SKU: GI.G-9889
UPC: 785147988922.
GIA is pleased to offer this second volume of favorite hymns and songs arranged for bass clef instruments. Trombones, bassoons, cellos, basses, euphoniums and baritone horns have 60 additional pieces that have their own parts to play! While intended to enhance congregational singing, these arrangements can be played as preludes or musical interludes. The contents of this collection may also be used in conjunction with the C, Bb and Eb instrumental books in GIA’s family of hymnals. The first volume of Out of the Depths, containing 70 hymns and songs arranged for bass clef instruments, is also available, G-9521.
SKU: HL.237009
UPC: 888680696696. 9.25x12 inches.
This second volume of Hymn Fanfares for brass, organ and percussion continues the festive mood presented in the first volume. In keeping with other collections in the Fanfares series, each piece in it can stand alone in concert or in a service, or serve as the introduction to the congregational hymn. This collection includes: Fanfare on Azmon • Fanfare on Ein Feste Burg • Fanfare on Lyons • Fanfare on Madrid • Fanfare on Melita. Brass instrumentation is for two trumpets and two trombones (opt. fr. horn subs for trombone 1). The book includes a CD with instrumental parts so organists can practice or perform on their own.
SKU: LO.765762067103
UPC: 765762067103.
Churc h trombone or cello soloists will find a wealth of usable material in these arrangements of classic hymns, praise and worship choruses, and gospel songs. The book contains keyboard accompaniments plus solo and duet lines in separate, detachable inserts. Those performing solos will play the top line in its entirety. For duet use, a second player can perform the bottom line. All of the upper parts from Volume 15 will work with the bottom parts from Volumes 11-15 of the Instrumental Solotrax Series, thereby allowing duets of virtually any two instruments.
SKU: GI.G-9521
UPC: 785147952121.
Final ly! A resource for your cello, bassoon, trombone, and other bass clef players in your music ministry program! We've taken 70 classic GIA songs and hymns and crafted arrangements that feature the melody, a lyric “tenor descant†line, and a true bass line. Your players will appreciate the flexibility of being able to play the melody or harmony lines in a clef, range, and style suitable for these foundational instruments.
SKU: PR.466000470
UPC: 680160099405. 11 x 17 inches.
This is the second incarnation of a work I first composed in 1994 for symphonic wind ensemble. The earlier version was intended to be the summation of three-part suite, each part being named for a different national park in the Western United States. This orchestral version, commissioned in 1999 by the Utah Symphony and dedicated to the memory of Aaron Copland, is more than a re-scoring of the earlier piece; it is a re-thinking of all its elements. Zion is a place with unrivaled natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side of him -- but it is also a place with a human history, having been inhabited by several tribes of native Americans before the arrival of the Mormon settlers in the mid-19th century. By the time the Mormons reached Utah, they had been driven all the way from New York State through Ohio and, with tragic losses, through Missouri. They saw Utah in general as a place nobody wanted, but they were nonetheless determined to keep it to themselves. Although Zion Canyon was never a Mormon Stronghold, the people who reached it and claimed it (and gave it its present name) had been through extreme trials. It is the religious fervor of these persecuted people that I was able to draw upon in creating Zion as a piece of music. There are two quoted hymns in the work: Zion's Walls (which Aaron Copland adapted to his own purposes in both his Old American Songs and the opera The Tender Land) and Zion's Security, which I found in the same volume in which Copland found Zion's Walls -- that inexhaustible storehouse of 19th-century hymnody called The Sacred Harp. My work opens with a three-verse setting of Zion's Security, a stern tune in F-sharp minor which is full of resolve. (The words of this hymn are resolute and strong, rallying the faithful to be firm, and describing the city of our God they hope to establish). This melody alternates with a fanfare tune, whose origins will be revealed in later music, until the second half of the piece begins: a driving rhythmic ostinato based on a 3/4-4/4 alternating meter scheme. This pauses at its height to restate Zion's Security one more time, in a rather obscure setting surrounded by freely shifting patterns in the flutes, clarinets, and percussion -- until the sun warms the ground sufficiently for the second hymn to appear. Zion's Walls is set in 7/8, unlike Copland's 9/8-6/8 meters (the original is quite strange, and doesn't really fit any constant meter), and is introduced by a warm horn solo. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic Zion's Walls finally achieving prominence. The work ends with a sense of triumph.
SKU: BT.DHP-1012688-711
Gott Zur Ehre is a collection of hymns and chorales compiled by Jan de Haan. Each pieces are arranged in a four part flexible instrumentation, so enabling them to be used by bands with a small number of players. Volume 2 contains many famous German and international Christmas carols. Although not all pieces may be recognised instantly, they will fit perfectly in any church service or concert. They are also extremely useful for improving the sound quality of your band! Score and individual parts can be ordered separately.Für alle Bläserensembles, die sich musikalisch am kirchlichen Leben beteiligen möchten, hat der Komponist und Verleger Jan de Haan unter dem Titel Gott zur Ehre zwei Sammlungen vereinigt, welche die wichtigsten Kirchen-, Advents- und Weihnachtslieder enthalten.Die jeweils vierstimmige Partitur mit den dazugehörigen Einzelstimmen eignet sich besonders für eine Aufführung durch Blasorchester, Posaunenchor, kleine Instrumentalensembles sowie einen oder mehrere Bläser mit Orgel- oder Klavierbegleitung. Eine Besonderheit sind kurze, vier- bis achttaktige Vorspiele, die jedes Stück einleiten.Die Ausarbeitung der vierstimmigen Sätze stammt u. a. von folgenden Komponisten undArrangeuren: Jacob de Haan, Jan Haderman, Jan Van der Roost, André Waignein, Wim Stalman und Jan de Haan.Teil 2, die Weihnachtsliedersammlung für Bläser, enthält ausgewählte geistliche Lieder zur Advents- und Weihnachtszeit. Unter den Titeln finden sich beliebte weihnachtliche Kirchenlieder aus dem deutschsprachigen Raum, aber auch St. Martins- und Dreikönigslieder sowie die schönsten internationalen Weihnachtslieder. Neben traditionellen Liedern stehen solche, die auch ein junges Publikum ansprechen.So ergeben sich neue vielfältige Möglichkeiten für die Gestaltung von Gottesdiensten, Weihnachtsfeiern und Kirchenkonzerten, damit Gotteslob, Spielfreude und musikalischer Glanz sich zu einem eindrucksvollen Ganzen verbinden können.Die Partitur und Stimmenhefte sind separat erhältlich. Bitte bestellen Sie gemäß Ihrer Besetzung!
SKU: BT.DHP-1012685-708
