Violin & Cello & More

Trio for Violin Cello and Piano in G Major. The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Juvenilia et Addenda Vol. 1 Add. 7.

Irish Music for Strings Score + Parties. Par AUTEURS DIVERS. The cheerful and often melancholic melodies of Ireland lend themselves well for easy string quartet or ensemble repertoire. Wonderful tunes such as 'A Lovely Lass” and 'The Foggy Dew” have been arranged by Speckert for two violins, viola and cello. In all pieces the viola can be replaced by a third violin. 'Fiddle Tunes” forms part of the 'Easy String Ensemble” series./ Répertoire / Ensemble à Cordes

10 Duets. Par DIVERS AUTEURS (ARR.IGUDESMAN ALEKSEY). A violinist and a cellist having fun together! Whoever heard of such a thing? But that is exactly what Alexey Igudesman has provided for in his 'Violin and Violoncello and More”. He has responded to popular demand and arranged - no, recreated! - duets from his previous publications for two violins. These encompass many different styles but always with Alexsey's own individual and quirky touch. The contents list reads like a world tour, passing through Scotland, Ireland, Israel, Khazakhstan and many other countries. Igudesman took great care to 'custom make” the cello part as he wanted these arrangements to be as musically valuable as his original versions. He encourages the players to be creative, adding improvisation or even choreography but, above all, to have fun. These pieces will suit intermediate players who want to be stretched or more advanced students who simply want to let their hair down!/ Répertoire / Violon et Violoncelle

Par DUNCAN CRAIG. Arrangements that are designed to be enjoyed in a number of settings. Companion books for violin and viola are available. Each offers the melody and harmony part along with piano accompaniment. Suggested uses are: solo cello with piano accompaniment, cello duets, cello and violin duets, trios with violin, cello and viola duets, and trios with viola. / Niveau : Débutant / Christmas - Solos / Recueil / Violoncelle

For violin cello and piano'The title 'Time Will Pronounce'is taken from the last lines of Joseph Brodsky’s poem 'Bosnia Tune' which deals with the horror of the unnecessary unacceptable daily deaths in Bosnia during 1992 (andstill in 1993): ‘Time whose sharp blood-thirsty quill parts the killed from those who kill will pronounce the latter tribe as your type’. The violin and cello are (generally) treated as a unit independent of the piano. Theform (generally) alternates slow and fast tempi without motivation. The musical ideas are (generally) carried over from section to section. (Generally) the harmonic melodic and textual materials features third and semitonesderived (generally) from the movement of the bass part in the opening bars.

Judith Weir's Night is a work for Violin and Cello. Commissioned by Enterprise Music Scotland Night was written for High Heels and Horse Hair - comprised of Alice Rickards (Violin) andSonia Cromarty (Cello) who gave the first performance on 3rd November 2015 at Cottiers Theatre in Glasgow. Please note this item comes with two scores - one for the violinist and another for thecellist. Night was written for a late evening concert which aimed to use lighting design to explore aspects of life in the dark in three distinct but interrelated parts - NightMenagerie Night Anxiety and Late Night Radio.

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition Zwei Duos für Violine und Violoncello tout le talent de Mozart. Cette partition a été composée pour Violon Et Violoncelle. C'est l'éditeur Bärenreiter qui a publiée cette oeuvre. / Violon Et Violoncelle / Partition

For more than forty years Allain Gaussin fascinated by astrophysics has found a major source of inspiration in observing the cosmos as attest a number of works going from Vent solaire (1974) to Philae (2015) by way of L’Harmonie des sphères (2006). Ten years later the 'Messiaen du Pays de la Meije' Festival hosted the first performance of the piano trio Les Céphéides. The musical journey enables the listener to enter a space 'just as impalpable and fragile' as that in which moves each Cepheid variable – this star whose brightness varies over regular periods according to two elements: the diameter of the heavenly body and thetemperature reading of its surface. How does one translate such a change in music? The bow's sautillé gettato on the violin and cello gives the score's opening pages this granular glittering that leads us 'towards the centre of the Cepheid variables'. From there a stream of colourful arabesques – the composer's 'ribbon figures' – gushes forth. After a weightless transition the cello unfurls its contemplative meditation which ends up in a suspended coda open onto the infinity of the starry vault. As musicologist Michèle Tosi accurately says so it is that the full richness 'of a teeming imaginary universe' unfolds.