A Voice Proclaims

SKU: AU.9781506463599

ISBN 9781506463599. 7 x 10.25 in inches.

This anthem on the tune KINGSFOLD sets two different hymn texts, making it useful throughout Advent, the season after Epiphany, or general use. The alto part is optional, making this a flexible and practical work for choirs of all sizes.

SKU: HL.285269

UPC: 888680888558. 6.76x10.5 inches.

Beginning with an a cappella statement from “And Can It Be,” this Easter anthem segues into the first verse of the Lowry hymn “Christ Arose.” The brass wait patiently while the piece builds with keyboard accompaniment. Eventually the percussion stir, and soon the lower brass are sounding, and the upper brass join in as all that has voice proclaims “He arose!” Medium in difficulty.

SKU: GI.G-5485

ISBN 9781579991555.

Thos e familiar with the music of John Bell know of his insightful and thought-provoking texts. Here, John provide us with a fresh look into the very familiar seasons of Advent and Christmas, and through song tells of the Savior's coming to the poor, to the downtrodden, and to the older folk. From lift Up Your Heads, a traditional Advent hymn, to Give Us, This Year, a prayer for Christmas to be a time of depth and spiritual significance, John Bell asks us to sing a different song during this holy season. Contains one each of the following octavos: He Will Come - Two African Christmas Carols: Good News for Everyone and Poor Folk Hear Him Gladly - Sing Gloria - Let All Mortal Flesh Keep Silence - Folly and Love - Two Advent Hymns: Comfort, Comfort Now My People and O Come, O Come, Emmanuel - It Was to Older Folk - Lift Up Your Heads - Cloth for the Cradle - Voces angelorum - He Came Down - Fae Heichts o’ Heiven - A voice Proclaims - Why Don’t You Tear Apart the Heavens - Sing a Different Song - Give Us This Year - The Word - Advent Lullaby.

SKU: PR.411411690

UPC: 680160686032.

The four name arias in HARRIET TUBMAN: When I crossed that Line To Freedom, portray stages in the title character's transformation from slave to freedom-fighter. First, as a child, she introduces herself as Araminta, who is often called, Minty. Her naive prattlings establish a dramatic contrast between childhood's contentment and the harsh realities of slave existence. My name is Harriet, now. Don't call me Minty any more, declares the teenaged heroine. Having survived a series of abusive masters and a debilitating injury, she asserts her rites of womanhood through the shedding of her childhood moniker. The grown Harriet Tubman reintroduces herself as a free woman, recounting the harrowing tale of escape from slavery. Confronted by bittersweet poignancy at having crossed the line to freedom without family to welcome her, she is inspired towards a new goal: returning home to rescue loved ones. In the final aria, Tubman, a seasoned conductor on the Underground Railroad, embraces the folkloric title given to her by escapees and aspiring runaways. I am 'Moses, the Liberator,' she proclaims. Her transformation is complete.
The four “name” arias in HARRIET TUBMAN: When I crossed thatLine To Freedom, portray stages in the title character's transformationfrom slave to freedom-fighter.First, as a child, she introduces herself as “Araminta,” who is oftencalled, “Minty.” Her naïve prattlings establish a dramatic contrastbetween childhood's contentment and the harsh realities of slaveexistence.“My name is Harriet, now. Don't call me Minty any more,” declares theteenaged heroine. Having survived a series of abusive masters and adebilitating injury, she asserts her rites of womanhood through theshedding of her childhood moniker.The grown Harriet Tubman reintroduces herself as a free woman,recounting the harrowing tale of escape from slavery. Confronted bybittersweet poignancy at having crossed the line to freedom withoutfamily to welcome her, she is inspired towards a new goal: returninghome to rescue loved ones.In the final aria, Tubman, a seasoned conductor on the UndergroundRailroad, embraces the folkloric title given to her by escapees andaspiring runaways. “I am 'Moses, the Liberator,'” she proclaims. Hertransformation is complete.

SKU: AP.6-438260

ISBN 9780486438269. English.

An instant and overwhelming success upon its first performance in 1893, Hänsel and Gretel has captivated audiences of all ages ever since. Engelbert Humperdinck combined the simplicity of German folk tunes with the sophistication of Wagnerian technique in a fairy-tale opera, based on the story by the Brothers Grimm. Richard Strauss, who conducted the premiere, proclaimed it a masterpiece of the highest quality. Broadcast from Covent Garden in 1923, it was the first complete opera ever aired on radio, and eight years later it was the first to be transmitted live from the Metropolitan Opera.

SKU: WD.080689604232

UPC: 080689604232.

Praise the One who set us free! Living Hope, a new, popular CCM song from Phil Wickham, freshly arranged by David Wise and orchestrated by David Shipps, will be the perfect worship song for any service throughout the year. With moving, soul defining melodies, Living Hope will remind your congregation of the God who came down from glory to defy death. This anthem will have hearts yearning and voices proclaiming, “Hallelujah! Jesus Christ, You’re my living hope!”

SKU: WD.080689519178

UPC: 080689519178.

Hymns revisited. Hymns reimagined. Hymns reinvented. Hymns relived. Hymns rewritten.

At this point we've seen everything done with hymns that we can possibly think of. And you may be saying the last thing you want or need is another book of hymns. And some might be inclined to agree. Except...

What if, instead of working so hard to change them or improve them, we focus on revealing the true nature, power, and majesty of our favorite hymns? Rather, to be true to them, and frame them in their best light by rediscovering a fresh appreciation of their well-deserved place in our houses of worship. Let our choirs raise their voices in unbridled passion, fed by the awe-inspiring, rich, theological and doctrinal truths buried deep within these tremendous songs of the Faith. Let our spirits rise with the soaring melodies, and once again give voice to our praise of the immortal, invisible, only-wise God! And, more than anything else, let us rediscover the joy that comes when we encourage our congregations to raise our joys and triumphs high, as together the Church proclaims, Then Sings My Soul, to the greatness of our God.

While each great arrangement in this book stands alone, Then Sings My Soul is designed to be presented as a through-composed worship service of hymns, scripture, and inspirational readings for Choir, Congregation, and Worship Leaders, created and orchestrated by Cliff Duren. DVD Accompaniment Track, Orchestration, and Stem Mixes available.

SKU: GI.G-9958

UPC: 785147995807. English. Text Source: From I Loved You First, Christina Rossetti, 1830-1894, alt. Text by Christina Rossetti.

 The English Romantic poet, Christina Rossetti (1830–1894), is chiefly known for her mystic religious lyrics. Her limited number of love poems are mostly of an unhappy nature, rather like objective expressions of happiness denied. A certain steely stoicism within her caused her to turn away from love twice in her lifetime with two separate men. There is no evidence of resolute refusal of love in this poem, however. Here she profusely proclaims her deep love for another. Wayland Rogers has set the last five lines of I Loved You First to music. The setting is an excerpt from his song cycle, I-Thou , which was commissioned and premiered by Fourth Coast Ensemble in Chicago in 2018.  About the Series: Doreen Rao, 2019 Robert Shaw Award recipient, launches her culturally inclusive choral series, Global Encounters for Young Voices, featuring accessible treble- and mixed-voice works for developing choirs.