Twelve Etudes, Op. 39

Contained within Etudes For Electric Guitar are twelve exciting pieces for solo Electric Guitar designed to improve your skill and technique, specially devised by renowned composer Kris Lennox. As well as the standard notation and tab, the accompanying Download Card also gives you instant access to professionally-recorded demonstrations by the author himself.If your Guitar-playing is somehow stuck in a rut, or perhaps you just want some pieces to play away from a band setting, then Etudes For Electric Guitar is the book for you. Designed for intermediate guitarists, these twelve, completely original studies will help improve your technique and range by really focusing on certain aspects of your playing, such as fingering, rhythm and picking. These are challenging pieces, but if incorporated into a practice routine, they'll be hugely beneficial, as well as simply enjoyable to play. Author and composer Kris Lennox feels strongly about the etudes included in this collection of solo Guitar sheet music, and this is evident in his extensive written introductions, justifications and guidance notes for each study. He has noticed that the majority of electric guitarists can play the rhythm or lead parts of songs, while the electric Guitar is rarely thought of as its own solo instrument. With Etudes For Electric Guitar, Lennox hopes to change this, composing pieces that sound great, while also being technically challenging and entirely worthy of your time. You won't need any special equipment, just a standard electric Guitar and a willingness to learn and improve. The extensive notes give you essential tips on working through each study, making sure they are as beneficial as possible.Featuring twelve etudes, all in different keys, the notes are included in standard notation and tablature, so you don't have to know how to read music. There are also some fingering suggestions, so for particular stretches or complex passages, you can get help on where to put your fingers! The accompanying download card also gives you instant online access to studio-quality demonstrations, recorded by Kris Lennox himself, so you can hear exactly how each etude should sound. If you're feeling brave enough, you could attempt to play along with Lennox's recording, but be sure to start slowly! This collection of Etudes For Electric Guitar is a fantastic opportunity to play a set of twelve expertly-composed studies for solo Electric Guitar, the likes of which are difficult to find among today's PVG or tab songbooks. To improve your playing, or just to expand your repertoire beyond simple songs, Etudes For Electric Guitar by Kris Lennox is a creative collection of pieces that are both enjoyable to play and invaluable to your technique. / Guitare

Les pièces pour piano de Frédéric Chopin sont tous absolument essentiels dans le répertoire de n'importe quel pianiste. Les préludes et les études sont des exemples extraordinairement de son génie. Contenu :
Twenty-four Preludes [Vingt-quatre Préludes pour le pianoforte] Op. 28
Prelude in C Major, Op. 28, No. 1
Prelude in A Minor, Op. 28, No. 2
Prelude in G Major, Op. 28, No. 3
Prelude in E Minor, Op. 28, No. 4
Prelude in D Major, Op. 28, No. 5
Prelude in B Minor, Op. 28, No. 6
Prelude in A Major, Op. 28, No. 7
Prelude in F-sharp Minor, Op. 28, No. 8
Prelude in E Major, Op. 28, No. 9
Prelude in C-sharp Minor, Op. 28, No. 10
Prelude in B Major, Op. 28, No. 11
Prelude in G-sharp Minor, Op. 28, No. 12
Prelude in F-sharp Major, Op. 28, No. 13
Prelude in E-flat Minor, Op. 28, No. 14
Prelude in D-flat Major, Op. 28, No. 15 ( Raindrop )
Prelude in B-flat Minor, Op. 28, No. 16
Prelude in A-flat Major, Op, 28, No. 17
Prelude in F Minor, Op. 28, No. 18
Prelude in E-flat Major, Op. 28, No. 19
Prelude in C Minor, Op. 28, No. 20
Prelude in B-flat Major, Op. 28, No. 21
Prelude in G Minor, Op. 28, No. 22
Prelude in F Major, Op. 28, No. 23
Prelude in D Minor, Op. 28, No. 24
Prelude Op. 45
Prelude in C-sharp Minor
Twelve Etudes [Douze grandes Études] Op. 10
Etude in C Major, Op. 10, No. 1
Etude in A Minor, Op. 10, No. 2
Etude in E Major, Op. 10, No. 3
Etude in C-sharp Minor, Op. 10, No. 4
Etude in G-flat Major, Op. 10, No. 5 ( Black Key )
Etude in E-flat Minor, Op. 10, No. 6
Etude in C Major, Op. 10, No. 7
Etude in F Major, Op. 10, No. 8
Etude in F Minor, Op. 10, No. 9
Etude in A-flat Major, Op. 10, No. 10
Etude in E-flat Major, Op. 10, No. 11
Etude in C Minor, Op. 10, No. 12 ( Revolutionary )
Twelve Etudes [Douze grandes Études] Op. 25
Etude in A-flat Major, Op. 25, No. 1 ( Aeolian Harp )
Etude in F Minor, Op. 25, No. 2
Etude in F Major, Op. 25, No. 3
Etude in A Minor, Op. 25, No. 4
Etude in E Minor, Op. 25, No. 5
Etude in G-sharp Minor, Op. 25, No. 6
Etude in C-sharp Minor, Op. 25, No. 7
Etude in D-flat Major, Op. 25, No. 8
Etude in G-flat Major, Op. 25, No. 9 ( Butterfly )
Etude in B Minor, Op. 25, No. 10
Etude in A Minor, Op. 25, No. 11 ( Winter Wind )
Etude in C Minor, Op. 25, No. 12
Three New Etudes [Trois Nouvelles Études]
Etude No. 1 in F Minor
Etude No. 2 in A-flat Major
Etude No. 3 in D-flat Major

12 Easy-Intermediate Studies For Guitar. Par STANLEY YATES. These twelve 'mechanical studies' for guitar are intended as an atmospheric modern counterpart to the classical arpeggio study, a fundamental aspect of right-hand training. Accordingly, the left hand is kept relatively in the background while the right hand explores a particular pattern, texture, or technique. / Niveau : Débutant à Intermédiaire / Classic - Technic / Etude / Guitare Classique

Perfect for the student of Jazz. --Michael Brecker 'I encourage the jazz guitar students at the University of North Texas to emulate tenor saxophonists. Greg Fishman's book, Jazz Guitar Etudes, contains idiomatic bebop lines and will be a great tool for any guitar teacher with aspiring jazz guitarists. Thanks, Greg!' Fred Hamilton, professor of jazz guitar, University of North Texas 'These are great solos and etudes! I'm always telling my guitar students to learn lines and phrasing from horn players, and Greg Fishman's book is perfect for this approach. The book is nicely done and very well laid out.' Corey Christiansen Professor of Guitar, Utah State University, Visiting Professor, Indiana University This book is very well put together and very thorough. It gives guitar students the information necessary to obtain a vocabulary based on the bebop tradition, yet ultimately encourages them to improvise on these structures, creating their own lines and ideas. I commend you on meeting this challenge head-on, and for effectively clarifying these concepts in your liner notes. --Steve Cardenas Professor of Guitar, The New School, New York City, member of the Paul Motian Band and Charlie Haden Liberation Music Orchesra. The lines are great, the rhythm section is terrific, and I really love the fact that the student guitarist working out of this book gets to play along with both the guitarist on the CD and with your tenor. This book is incredibly well thought out. Congratulations on a fantastic book! --Jack Peterson, legendary jazz guitar professor (retired) from Berklee and North Texas State Just Jazz Guitar's rave review of Jazz Guitar Etudes by Greg Fishman: Jazz Guitar Etudes is an excellent resource for all guitarists and teachers. After releasing a very popular etudes book for jazz saxophone, Greg Fishman collaborated with guitarist Mike Allemena to do a guitar version of the book. The book includes standard notation and tablature. The studies in the book are great written improvised solos over familiar chord progressions such as the blues, rhythm changes, and standards. The book comes with a CD that features a guitar version, a saxophone version, and a rhythm section version of each etude. In addition, Fishman begins the book with concepts in developing jazz lines such as proper voice leading and sequences. The melodic lines are very well designed phrases using the the bebop language. Guitarists can gain so much by playing and analyzing these etudes --Just Jazz Guitar Magazine Endorsed by Michael Brecker, Dave Liebman, Phil Woods, James Moody, Plas Johnson, Mark Colby, Bob Sheppard, Jerry Coker, Gary Campbell, Tim Price, Gary Keller, Chip McNeil and many other teachers and players around the world, this series of saxophone etude and duet books will immediately help you take your playing to the next level. Click a cover and hear a sample... New book release for Jazz Guitar: Jazz Guitar Etudes book and CD Play-along set is now in stock and shipping! This book features master jazz guitarist Mike Allemana playing twelve bebop style etudes. Also includes Greg Fishman playing each etude on tenor saxophone. This allows the guitarist the choice of playing with Mike (guitar) or Greg (tenor). Book also features tablature with Mike's own fingerings! 52 pages, 8.5 x 11 format, ISBN 978-0-9766153-7-8

Jazz Saxophone Etudes, Volume 3 features twelve melodic etudes for the advancing jazz saxophonist. These etudes focus primarily on medium tempos and demonstrate a melodic approach to soloing with authentic jazz vocabulary. The etudes are catchy, fun to play, and written idiomatically for the saxophone.Like all of Greg Fishman's books, all saxophonists (soprano/alto/tenor/bari) read the same written part, ensuring that the pieces lay perfectly on the horn, while the rhythm section transposes the accompaniment to accommodate the saxophonist's range.This book is the perfect follow-up for students who have completed Fishman's Jazz Phrasing for Beginners.

Fin d'Études - Livre Du Maitre. Par MAGNON DENIS. Twelve melodic studies in the style of various authors, from Ravel to Bach, Debussy to Mendelssohn. This end of studies edition of the book is the version with accompaniment. Twelve melodic studies in the style of various authors, from Ravel to Bach, Debussy to Mendelssohn. This end of studies edition of the book is the version with accompaniment. / Pédagogie / Solfège/Formation Musicale / Formation Musicale

Supérieur - Livre du Maître avec accompagnement-Twelve melodic studies in the style of various authors from Ravel to Bach Debussy to Mendelssohn. This higher level book is the version with accompaniment.

Niveau Moyen - Livre du Maître avec accompagnement-Twelve melodic studies in the style of various authors from Ravel to Bach Debussy to Mendelssohn. This intermediate level book is the version with accompaniment.

Par BERTINI HENRI. The Etudes op. 29 and op. 32 are among Bertini’s best-known and most influential tutorial works. For aspiring pianists there is much to discover: Pieces with interesting harmonies in keys with up to four sharps or flats display various musical characteristics using a range of different rhythms, articulation and dynamics. With teaching notes by editor Ruth Taneda. When Henri Jerôme Bertini, born in 1798 in Lyon, developed into a child prodigy who at the age of twelve was already performing in concerts in Paris and other major cities. Concert tours to the Netherlands and Rhineland region followed. After spending some time in England and Scotland, in 1821 he settled in Paris, where besides teaching piano he performed as a pianist at Parisian salons and went on extended concert tours of the provinces in the summer months. Bertini’s teaching activities through to 1848 inspired his ‘Méthode de Piano’ and a wealth of Etudes (op. 29 and 32, op. 66, op. 100 as well as a Nouvelle Collection d’Études in ten volumes varying in degrees of difficulty). In about 1848 Bertini stopped working as a pianist, composer and teacher, left Paris and retired to the Dauphiné in southeastern France. He died in Meylan near Grenoble on 30 September 1876./ Etude / Piano

Book 2-Fluid Pentatonics for Guitar: 84 Melodic Studies for Rock Guitar is a comprehensive manual for developing blistering pentatonic motion that moves freely over the entire fretboard using position-shifting slides hammer-ons andpull-offs for speed and fluidity. Emphasis is on overcoming the restrictive nature of traditional pentatonic 'box' scale fingerings by developing pathways that continually shift between and connect the five pentatonic 'boxes'.Complete whole-neck control is developed through an extensive series of repeating melodic exercises and etudes. Section One presents 35 sequential whole-neck studies each of which spans the range of twelve frets thus unlockingvirtually every possible position shift. Section Two develops complete non-shifting control through a series of 15 interesting and useful sequential patterns applied to each of the five pentatonic 'boxes'. Section Three presents10 whole-neck/position-shifting studies that are non-sequential in design in order to develop unpredictable melodic flow. Then in Sections Four and Five two vital extensions/variations of the pentatonic scale are fullyexplored; the Hexatonic and Dominant Pentatonic scales. The result is a complete matrix of pentatonic moves and connections that allow the guitarist to float freely across the entire fretboard without being locked into anysingle particular pentatonic 'box'. The resulting sound is definitely NOT bluesy (very little string bending) but closer to a modern jazz-rock fusion style; fluid and unpredictable. Great for all guitarists in rock jazz fusion blues country and pop styles who want to unlock complete whole-neck freedom and develop a fast modern pentatonic sound. CD included. Presented in standard notation and tablature.

Early exposure to playing in various keys promotes a strong foundation for fluent reading. and an understanding of music theory. Beginning Piano Multi-Key Reading introduces elementary pianists to twelve Majorfive-finger positions and key signatures. These keys and positions are presented in groups of similar keyboard topography to facilitate learning and coordination. Warm-ups etudes and short pieces provide reading experiences allover the grand staff helping students to avoid getting 'stuck' in the Middle C C and G Major positions. Beginning Piano Multi-Key Reading may be used with Beginning Piano Repertoire or any elementary pianocourse.