3 Viola Da Gamba Sonata

in c-Moll A2:55A, g-Moll A2:56A, a-Moll A2:57AThe Maltzan Collection is a trove of manuscripts made up of thirty for the most part unknown works for viola da gamba in the holdings of the library of Adam Mickiewicz University in Pozna?, Poland. Twenty-eight of the works are by Carl Friedrich Abel - including a number of autographs - and one each by Johann Christian Bach and Andreas Lidl. The manuscripts were copied between 1759 and 1789 in England, and purchased there by the then Prussian envoy in London, Count Joachim Carl Maltzan, who brought them back with him to Militsch, Silesia (today Milicz, Poland). In 1945 the manuscripts came into the possession of the library in Poznan. The collection was discovered in 2016 by Sonia Wronkowska, who is also the editor of the ten-volume edition of all the previously unknown works from this collection.The viola da gamba sonatas by Abel in the Maltzan Collection are musically mature pieces that throw a new light on Abel's compositional artistry. For the most part, they pose greater challenges for the player than the previously known sonatas from Abel's time in London. The fast movements are more expansive; the range extends from AA to b ; there are movements with variations and polyphonic passages; unusual keys, such as A-flat Major and E Major, are to be found; and many a slow movement contains a cadenza from Abel's hand. / Viole de gambe / Guntersberg

Two Sonatas for viola da gamba and basso. Sonata I in G major, WKO 149, First Edition, and Sonata II in E minor, WKO 150. This Sonatas belong to the most precious works by Abel for viola da gamba and they remarkably differ from his other chamber music pieces. Edition Güntersberg

for Viol (Viola) and Harpsichord-The three sonatas for Viola da gamba and Harpsichord obbligato by Johann Sebastian Bach BWV 1027–1029 edited here both in the original version with viola da gamba and in a version with viola have been handed down to us only as separate works. Neither source material nor style indicate that the three works – as for example the six sonatas for Violin and Harpsichord BWV 1014–1019 – should be regarded as a whole. It is provable or at least feasible that all three sonatas were not originally conceived for this instrumentation. The musical substance and therefore the artistic status of the sonatas were not affected by this transcription.-Urtext of the New Bach Edition- Also includes optional part for Viola

Edition : Opera secunda, Lubeca, 1696.Présentation de Marie-Françoise Bloch : Corrections et suggestions.Fac-similé de l'édition originale en parties séparées : violino - viola da gamba - cembalo.C'est une musique de grande qualité, qui s'inscrit dans la tradition des sonates en trio allemandes, dans lesquelles les deux parties de dessus sont jouées par un violon et une viole de gambe - il faut un clavecin et une seconde viole pour exécuter la basse continue.Fac-similé de l'exemplaire de la Bibliothèque de l'Université d'Uppsala. Second volume des trios de Buxtehude. / Violon Et Instruments Divers (Avec Viole Et Basse Continue) / 124 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

For Viola Da Gamba-This superbly produced volume brings together nine of Bach's most performed compositions: six Cello Suites and three Sonatas for Viola da Gamba and Harpsichord. Reprinted from the definitive Bach-Gesellschaft edition.

Music Minus One Alto Recorder-These marvelous Baroque sonatas by Telemann and Händel bring you together with a harpsichord and viola da gamba for a journey back in time to a genteel age when lovely and delicate music consistently filled the air. Includes detailed notes with printed musical examples on period performance practices and ornamentation. Includes a high-quality printed music score and a compact disc containing two recordings: a complete performance with soloist in split-channel stereo (soloist on the right channel) and a second version in full stereo of the accompaniment minus the soloist. Performed by Jean Antrim flute Accompaniment: Mary Springfels viola da gamba Jocelyn Chaparro harpsichord