Violin Concerto in E minor

Violin(s) and Piano Reduction-Collection of three concertos for the Violin edited and fingered by Eduard Herrmann. Includes a Piano accompaniment Violin part and Violin 2 part for the Concerto For Two Violins In D Minor BWV 1043Concertosincluded: A minor Concerto BWV 1041; E Major Concerto BWV 1042; Concerto for Two Violins in D minor BWV 1043.

Par MENDELSSOHN-BARTHOLDY FELIX. L'un des concertos les plus aimés du répertoire pour violon, cette pièce dispose d'importantes innovations formelles qui le placent sur ??un pied d'égalité avec les oeuvres les plus importantes du genre. Mendelssohn a créé le concerto spécifiquement pour Ferdinand David, son ami intime et premier violon de l'Orchestre du Gewandhaus de Leipzig, pour lequel le compositeur a servi comme chef d'orchestre. Un succès immédiat dès sa première 1845, le concerto demeure essentielle pour le répertoire de chaque violoniste virtuose en herbe. Edité par l'éminent professeur et interprète Leopold Auer, cette pratique autoritaire et édition de performance comprend un insert de 16 pages d'un séparé, violon amovible. Les musiciens professionnels et amateurs apprécieront cette édition durables mais peu coûteuse, qui présente une liaison robuste qui permet aux pages de rester ouvert sur ??les pupitres des années d'utilisation et la jouissance. / Niveau : Avancé / Répertoire / Violon et Piano

These 11 well-known pieces composed especially for Violin make an ideal introduction to playing more advanced solos. Each piece reveals something about the Violin's capabilities as a solo instrument and there are selected background notes about some of the music featured, plus pictures and a brief introduction to the Violin's history and development. - an ideal book for any aspiring Violin soloist! / Violon

À ce jour, les concertos pour violon de Bach sont parmi les plus populaires pièces de répertoire de nombreux violonistes qui doivent répondre à des exigences techniques grands dans ces oeuvres. Créé au cours du temps de Bach à Köthen, dans laquelle le compositeur a présenté des oeuvres de nove révolutionnaire / Orchestre

Violin Concerto #1 In A Minor, Op.3 #6. Par VIVALDI ANTONIO. Standard violon étudiant répertoire - magistralement enseigné par Zakhar Bron. Le tournage d\'une classe de maître dans la salle blanche du palais Sheremetjev à Saint-Pétersbourg. DVD avec la partie de violon Solo, préparé et annoté par Zakhar Bron. Zakhar Bron est un violoniste exceptionnelle et enseignant de renommée mondiale qui a reçu de nombreux prix et professeurs, plusieurs de ses étudiants, tels que Vadim Repin, Maxim Vengerov, Erik Schumann et Mayuko Kamino, appartiennent à l\'élite mondiale des solistes de violon. / Niveau : Intermédiaire / Classic - Methods / Méthode / Violon

TWV 51:a1 A minor, 51:D9 D major, 51:g1 G minor. Par TELEMANN GEORG PHILIPP. Three Concertos for Violin A minor TWV 51: a1; D major TWV 51: D9; G minor TWV 51: g1 No fewer than twenty-five violin concertos by Georg Philipp Telemann (1681-1767) have come down to us over the years - presumably only a fraction of his total output in this geme. But even this corpus, though reduced by time, reveals that Telemann, like other composers of his day, regarded the violin as the most important and most versatile of all solo instruments. Two of his operas - Der neumodische Liebhaber Damon (1719, TWV 21:8) and Die last-tragende Liebe oder Emma und Eginhard (1728, TWY 27:25) - open with introductory violin concertos; there are eight concertos for twoviolins; and the violin plays an important role in virtually all his concertos for two or more solo instruments. Urtext of the Telemann Edition Performance material available for hire/ Répertoire / Violon et Orchestre

Reconstructed from BWV 1056. Par BACH JOHANN SEBASTIAN. This violin concerto in G minor has not come down to us in the form presented here. It has been reconstructed from a lost violin concerto that survives solely in Bach's arrangement for harpsichord, namely, as the Harpsichord Concerto in F minor (BWV 1056). The reconstruction is based on a meticulous evaluation of those autograph harpsichord concertos that also survive in an original version for violin. In particular, the autograph harpsichord parts contain changes that Bach made when preparing his arrangements, thereby revealing the manner in which he transcribed his solo violin works for the harpsichord. The keyboard realization is presented in a transparent way allowing players the possibility to embellish and fill in the harmonies at their discretion./ Répertoire / Violon et Piano

Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the 'child prodigy' Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Léonard's playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)

Par SUZUKI SHINICHI. Teach violin with the popular Suzuki Violin School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person. This Suzuki Book & CD is integral for Suzuki violin lessons. This International Edition of the Suzuki Violin School, Volume 5 features: * New editing of pieces, including bowings and fingerings * Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers * Text in English, French, German, and Spanish * New Musical Terms * Composers * CD features new recordings by Augustin Hadelich in collaboration with pianist Kuang-Hao Huang, as well as piano accompaniment only tracks for play-along purposes. / Date parution : 2023-11-03/ Recueil / Violon

Over 20 favourite concerto movements arranged for piano solo by Cecil Bolton. From Rachmaninov's Second Piano Concerto to Mozart's Clarinet Concerto this collection features many of your favourites!

E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere - the ?child prodigy? Joseph Joachim - and Hubert Leonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard. The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David - now we know that he also gave some to Leonard. The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. The editor of this revised edition of the Mendelssohn Violin Concerto, Clive Brown, is an acknowledged expert on Romantic performance practice. This study score complements the full score and orchestral parts (BA 9099), the piano reduction of the 1844 version (BA 9099-92), the piano reduction of the 1845 version (BA 9099-90), as well as the brochure ?Performance Practices in the Violin Concerto op. 64 and Chamber Music for Strings of Felix Mendelssohn Bartholdy? (BA 9060)./ Répertoire / Violon et Orchestre

Sonata in a minor for Violin and Basso continuo. Par NERUDA JOHANNES. Le compositeur tchèque Johann Baptist Georg Neruda (env. 1711-1776) a augmenté au cours des dernières années, principalement en raison de sa grande concerto pour trompette joué encore plus d'intérêt public. Un violoniste respecté et membre de longue date de la cour orchestre de Dresde, l'accent de son travail de composition, cependant, était dans la gamme de musique de violon. Les riches et techniquement très difficile Sonate pour violon en la mineur a été publié en 1982 dans le cadre de notre édition 'Bohemian Violin Sonatas' (HN 334) pour la première fois en version imprimée et est maintenant présenté dans une édition unique pratique avec une nouvelle préface et une voix anonyme supplémentaire./ Répertoire / Violon