Twilight (Clarinet)

Partitions de 9 chansons tirées du film 'Twilight' spécialement arrangées pour clarinette solo. Inclus un CD avec pistes démos et pistes playback.Disponible aussi pour flûte, saxophone alto et ténor, trompette, cor, trombone, violon, violon alto et violoncelle. / Clarinette / Partition + Cd

Par . Graded books for Clarinet exams from 2023. Each book contains a selection of 12 accompanied and unaccompanied pieces for the grade, covering a range of styles and periods, with duets up to Grade 3. Performance notes for all pieces in the book give valuable insights, tips and suggestions. Downloadable demo and backing audio is included. / Date parution : 2022-11-29/ Recueil / Clarinette

Commissioned by The Mühlfeld Trio in 1988 Lullaby is one of a pair of pieces by Lefanu based around twilight and night. The piece features six miniatures illustrating a mother's experiences watching her child drifting into slumber. The miniatures are performed without breaks as one continuous piece with fluctuations surprises and long stretches of blissful chords and undulating textures. The clarinet part is also included on a separate insert.The second piece of the pair Nocturne for Cello and Piano is available: item code NOV361054.

Tous les préférés de vos thèmes instrumentaux sont dans cette superbe collection pour les solistes! Les 15 thèmes comprennent succès de Hollywood comme 'Axel F' de Beverly Hills Cop et 'Berceuse de Bella' de Twilight, sports d'inspiration hymnes tels que 'Clairon de rêve' (Fanfare olympique) et 'Les Chariots de feu', ainsi que chansons populaires de télévision montrent le même thème à partir de Hawaii Five-O et I Love Lucy. Comprend un accompagnement plein play-along CD avec le logiciel le réglage du tempo. / Clarinette

for three Bb clarinets Eb alto (or 4th Bb) and Bb bassThis wonderful collection of grade 3 music for clarinet choir appears on most state contest lists and includes pieces of varying lengths and styles to suit anyperformance opportunity. Includes classics as well as contemporary pieces by the original Rubank composers. A must for your school or church library. Contents: Air and Gigue (Handel) • Allegro (J.C. Bach) • AllegroRococo (Koepke) • An Der Wiege (Grieg) • Andante and Rondo (Ostransky) • Ballad (Rimsky-Korsakov) • Blue Twilight (Walters) • Theme from Christmas Oratorio • Lyric Piece No.2 (Grieg) • Menuetto(Mozart) • Motet (Brahms) • Polonaise and Presto • Puer Natus in Bethlehem (Bach) • Valse a La Scherzo (Walters).

for three Bb clarinets Eb alto (or 4th Bb) and Bb bassThis wonderful collection of grade 3 music for clarinet choir appears on most state contest lists and includes pieces of varying lengths and styles to suit anyperformance opportunity. Includes classics as well as contemporary pieces by the original Rubank composers. A must for your school or church library. Contents: Air and Gigue (Handel) • Allegro (J.C. Bach) • AllegroRococo (Koepke) • An Der Wiege (Grieg) • Andante and Rondo (Ostransky) • Ballad (Rimsky-Korsakov) • Blue Twilight (Walters) • Theme from Christmas Oratorio • Lyric Piece No.2 (Grieg) • Menuetto(Mozart) • Motet (Brahms) • Polonaise and Presto • Puer Natus in Bethlehem (Bach) • Valse a La Scherzo (Walters).

for three Bb clarinets Eb alto (or 4th Bb) and Bb bassThis wonderful collection of grade 3 music for clarinet choir appears on most state contest lists and includes pieces of varying lengths and styles to suit anyperformance opportunity. Includes classics as well as contemporary pieces by the original Rubank composers. A must for your school or church library. Contents: Air and Gigue (Handel) • Allegro (J.C. Bach) • AllegroRococo (Koepke) • An Der Wiege (Grieg) • Andante and Rondo (Ostransky) • Ballad (Rimsky-Korsakov) • Blue Twilight (Walters) • Theme from Christmas Oratorio • Lyric Piece No.2 (Grieg) • Menuetto(Mozart) • Motet (Brahms) • Polonaise and Presto • Puer Natus in Bethlehem (Bach) • Valse a La Scherzo (Walters).

The title of Paul Mealor's, Spectred Light refers to the ghostly lights sometimes seen at night or twilight over rivers or lakes. Tales of the 'Spectred Lights' can be found in numerous folk tales around the world, and it is often depicted as a malicious character in these stories. In Welsh folklore, it is said that the light is 'fairy fire' held in the hand of a 'pwca' - a small goblin-like fairy that leads lone travelers off the beaten path at night. As the traveller follows the pwca through the marsh, the fire is extinguished, leaving the man lost. This short work for Flute, Clarinet and Piano is an attempt to depict, through sound, this strange phenomenon. The piece flickers into life and, though a series of asymmetric variations, leads the listener into a maze of aural colours. As the music reaches breaking point, it disappears upwards and dissolves into metal wind-chimes. Out of this, a short respite is heard before the music finally hurtles into its finale - a blaze of virtuosity. Spectred Light was commissioned by, and dedicated to, virtuoso clarinetist Esther Lamneck. / Flûte, Clarinette Et Piano

Par CAFOLLA ROMA. A collection of graded pieces, ranging in difficulty and encompassing most time signatures and many key signatures. Some are catchy. Some are gentle. Most are lyrical and melodious. / Niveau : Facile / Date parution : 2021-11-03/ Recueil / Clarinette et Piano

Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments, on the other hand, they have an often underestimated potential of „twilight“: air-sounds and fragile, shady colours have a especially attractive when being produced by double-reed instruments (which are often, and superficially regarded as being less capable of differentiated sounds than flute or clarinet). The piano, too, has a broad bandwidth of possibilities between percussive and delicate playing to complement the woodwinds which, in return, can absorb and continue the fading piano sounds. The beginning introduces the two contrasting elements that form the basic material for the piece: a clear, sharp chord, followed by fragile, dim sounds. The changes between these elements as well as their combination and amalgamation produce an enormous spectrum of colours and gesture. After this „motto-like“ opening follow four quite clearly separated short sections, each of them being characterised by a well-defined texture: a partly almost imperceptible air-sound passage, a short sequence of microintervallic notes, a burst of virtuosity and a recourse to the fragile sounds of the beginning. The second, longer main part consists of three sections merging subtly into each other: a short unisono-passage, marked elastic [federnd], is being dissolved into its basic elements; from these remainders, a confrontation of low, ‚arcane‘ bassoon and piano sounds and a strongly ornamented melodic line of the oboe emerges, leading to a short but powerful climax. The piece is concluded by an extended, relaxed epilogue, containing a short piano solo and a duet of oboe and bassoon and, finally, a quotation of the „elastic“ character of the middle section. Benjamin Schweitzer / Date parution : 2007-11-20/ Répertoire / Hautbois, Basson et Piano