Two ( 2) Songs For Baritone

Par BAY WILLIAM. This handy, pocket-sized book contains a chord reference, basic strum patterns, and songs. It includes information on holding the baritone uke and the pick, tuning, and how to read chord diagrams. Chord diagrams are provided for major, minor, dominant 7th, diminished, augmented, minor 7th, major 7th, sixth, and minor sixth chords. There are 15 fun songs to play written with melodies, lyrics, chord symbols, and up/down strum patterns. / Niveau : Débutant / All Styles - Songbooks / Méthode / Ukulélé Baryton

Volume 4-Including some of Ernest John Moeran’s most attractive and characteristic pieces this is the fourth collection in the Centenary Edition series of solo songs by the great Anglo-Celtic composer. The pieces in this collection are all written for Baritone voice with Piano. Moeran wrote sixty original songs for solo voice and piano and Volume four features 16 glorious pieces including the settings of texts by James Joyce Robert Bridges Shakespeare and W.B. Yeats plus shanties ballads and dances.

Poulenc's song cycle  Chansons Gaillardes was composed in 1925-1926 during the post-war euphoria. The cycle is essential to aspiring advanced Baritones. Francis Poulenc (1899-1963) was a highly prolific composer and remains popular to this day. Chansons Gaillardes was composed towards the beginning of the composer's career for Baritone Pierre Bernac. At the first performance Poulenc himself played the piano and the song cycle was immediately a hit. Chansons Gaillardes is made up of eight songs which alternate between lively and slow tempos; 1) TheFickle Mistress 2) Drinking Song 3) Madrigal 4) Summoning the Fates 5) Bacchanalian Couplets 6) The Offering 7) The Beautiful Youth and 8) Serenade. As a song cycle with much variation Poulenc's Chansons Gaillardes is an exciting addition to the Baritone repertoire.

Par MACONCHY ELIZABETH. Elizabeth Maconchy's Four Shakespeare Songs written for Baritone and Piano with text taken from Shakespeare's Twelfth Night, Measure for Measure and Othello. Duration: 6 minutes Elizabeth Maconchy's Four Shakespeare Songs written for Baritone and Piano with text taken from Shakespeare's Twelfth Night, Measure for Measure and Othello. Duration: 6 minutes/ Répertoire / Baryton et Piano

Par RECHBERGER HERMAN. Herman Rechberger (1947?2022) composed the song cycle Seven Cat Songs between Christmas eve 2007 and the 4th of January 2008. They were inspired by his ?lovely hairy companions Tosca and Carmen?. The songs exist in two versions, one for soprano (...a SHE cat) and one for baritone (...a He Cat). Have a look inside by clicking ?sample?. Duration: c. 20 minutes Contents: I A cat's self portrait (Herman Rechberger) II Cats can sleep anywhere (Eleanor Farjeon) III A cat's memory (Jane Webb) IV A cat's evening prayer (anon.) V A song about two cats (anon.) VI A black-cat luck (anon.) VII All kinds of cats (BJ Boskitt) / Date parution : 2022-05-31/ Recueil / Baryton et Piano

A Century of English Song - Volume II is a superb anthology that comprises ten 20th-century choral pieces for voice and Piano accompaniment. It is an authoratative edition that has been published in collaboration with The Association of English Singers and Speakers. The series includes songs by talented and distinctive composers who may be little known outside specialist circles not just popular and well known writers. The pieces are enjoyable and expressive and will help increase appreciation for the English Song genre. This is the second volume in the A Century of English Song series and contains ten songs for Baritone voice and Piano edited byMichael Pilkington.

Media Type : Book Level : Beginning Musical Genre : Folk Series : Fun With Number of pages : 40 A collection of 29 folk and bluegrass songs selected to aid the beginning baritone uke player in playing strums suitable for diverse time signatures and tempos. Includse chord diagrams for the principal chords in each key plus instruction on tuning and playing position. An ideal follow-up to Fun with the Baritone Uke.

Michael Hurd's A Day's Alarm - 5 songs for Baritone and Piano. Contents include: Minute-hand and moon and mindLook to my lover my lonely oneSwing low sweet sunBy night I coin the shilling starIn boyhood as was fitting

Three songs on Twilight texts by Davidson Tennyson and Tagore. For Baritone voice and Piano accompaniment.

Baritone Voice And Piano Performing Score-Composed in 2012 the two pieces in Sadie Harrison’s Heartoutbursts! take their inspiration from traditional English folk.'...in the folk-song there is to be found the complete history of a people recorded by the race itself through the heartoutbursts of its healthiest output. It is a history compiled with deeper feeling and more understanding than can be found among the dates and data of thegreatest historian...'(Percy Grainger 1922)In 1905 Joseph Taylor won a Lincolnshire folksong competition with his rendition of Brigg Fair a song he had learnt from a gypsy. Australian composer Percy Graingersubsequently published a setting in his Lincolnshire Posy with Delius using the tune in his rhapsody Brigg Fair. Both composers sought to vivify the tradition of English folksong celebrating not only the ancient tunes and words but also the qualities of particular folksingers like Joseph Taylor.Harrison’s own Australian Heartoutbursts! follow unashamedly in the Grainger tradition with echoes of the original folktunes underpinning both songs Brigg Fair and The Seeds of Love. Although different in character both texts use similar images as analogies for the joys and despairing associated with love - the lark and violet symbolize youth the lily as virginity the red rose as true love and the willow representing falsehood and abandonment.

Rock Crystal for 2 Sopranos Baritone and Orchestra + Soundfiles by Henrik Hellstenius with text by Adalbert Stifter. This piece is a version of Love Songs II written for the stage performance: 'Theatre of the Ear: About The Nature' commissioned by The Norwegian Opera. Premiered at the Ultima Festival in Oslo September 2015.

Ten settings for Baritone and Piano by Ian Venables. '...There is no mistaking the emotional and technical strength in Venables' songs besides their very real beauty - qualities which can only come from an individuality as deep as it is genuine...' Classic FM Magazine