Trumpet Concerto E Flat

Trumpet parts in both B flat and E flat simplified piano part and a free CD including piano backing tracks and orchestral performance extracts.Johann Nepomuk Hummel (1778-1837) composed this concerto in 1803 for the keyed trumpet which had been developed by Anton Weidinger (1767-1852). Weidinger gave its first performance on New Year's Day 1804. Originally composed in the key of E it is more commonly played in Eb. The keyed trumpet was the first type of trumpet which could play chromatically but the invention was not a huge success: it suffered from a poor quality of sound. In the early 19th century the invention of the valve rendered the keyed trumpetobsolete.This edition is intended to be more user-friendly than the others currently available: there is a much easier (and dare I say more stylistic) piano accompaniment - any doubling of the solo part has been removed voicing simplified and my premise has been to imagine what it might have been before it was orchestrated rather than trying to cram in every last piece of orchestral detail.Suggested cuts in the piano part have been indicated giving a short introduction to each movement perfect for auditions recitals or exams. However the bar numbers still tally with the longer original versions which are included should they be required. The dynamics and articulation which I have added incorporate the weight of opinion in current editions and recordings offering more guidance than 'scholarly' editions without being overprescriptive.There is an appendix with suggested interpretation of trills and ornaments. Listening to as many different recordings as possible is the best way to assimilate good trills.The accompanying CD provides piano accompaniments and observes the suggested cuts. See page 38 for full track listing. There is free software available online (eg. speedshifter on the ABRSM website) which enables you to change the speed of a CD should you wish to practise slower or indeed faster.The Hummel

Canadian Brass Solo Performing Edition. These new Canadian Brass Solo Performing Editions feature trumpet parts piano reduction accompaniment and a fantastic CD featuring two tracks: a full recording by Canadian Brass trumpeterRyan Anthony plus an accompaniment-only track for play-along practice. Includes two score inserts for the trumpet part: one for E-flat trumpet the other for B-flat trumpet.

Over 20 favourite concerto movements arranged for piano solo by Cecil Bolton. From Rachmaninov's Second Piano Concerto to Mozart's Clarinet Concerto this collection features many of your favourites!

La référence AL28564 de l'éditeur Leduc dont l'auteur célèbre est Hummel/Ghitalla, qui a pour titre Trumpet Concerto In E-Flat, a été écrite et composée pour Trompette et Cornet et plus particulièrement pour Trompette Et Piano. Cette partition musicale appartient à la catégorie Classique. / Trompette Et Piano / Partition

Listen as extraordinary virtuoso Robert Nagel takes you into the world of challenging pieces for the advanced trumpeter. A master class you won't forget! Includes a high-quality printed music score annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist. Contents: Trumpet Processional (Nagel) · Allegro (Fiocco) · Suite Movements I-III (Latham) · Trumpet Concerto in E-Flat Major WoO1 S49 (Hummel).

Le présent Concerto pour trompette et orchestre a été écrit en 1796 et dédié à a. Weidinger, un trompettiste de l'orchestre d'opéra de Cour à Vienne. Weidinger amélioré la trompette en appliquant les clés à elle, couvrant les trous de côté et rendant ainsi poss / Trompette Et Orchestre

The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre