Matériel : Partition
Horae Canonicae (1997-98) - First Movement Of Triptych for Orchestra.
SKU: PE.EP72293A
ISBN 9790577003856.
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Ma rk AndreMilton BabbittDaniel BjarnasonEarle BrownJohn CageHenry CowellJames DillonJonathan DoveBrian FerneyhoughRoxanna PanufnikRebecca SaundersErkki-Sven TuurCharles Wuorinen These are just a few of the composers whose most adventurous scores are now available to purchase through the Peters Contemporary Library. A new global initiative of the Edition Peters Group, the Peters Contemporary Library is a project designed to put these bold 20th- and 21st-century works, once available only for rental, into the collections of libraries, performers, scholars, and conductors alike. Kicked off in 2016, the Peters Contemporary Library already contains many cutting-edge works and is constantly expanding. We are proud to offer these bold new scores for sale, for the first time ever, to modern musicians and students of music all around the world.
SKU: HL.14027979
ISBN 9788759888780. English.
Corona - The Solar Trilogy No. 3 for Orchestra was composed by Poul Ruders in 1995. Programme note: CORONA makes the final part of the SOLAR-TRILOGY, a huge symphonic triptych about the life and behavior of the Sun. The first'panel' GONG depicts the birth, life and final collapse of our nearest star, the second ZENITH describes in its ultra-slow tempo the patient rise of the Sun toward midday ferocity and its subsequent setting. CORONA, then, is a symphonic 'portrait' of the phenomenally hot whispy brim encircling and radiating from the Sun, a sizzling halo of electrons and photons visible only during a total eclipse. Formally CORONA follows the process of such totalityin progress:the gradual eclipsing by the Moon - total darkness with thefierce, sparkling outer corona - the gradual 'rebirth' of the light toward the full gl.ory and warmth of the Sun.Besides the obvious astronomical narrative of the SOLAR-TRILOGY there's a metaphysical angle too, underlying each of the three compositions: GONG, in spite of its apparent energy, may be the most pessimistic of them all, epitomizing the death and ultimate annihilation of the prime source of Life itself. ZENITH is a hommage to human aspiration and spiritual endurance and CORONA ends with Hope and Glory after a journey from depression throughtotal despair. Super-structurally, the zenith of ZENITH makes the zenith of the entire trilogy, i.e. when the E- flat of the unisone horns in ZENITH is heard, we are exactly halfway through the collected work. Poul Ruders.
SKU: SU.27120080
Reflections on my life living by the Pacific Ocean and the inspiration that its beauty and drama brings.Orchestra Duration: 22' Composed: 2006 Published by: Lapis Island Press Performance materials available on rental:.
SKU: SU.28180011
SATB Chorus & Orchestra Duration: 23' Composed: 2018 Published by: Kathy Wonson Eddy Performance materials available on rental:.
SKU: SU.28180010
SATB; 2222; 2200; stgs Duration: 23' Composed: 2018 Published by: Kathy Wonson Eddy Performance materials available on rental:.
SKU: AP.38513S
UPC: 038081438955. English. Traditional.
This medley of three fantastic folk fiddle tunes, set in a totally authentic style, will delight players and audiences. Arkansas Traveler, Fire on the Mountain, and Devil's Dream are featured in the violins and violas with great accompaniment parts for the cellos and basses.
SKU: HL.14023393
ISBN 9788759858301. International (more than one language).
Work for Chorus of Mixed Voices (SATB) and Orchestra, composed in 1960.
SKU: HL.50490514
8.25x11.75 inches.
SKU: HL.48024654
ISBN 9781784545017. UPC: 888680949181. 8.25x11.75x0.288 inches.
New edition of this hitherto unpublished 13-minute work, which was first performed in 2002 by the Philharmonia Orchestra, conducted by Jukka-Pekka Saraste. The title clearly suggests a parade; but, as Lindberg points out, in Spanish, 'parada' also denotes a bus-stop or taxi-rank: a wry acknowledgement, perhaps, of the long wait for a slow movement from this composer at that time. For him, Parada is the middle panel of a loosely conceived triptych, the flanking sections of which are Feria (1997) and Cantigas (1999). Lindberg draws a parallel with Debussys Images, in which each of the three parts was conceived and premiered separately, and retains its own identity.