Valse Romantique No. 3

SKU: BT.EMBZ15061

Zoltán Kocsis (1952 - 2016) was not just a phenomenal pianist. He was also regarded as a musical 'polymath' whose genius embraced the activities of a composer, conductor, editor, instrumentalist, and arranger. In the last capacity, he added some 150 works to symphonic, chamber, song and piano repertoire. He gladly adapted music of the turn of the 20th century, as appears from his transcriptions of Richard Strauss, Ravel, Rachmaninoff, Enescu, and above all, Debussy. (Many of these are distributed by Editio Musica Budapest.) 'In Debussy's case, (...) I was always interested in works that offered possibilities beyond the bounds of the piano, possibilities for orchestration.Just as with Liszt it was often possible to see that certain of his works had been written for piano for publication purposes, so with Debussy it is clear that mainly his song accompaniments exceeded the bounds of possibility for the piano,' Kocsis stated in one interview. Perhaps that recognition also encouraged him to arrange the popular piano work Valse romantique (1890) for clarinet and piano. The arrangement superbly pinpoints the sensitive, almost ingratiating tunefulness of the Waltz, adding a piece that sounds great and is rewarding to perform to the clarinet repertoire.

Mit dem unlängst verstorbenen Zoltán Kocsis betrauert die Nachwelt nicht nur einen phänomenalen Pianisten, sondern auch einen 'Polyhistor der Musik': Sein außergewöhnliches Talent entfaltete sich ebenfalls in seiner Tätigkeit als Komponist, als Dirigent, als Herausgeber und nicht zuletzt auch als Arrangeur und Bearbeiter organisch. Durch letztere Aktivität bereicherte er die symphonische, Kammer-, Lied- und Klavierliteratur um etwa einhundertfünfzig Werke. Sehr gern adaptierte er die Musik aus der Zeit der Wende zum 20. Jahrhundert, wie auch seine Richard-Strauss-, Ravel-, Rachmaninov-, Enescu- und vor allem Debussy-Transkriptionen belegen. (Mehrere davon werden auch von unseremVerlag vertrieben.).

SKU: AP.36-60710002

ISBN 9798888521823. UPC: 676737572853. English.

Claude Debussy (1862-1918) composed Valse Romantique (F minor; CD 79/L.71) in 1890 for solo piano, during a period when he was short piano works in traditional genres, seeking his own style. Unlike the impressionism for which he later became known, this waltz is written in a late romantic style. Not particularly difficult, it is ideal for teaching or for a recital. This transcription for violin or flute and piano was created in 1924 by Alexandre Roelens. Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: HL.51481156

ISBN 9790201811567. UPC: 888680749705. 9.25x12.25x0.07 inches.

In his youth, when still searching for his own personal style, Debussy composed a series of short, stand-alone piano pieces. He took traditional genres such as the ballade, mazurka, nocturne and waltz, but in general used each of them just once, as if trying them out. One such was the “Valse romantique”, published by Choudens of Paris in 1891 and thus written at the same time as his famous piano works “Two Arabesques” and the “Suite bergamasque”. This charming waltz is of moderate difficulty and thus ideal either as a pedagogical piece or for concert performance. Our collected volume “Debussy: Piano Pieces” (HN 404) offers numerous other short piano pieces of modest difficulty for those who find that this practical, stand-alone edition awakens in them a desire for more.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

SKU: AP.36-60410001

ISBN 9798888521816. UPC: 676737870607. English. Transcribed by Alexandre Roelens.

Claude Debussy (1862-1918) composed Valse Romantique (F minor; CD 79/L.71) in 1890 for solo piano, during a period when he was short piano works in traditional genres, seeking his own style. Unlike the impressionism for which he later became known, this waltz is written in a late romantic style. Not particularly difficult, it is ideal for teaching or for a recital. This transcription for violin or flute and piano was created in 1924 by Alexandre Roelens. Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: M7.AV-6119

ISBN 9790203919438.

Welc he Rolle spielt der Walzer in der Gitarrenmusik? Zur Zeit des großen Walzer-Aufschwungs befand sich die Gitarre in einer Epoche des NIedergangs. Es gibt zwar kleine Walzer von J. Meissonier und M. Carcassi, die aber noch nicht ganz arttypisch sind. Für die Romantik wäre etwa J.K. Mertz zu erwähnen, der einige Walzer und Mazurken schrieb. Im 20. Jh. kennen wir Antonio Lauro mit seinen berühmten und oft gespielten Valses Venezolanos. Sie stellen aber an die GitarristInnen hohe Anforderungen und sind daher den meisten LaienspielerInnen nicht zugänglich. Diese 7 Walzer sollen auch den weniger geübten GitarristInnen die Walzer-Welt erschließen. Deshalb wurden grundsätzlich alle Barrégriffe und Streckungen vermieden und es wird weitgehend auf die erste Lage beschränkt. Und jetzt kann es losgehen: mm ta ta, mm ta ta...

SKU: FZ.50522

ISBN 9790049505222. 21.00 x 29.70 cm inches.

This facsimile is the complete bicentennial original edition of the works by Frederic Chopin proposed by Alex Szilasi. Recueil no. 2 : Opus 42 Grande Valse Brillante - Composition : 1840 - Edition : 1840. Opus 64 Valse no. 1 - Composition : 1846 - Edition : 1847. Opus 64 Valse no. 2 - Composition : 1846 - Edition : 1847. Opus 64 Valse no. 3 - Composition : 1846 - Edition : 1847. Anne Fuzeau Classique propose period copies of classical music scores.

SKU: FZ.50504

12.50 x 14.00 cm inches.

Anne Fuzeau Classique propose to discover our facsimiles' music in CD. The complete bicentennial edition of the works of Frederic Chopin on facsimile. Alex Szilasi plays on authentic PLEYEL piano. 19 Valses : 1 - KK IVb no. 11 (a-moll - A minor - La mineur) - 1'54''. 2 - KK IVa no. 13 (Asz-dur - A flat major - La bemol) - 1'25''. 3 - KK IVb no. 12 (E-dur - E major - Mi majeur) - 2'23''. 4 - KK IVa no. 14 (Esz-dur - E flat major - Mi bemol majeur) - 2'21''. 5 - KK IVa no. 15 (e-moll - E minor - Mi mineur) - 2'58''. 6 - KK IVb no. 10 (Esz-dur - E flat major - Mi bemol majeur) - 1'56''. 7 - Op. 18 Grande Valses Brillante (Esz-dur - E flat major - Mi bemol majeur) - 6'02''. 8 - Op. 34 no. 1 Grande Valses Brillante (Asz-dur - A flat major - La bemol) - 5'56''. 9 - Op. 34 no. 2 Grande Valses Brillante (a-moll - A minor - La mineur) - 6'23''. 10 - Op. 34 no. 3 Grande Valses Brillante (F-dur - F major - Fa majeur) - 2'33''. 11 - Op. posth. 69 no. 2 (h-moll - B minor - Si mineur) - 3'34''. 12 - Op. posth. 70 no. 1 (Gesz-dur - G flat major - Sol bemol majeur) - 2'17''. 13 - Op. posth. 70 no. 2 (f-moll - F minor - fa mineur) - 1'41''. 14 - Op. posth. 70 no. 3 (Desz-dur - D flat major - Re bemol majeur) - 2'31''. 15 - Op. 64 no. 3 (Asz-dur - A flat major - La bemol) - 3'21''. 16 - Op. posth. 69 no. 1 (Asz-dur - A flat major - La bemol) - 3'47''. 17 - Op. 64 no. 1 (Desz-dur - D flat major - Re bemol majeur) - 1'57''. 18 - Op. 64 no. 2 (cisz-dur - C sharp minor - Ut diese mineur) - 3'54''. 19 - Op. 42 Grande Valse (Asz-dur - A flat major - La bemol majeur) - 4'02''. Trois Ecossaises : 20 - Op. posth. 72 no. 3 (D-dur - D Major - Re majeur) - 1'05''. 21 - Op. posth. 72 no. 4 (G-dur - G Major - Sol majeur) - 0'37''. 22 - Op. posth. 72 no. 5 (Desz-dur - D flat Major - Re bemol majeur) - 0'37''.

SKU: DZ.DZ-4287

ISBN 9782898522048.

Ant� �nio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.
In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.
Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.
Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).
In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.
In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.
Unfortunately , Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.
The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.

Antôni o Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.
En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.
De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.
Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).
En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.
En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.
Malheureuseme nt, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.
La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».
Envoyer des commentaires
Panneaux latéraux
HistoriqueEnregistrées.

SKU: BR.SON-630

ISBN 9790004803578. 10 x 12.5 inches.

The present volume of the Sibelius Complete Edition contains seven orchestral works, five of which Jean Sibelius originally composed as stage music but later separated from the incidental-music connection to be performed as individual compositions in concerts. The tone poem Finlandia Op. 26 originates from the Music for the Press Celebration Days (JS 137, 1899). Valse triste and Scen med tranorna (Scene with the Cranes, Op. 44 Nos. 1 and 2) were composed for the 1903 premiere of Arvid Jarnefelt's play Kuolema (Death, incidental music JS 113); Canzonetta and Valse romantique (Op. 62a and 62b) were additions to a 1911 stage production of Kuolema. The two waltzes under the opus number 96, Valse lyrique (Op. 96a) and Valse chevaleresque (Op. 96c), are orchestral versions of works also known as compositions for piano. Of the works only Scen med tranorna remained unpublished during Sibelius's lifetime. It was also probably intended to be published - the autograph score is preserved under Breitkopf & Hartel tenure in the Sachsisches Staatsarchiv in Leipzig - but the first edition of the score and the parts were not printed until 1973. This print was made from a scribal copy by an unknown copyist, and the edition of Scen med tranorna based on Sibelius's autograph is available for the first time in the present volume.

SKU: HF.FH-2760

ISBN 9790203427605. 8.3 x 11.7 inches.

1. Gavotte; 2. Scherzo; 3. Elegie; 4. Kaprizioser Walzer; 5. Intermezzo; 6. Valse romantique; 7. Tango; 8. Toccatina; 9. Valse Elegie; 10. Fugato; 11. Etude; 12. Valse humoristique.

SKU: BU.EBR-A098

ISBN 9790560153858. 8.58 x 12.48 inches.

La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.

Proposer tout à la fois des « incontournables  Â» du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces Å“uvres.

Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.



Du Dvorak magnifiquement inspiré pour ce Tempo di valse mélancolique issu de la sérénade pour cordes en mi majeur opus 22. De forme classique ABA, ce morceau nous séduit avant tout grâce à sa verve romantique exacerbée et son feeling particulièrement slave.

La sérénade entière, composée en mai 1875, est une œuvre poétique et intimiste, d’un lyrisme aussi inventif qu’intense. En 5 mouvements, elle représente une des créations les plus célèbres du compositeur tchèque.

SKU: DZ.DZ-2337

ISBN 9782897372545.

SKU: BT.BVP878

SKU: RM.FAIL01057-BA

ISBN 9790231010572.

SKU: TM.08305SET

Full score and parts Typeset 2018.

SKU: HL.50511501

ISBN 9790080085349. UPC: 840126939712. 9.0x12.0x0.184 inches. Hungarian, English, German. Zoltan Kocsis.

Claude Debussy: Valse romantique - arranged for clarinet and piano by Zoltan KocsisZoltan Kocsis, who died recently, was not just a phenomenal pianist. He is mourned also as a musical 'polymath', whose genius embraced the activities of a composer, conductor, editor, and not least instrumentalist and arranger. In the last capacity, he added some 150 works to the symphonic, chamber, song and piano repertoires.

SKU: DZ.DZ-4063

ISBN 9782897959807.

SKU: LM.C05510

ISBN 9790230355100.

L'ho rloger qui avait peur de perdre son temps - Si tu reviens - Cendres - L'heritage des B. - Valse romantique - Et Maria dansait - Et le piano chantait - La derniere image du film.

SKU: CL.013-0358-00

SKU: CU.EC10422