und heute tritt er als Pianist des Klaviertrios 'Tango a trois' auf.