SKU: HL.49006204
ISBN 9790001067454. 9.25x12.0x1.015 inches. German - English - Italian - Spanish.
Picc. * 1 * Altfl. * Bengal. Fl. * Inkafl. * Lotosfl. (oder Klar. in A) * 2 Bambusfl. * 1 * Engl. Hr. * 2 Blfl. * 1 * Es-Klar. * Bassklar. * Bassetthr. * 1 * Kfg. - 1 * 1 * 1 * 1 - P. S. (hg. Beck. * Hi-Hat * Tamt. * Gongs * Tamb. * kl. Tr. * Bong. * Trinidad Steel Drum * gr. Tr. * Boo-bams * Log Drums * Marimba * Mar. * Guiro * Matraca * Reibetr. * Woodbl. * Kette * Marimbula [chrom.] * Vibr. * Bassmetallophon * hg. Glasstabe * Shell chimes * versch. Donnerbleche * Handgl. * Dobaci * Kuhgl. * Rohrengl.) - Mand. * Git. * E-Git. * Tenorbanjo * Cel. * Klav. * Akk. * Hammondorg. * Mundharm. * Okarina (oder Blockfl. mit Kontaktmikr.) * Glaserspiel * Glasharfe * Maultr. * Zinnpfeifchen * Rugbypfeife - 4 Verstarker - Str. (1 [auch Va.] * 0 * 1 [auch Vl. u. Va. d'am.] * 1 * 1)Das Instrumentarium ist auf 15 Spieler verteilt.Picc. * 1 * Altfl. * Bengal. Fl. * Inkafl. * Lotosfl. (oder Klar. in A) * 2 Bambusfl. * 1 * Engl. Hr. * 2 Blfl. * 1 * Es-Klar. * Bassklar. * Bassetthr. * 1 * Kfg. - 1 * 1 * 1 * 1 - P. S. (hg. Beck. * Hi-Hat * Tamt. * Gongs * Tamb. * kl. Tr. * Bong. * Trinidad Steel Drum * gr. Tr. * Boo-bams * Log Drums * Marimba * Mar. * Guiro * Matraca * Reibetr. * Woodbl. * Kette * Marimbula [chrom.] * Vibr. * Bassmetallophon * hg. Glasstabe * Shell chimes * versch. Donnerbleche * Handgl. * Dobaci * Kuhgl. * Rohrengl.) - Mand. * Git. * E-Git. * Tenorbanjo * Cel. * Klav. * Akk. * Hammondorg. * Mundharm. * Okarina (oder Blockfl. mit Kontaktmikr.) * Glaserspiel * Glasharfe * Maultr. * Zinnpfeifchen * Rugbypfeife - 4 Verstarker - Str. (1 [auch Va.] * 0 * 1 [auch Vl. u. Va. d'am.] * 1 * 1)Das Instrumentarium ist auf 15 Spieler verteilt.
SKU: HL.48184701
UPC: 888680840761. 9.0x12.0x0.094 inches.
“Comp osed in 1942, Titelouze?s tombstone by Marcel Dupré is a set of sixteen chorals for Organ. Based on liturgical rhythms, these chorals are rated easy and medium in term of difficulty. This musical memorial to Jehan Titelouze, an organist who lived at the period of the Spanish Armada (16th century), is a pedagogical work with melody mainly based on Gregorian music. These sixteen studies, all very different and very progressive are: 1. Creator Alme Siderum (3 voices ? manuals only) 2. Jesu Redemptor Omnium (3 voices ? manuals only) 3. A solis Ortus Cardine (3 voices) 4. Audi Benigne Conditor (3 voice) 5. Te Lucis Ante Terminum (4 voices) 6. Coelestis Urbs Jerusalem (4 voices) 7. As Regias Agni Dapes (4 voices) 8. Veni Creator Spiritus (4 voices) 9. Vexilla Regis (4 voices) 10. Pange Lingua (3 voices) 11. Ave Maris Stella (4 voices) 12. Iste Confessor (4 voices) 13. Lucis Creator Optime (4 voices) 14. Ut Queant Laxis (5 voices) 15. Te Splendor et Virtus (5 voices) 16. Placare Christe Servullis (Toccata) Each choral of this set is really colourful and can be considered a masterpiece.â€.
SKU: FZ.5753
ISBN 9790230657532. 24.00 x 33.00 cm inches.
This facsimile of an original by Nicolas Bernier is part of our French classical music collection. Edition : Paris, l'Auteur, Foucault, 1713. The preface includes a catalogue of Bernier's works and a study of his ornamentation. Preface by: Philippe Lescat: catalogue of the works of Bernier. Jean Saint-Arroman: ornamentation - phrasing - time signatures - continuo bass. Other details on the formation: Voices and continuo: Soprano and continuo. Haute-contre and continuo. Bass and continuo. 2 soprano voices and continuo. Soprano, bass and continuo. 2 soprano voices, bass and continuo. Voices, instrument(s) and continuo: Soprano, violin, flute, continuo. Soprano, violin, continuo. Haute-contre, violin, continuo. Bass, 2 violins or flute parts and continuo. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Lyon (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: BT.EMBZ6725
Hungarian.
Zolt ¡n Kodály s unaccompanied mixed choruses first appeared in print in 1943 as a collected volume published by the association Magyar Kórus. This collection contained twenty-five works. In 1951, the volume was released again in the author s edition, being expanded with eight new compositions, but without Els áldozás (First Communion). Reprint editions of this collection had been distributed by Editio Musica Budapest until 1972, when a commemorative extended edition of the mixed choruses was issued, edited by Lajos Bárdos. Until now, reprints of this collection with forty-five compositions have been circulated. Péter Erdei carefully compared the printed edition with themanuscripts of the works preserved at the Kodály Archives. As a result of his work, in 2011 we emended a number of misprints, including those that had been inherited since the earliest print. Seventy-five years after the first release, the time has come for Kodály s collected choral works for mixed voices to appear in a completely new, expanded edition. Our collection contains six compositions that were not included in earlier editions: Jövel, Szentlélek eristen (Come, Holy Spirit), Miatyánk (The Lord s Prayer), Miserere, Salló Pista, Semmit ne bánkódjál (Do Not Grieve), ejesztend t köszönt (A Christmas Carol). In addition, two versions - both equally authentic - are published of the work known under the title of Naphimnusz (Canticle of the Sun), due to earlier editions the new release comes with lyrics in Hebrew and English (Adoration), as well as Dénes Szed s Hungarian translation (Napének [Hymn of the Sun]). This is the most complete and most authentic edition of Kodály s mixed choruses to date it is printed in a slightly larger format than previous editions, and it contains new easily-legible music scores and an informative epilogue. Diese Ausgabe entstand unter der Mitwirkung von Lajos Bárdos.
SKU: BT.EMBZ6725A
Zolt ¡n Kodály s unaccompanied mixed choruses first appeared in print in 1943 as a collected volume published by the association Magyar Kórus. This collection contained twenty-five works. In 1951, the volume was released again in the author s edition, being expanded with eight new compositions, but without Els áldozás (First Communion). Reprint editions of this collection had been distributed by Editio Musica Budapest until 1972, when a commemorative extended edition of the mixed choruses was issued, edited by Lajos Bárdos. Until now, reprints of this collection with forty-five compositions have been circulated. Péter Erdei carefully compared the printed edition with themanuscripts of the works preserved at the Kodály Archives. As a result of his work, in 2011 we emended a number of misprints, including those that had been inherited since the earliest print. Seventy-five years after the first release, the time has come for Kodály s collected choral works for mixed voices to appear in a completely new, expanded edition. Our collection contains six compositions that were not included in earlier editions: Jövel, Szentlélek eristen (Come, Holy Spirit), Miatyánk (The Lord s Prayer), Miserere, Salló Pista, Semmit ne bánkódjál (Do Not Grieve), ejesztend t köszönt (A Christmas Carol). In addition, two versions - both equally authentic - are published of the work known under the title of Naphimnusz (Canticle of the Sun), due to earlier editions the new release comes with lyrics in Hebrew and English (Adoration), as well as Dénes Szed s Hungarian translation (Napének [Hymn of the Sun]). This is the most complete and most authentic edition of Kodály s mixed choruses to date it is printed in a slightly larger format than previous editions, and it contains new easily-legible music scores and an informative epilogue.
SKU: GI.G-9692
ISBN 9781622773510.
This book of versatile, pedagogically based choral warm-ups helps conductors take full advantage of this important time in every rehearsal, providing tools for assessment, musicianship, and ensemble unity at the same time singers are warming up their voices. The exercises in Aligning Voices are organized into nine chapters, each focusing on a different area of choral technique: Rhythm Brilliance Intonation Balance Dynamics Consonants Beginning Consonants Diphthongs and Ending Consonants Vowels Each warm-up contains two or more parts, allowing the director to work toward improving choral sound in a texture similar to that of the repertoire. Moreover, author Dean Luethi provides every warm-up in three voicings—SATB, SSAA, and TTBB—and sequentially organizes them by difficulty level. In addition, each section begins by defining the objective for each exercise and offering practical solutions for many of the common challenges choirs face in each area. A companion student edition that contains only the music notation for each warm-up exercise is also available (G-9692S). These exercises go well beyond simply warming up the voice. This resource is a must-have for all choral directors looking to make the most of their warm-up time. Dean Luethi is Associate Professor and Director of the School of Music at Washington State University. In addition to his work at the university, he is a frequently sought after conductor, adjudicator, and clinician, and he has been published in the Choral Journal and Music Educators Journal. Watch this introductory video on Dean Luethi's (Lee-thee) book Aligning Voices: Exercises to Build Choral Musicianship.
SKU: HL.48187233
UPC: 888680991616. 9x12 inches.
“Havi ng been considered as a 'fashionable' and 'cliché' composer of his day, Hahn's compositions are possibly not as well-known as they ought to be. Latin Studies, however, shatter these prejudices held, representing the engaging diversity of the composer's music. Venezuelan born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes, Lavignac, Dubois and Massenet before becoming a prolific and versatile composer himself, writing works for all genres. For Hahn, music was a magical art and his compositions often contain expressions of his otherwise hidden emotions and moods. With each of the ten pieces in Latin Studies arranged for a different selection of solo or ensemble voices, Hahn's Latin Studies provides pleasant and evocative pieces, incorporating a range of expressions, rhythms and other musical features.&rdquo.
