Violin To Viola, From

Category: String SeriesFormat: Book and CDInstrument: ViolaInstrumentation: Viola (with Piano Acc.)Level: Level 2-3This incredibly versatile new collection was written especially for violin, viola, and cello. Each book features a piano accompaniment and a carefully crafted removable string part complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD, with demo tracks (featuring live string performances) and play-along tracks, completes each package. The string books are completely compatible with each other and can be played together or as solos. Due to level considerations, the string books are not compatible with the books in the wind series. Titles are: Can You Read My Mind? (Love Theme from Superman) * Cantina Band (Star Wars®) * Double Trouble (Harry Potter and the Prisoner of Azkaban) * Duel of the Fates (Star Wars®: Episode I The Phantom Menace) * Fawkes the Phoenix (Harry Potter and the Chamber of Secrets) * Harry's Wondrous World (Harry Potter and the Sorcerer's Stone) * Hedwig's Theme (Harry Potter and the Sorcerer's Stone) * The Imperial March (Star Wars®: The Empire Strikes Back) * May the Force Be with You (Star Wars®: The Empire Strikes Back) * Olympic Fanfare and Theme (1984 Olympic Games, Los Angeles) * Star Wars (Main Title) (Star Wars®) * Theme from Superman (Superman) * A Window to the Past (Harry Potter and the Prisoner of Azkaban).

The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Now available as book and CD kit. / Alto

Wedding Music for Violin and Viola includes 14 favorites for weddings recitals parties and receptions. New adaptations of these arrangements allow each musician to share melodic harmonic and accompanying elements. These duets are well suited for intermediate to advanced musicians and include bowings fingerings articulations and dynamics. Includes two separate 28-page pull-out parts for violin and viola.

This series offers a versatile selection of music for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, and cello. Each book contains carefully edited arrangements appropriate to each instrument, and is well suited for level 2-3 students. The CD includes a fully orchestrated demo track of each song, which features a live instrumental solo performance, followed by a play-along track. Also included are PDFs of piano accompaniments, and Alfred's Tempo Changer Software. / Alto

Written in the year 1775, Mozart's lively violin concerti manifest the young composer's astonishing maturity and command of his craft. An incredible fluency of musical speech ? richness of texture and sheer beauty of melodic line pervade this music (Veims, The Concertos). Indeed, the concerti are the composer's earliest compositions that have maintained a secure position in the world's repertoire. Also a staple of the concert hall is the Sinfonia Concertante, K.364, composed in 1779, and scored for violin, viola, and orchestra. Undoubtedly the most significant work Mozart composed that year, the piece is distinguished by its symphonic sweep, advanced harmonies, and the beautiful slow movement, among Mozart's most moving creations. Now all six masterpieces are available in this convenient, inexpensive edition.

Viola-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondr cek as soloist.This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim?s fingering is published. First Urtext edition of the original Piano reductionVariants in the solo part rendered as ossia passagesForeword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor

INSTRUMENTATION : 2 VIOLINS, VIOLA (VIOLIN) AND CELLO VERSION : SCORE AND PARTS CONTENU : AIRE FROM ABDELAZAR (PURCELL) - ALLEGRO (HAYDN) - CONVERSATION PIECE (NORTON) - LENTO FROM SCENES OF CHILDHOOD (SCHUMANN) - MARCH FROM FLAVIUS (HANDEL) - MINUET & TRIO (BEETHOVEN) - MINUET & TRIO FROM DIVERTIMENTO IN D (MOZART) - NEW YEAR�?S SONG - RONDO FROM FAIRY QUEEN (SCHUBERT) - SLOVAKIAN FOLKSONG (BARTóK) - VARIATIONS ON EARLY ONE MORNING (NELSON) NOMBRE DE PAGES : 56 FORMAT : DIN A4

for Violin and Piano-Brahms had already announced his ?retirement? from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year.Brahms conceived an alternate version of the works for Viola from the beginning and already before the publication of these two versions he intended to do another one for Violin a version which was to require changes and was to result in an independent edition. While the Clarinet and Viola versions havedeveloped a rich performance tradition the Violin version is almost unknown. Yet for the Violin version the composer revised the original Clarinet part much more extensively than he did for the Viola version and also rewrote the Piano part to achieve a thoroughly convincing Violin and Piano idiom. This Bärenreiter edition aims to bring the neglected Violin Sonatas Op. 120 back into players? hands.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and

21 Pieces for Flexible String Ensemble-String Time Starters is an exciting new ensemble collection for beginner strings from the authors of the award-winning Fiddle Time series. A prequel to 'String Time Joggers' this collection provides inventive and enjoyable ensemble repertoire for groups of all sizes. This volume contains 21 pieces for Violin. 21 easy characterful ensemble pieces plus fun warm ups. Flexible scoring for Violin Viola Cello and Double Bass with Piano or CD accompaniment - from duets in any combination to large ensembles. The level approximately corresponds to the Starters books for Violin Viola and Cello - some parts use open strings only some use open strings and first fingers and some use all fingers catering for groups of mixed ability. Pupil books for Violin Viola Cello and Double Bass with lively illustrations. Teacher's book with score including Piano part and a CD with performances and backing tracks for all pieces. Full performances and backing tracks also available to download from the Companion Website.

The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Now available as Book and CD kit. / Alto

Grade 3 Upwards-A flexible compendium of folk tunes from the North of England arranged for two violins or violin & viola plus optional cello. Includes On Ilkley Moor Bahtat Scarborough Fair Dance Ti Thy Daddy Blaydon Races and many more.