Two Sonatas for Violin and Basso continuo

Sonata in a minor for Violin and Basso continuo. Par NERUDA JOHANNES. Le compositeur tchèque Johann Baptist Georg Neruda (env. 1711-1776) a augmenté au cours des dernières années, principalement en raison de sa grande concerto pour trompette joué encore plus d'intérêt public. Un violoniste respecté et membre de longue date de la cour orchestre de Dresde, l'accent de son travail de composition, cependant, était dans la gamme de musique de violon. Les riches et techniquement très difficile Sonate pour violon en la mineur a été publié en 1982 dans le cadre de notre édition 'Bohemian Violin Sonatas' (HN 334) pour la première fois en version imprimée et est maintenant présenté dans une édition unique pratique avec une nouvelle préface et une voix anonyme supplémentaire./ Répertoire / Violon

About Sonatas in G major E-minor Fugue in G minor(BWV 1021 BWV 1023 BWV 1026) By Johann Sebastian Bach (1685-1750) arranged by Meniker Zvi edited by Andrew Manze Peter Wollny. Score; Set of Parts; Urtext Edition for violin and basso continuo. Published by Baerenreiter-Ausgaben (German import). (BA.BA5167) ISBN M006466214. Baroque. 9x12 inches. First critical edition of a work firmly attributed to Bach: the G minor Fugue BWV 1026 Figured bass realization by Zvi Meniker Two violin parts: an Urtext part and a part marked with fingering and bowing suggestions by Andrew Manze Continuo part with bass figures This new edition supersedes the earlier performance edition ofsonatas BWV 1021 and 1023 published in the New Bach Edition. Like other volumes recently issued in revised editions - Sonatas and Partitas for Violin (BA 5116) Partita for Flute (BA 5187) and Six Sonatas for Violin and Obbligato Harpsichord in one volume (BA 5240) and in two volumes (BA 5118-19) - these two sonatas have been re-evaluated on the basis of newly unearthed sources. The Fugue BWV 1026 long considered spurious appears here for the first time in a scholarly-critical edition that places Bach's authorship above reproach

Arcangelo Corelli, le virtuose du violon de son temps, a publié son 'Sonates pour violon et basse continue opus V' à Rome en 1700. Ces sonates sont un recueil de violon de son temps et jeté les bases de compositions pour violon futures.Au fil des années, les sonates ont été publiés dans près de 100 éditions, tous basés sur la première édition de Corelli qui ne contient que la ligne de violon solo au-dessus d'une ligne de basse latente. Aujourd'hui, les sonates sont bien connus dans de nombreuses réalisations continuo modernes. Cependant, une réalisation de l'époque de Corelli par Antonio Tonelli existe également et est présenté ici pour la première fois dans une édition moderne performant. Ce constat est surprenant en ce qu'il contient des accords complets, parfois joués par les deux mains.En outre, la nouvelle édition savante critique de Bärenreiter comprend de nombreux embellissements. Pour la plupart, ils ont été trouvés dans des documents manuscrits par Tartini, Geminiani, McGibbon, Dubourg et Roger (à partir d'une réimpression de la sonates de c. 1710). Ces embellissements sont présentés dans un livret distinct lequel les joueurs peuvent placer à côté original de Corelli sur le stand de la musique.En complément de cette édition Urtext sont une introduction historique, un commentaire critique et une annexe contenant des préludes aux sonates pour clavier par Tonelli, ainsi qu'une sélection de mouvements de clavier embellies par les contemporains de Corelli.- Score à la réalisation de la basse continue par Tonelli ainsi que la ligne de basse chiffrée latente de Corelli- Avec une partie de violon de Urtext séparé- Avec un latente partie de continuo figuré distinct- Comprend un livret séparé avec des embellissements- Annexe aux descriptions des sources, des commentaires critiques (Eng) et préludes pour instrument à clavier par Tonelli / Violon Et Basse Continue

Sheet Music and Play-along CD Pack available: see Q 4553 / Flûte Traversière Et Piano

Volume 1-Score with realisation of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line With a separate Urtext violin partWith a separate unrealized figured continuo partIncludes a supplement with violin embellishmentsAppendices in both volumes with source descriptions and critical commentariesPreludes for keyboard instrument by Tonelli in the appendix of volume 2Arcangelo Corelli the violin virtuoso of his time published his Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas are a compendium of violin playing of his time and laid the groundwork for future violin compositions. Over the years the sonatas have been published innearly 100 editions all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords sometimes played by both hands. In addition Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini Geminiani McGibbon Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand. Complementing this Urtext edition are a historical introduction a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.

Georg Friedrich Handel's Sonatas for Violin and Basso Continuo belong to the core repertoire of Baroque Violin music some of them even being among the most famous repertoire pieces of their time. The new edition in the Wiener Urtext Edition series is based on Handel's autographs contemporary copies and first prints. In addition to Handel's nine violin sonatas it contains two minuets for Violin and Basso Continuo which have been handed down in the environment of the sonatas. Apart from the solo Violin part and a Continuo score with a realised easily playable Basso Continuo the edition also includes a figured Bass partwhich gives experienced Continuo players the opportunity to improvise on the Basso Continuo part. The notes on interpretation by the renowned Baroque expert Reinhard Goebel provide insight into a sonata performance that was common practice at the time of Handel.

Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by Michael Talbot. The vast majority of violin sonatas from Vivaldi?s time including those of Vivaldi himself have come down to us in the form of a score employing two staves: one for violin and one for bass. This guarantees that although portions of the work may be missing what survives is textually complete. Exceptionally five of Vivaldi?s violin sonatas are preserved solely in a partbook for violin held by the Diözesanarchiv Graz the complementary part for cello having disappeared. The sonatas appear to date from the period between the Dresden group (1716-1717) and the Manchester set (c. 1726). Three of the sonatas which all have four movements possess partial concordances in other sources with which they share two or three movements but two of them ? RV 11 and RV 37 ? have so far been found only in Graz (with the exception of an incipit for RV 11 found in a contemporary thematic catalogue). This critical edition makes these two works available for study and performance. The bass part is an editorial reconstruction and there is in addition a realization of the continuo by the editor.

Par HAENDEL GEORG FRIEDRICH. The Sonatas for Violin and Basso Continuo are among some of Handel's most beautiful writings for the Violin, and are a beautiful addition to the repertoire of any advancing violinist. These sonatas are clearly presented with detailed editorial markings and suggestions, along with a commentary on each work. This edition has been edited by Terence Best and the Basso Continuo has been realized by Peter Holman. The solo violin and basso continuo parts are also included on separate inserts. / Niveau : Intermédiaire à Avancé / Répertoire / Violon et Piano

for Flute or Violin and Continuo-?Methodical? was how Telemann?s six sonatas were described when they were published in 1732 because they included a second ornamented version of the simple melody line of the solo instrument for the slow opening movements andfor the second movement of the c-minor sonata. This is music that is both instructive and also a delight to play and G. Henle Publishers can highly recommend it to the flautists and violinists of today. This lavishly appointednew edition has separate solo and bass continuo parts that contain the other part in each case for orientation purposes. There is also an additional part featuring only the figured bass line. This edition includes the score whichalso features a historically faithful realisation of the figured bass. The first volume of ?Methodical Sonatas? has already been published (HN 1266); this means that all twelve of Telemann?s sonatas are now available as HenleUrtext editions.

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Two Sonatas G Major/E Minor BWV 1021, 1023 qui a été écrite pourViolon Et Basse Continue. Les éditions Wiener Urtext qui ont éditées cette oeuvre l'ont répertoriée sour la référence UT_50002. / Violon Et Basse Continue / Partition

Edition de Reinhard Goebel
Nearly all of the music from the seventeenth-century court at Dresden was unfortunately lost when Frederick II of Prussia bombarded the city in 1756. Fragments of the repertoire, however, have been preserved in the libraries of the courts of Protestant northern Europe, which were connected to Dresden by friendship or familial ties. Some of these works are presented here as they have been performed and recorded by the ensemble Musica Antiqua Koln, directed by Reinhard Goebel. The editions include both scores and parts.
Dresden Sonatas 3 presents two works for three violins, two violas, and basso continuo by Johann Wilhelm Furchheim (ca. 1635?82), as well as the Rondeau in C Major by Johann Joseph Fux (1660?1741), which features violino piccolo and bassoon, with an accompanying ensemble of violin, two violas, and basso continuo.

George Frideric Handel's Sonatas - Volume 2 written for solo Violin and Piano accompaniment. Includes the works Sonata in A major for violin and continuo HWV372 Op. 1 No. 14 Sonata in D major for violin and continuo HWV371 Op. 1 No. 13 and Sonata in E major for violin and continuo HWV373 Op. 1 No. 15.

(replaces HM 278) The 'Devil's Trill' Sonata is the most famous of the violin sonatas of Giuseppe Tartini (1692-1770). In this scholarly-critical edition, it holds many a surprise in store. For the first time, all available contemporary sources have been consulted to produce an edition closely approximating Tartini's lost autograph. The solo part offers several ossia passages and alternative articulation marks, and the score has been given an eminently playable realization of the continuo part offering ample scope for improvisation. Also for the first time, this edition includes a separate part for violoncello or violone.A detailed Foreword sheds light on the genesis and subsequent reception of this sonata. There is also a Critical Report discussing and evaluating all sources used and providing explanations of a number of important passages, including the famous trill itself. / Violon Et Basse Continue