O Vos Omnes

A Tender Light is a collection of new choral music by the Welsh composer Paul Mealor, including the Ubi caritas , made famous by its inclusion in the Royal Wedding Ceremony of His Royal Highness Prince William and Catherine Middleton (now TRH The Duke and Duchess of Cambridge) at Westminster Abbey in April 2011. 2.5 billion people (the largest audience in broadcasting history) heard his Motet on that day and since then it has topped the Classical singles charts in the USA, UK, Australia, France and New Zealand and has already entered the standard repertoire for many choirs. For singers wanting to explore further the music of Mealor, this book also contains the luminous She Walks in Beauty , the contemplative O vos omnes and the madrigal sequence Now Sleeps the Crimson Petal. Locus iste and Ave Maria are modern yet timeless settings of well-known texts. This is a must-have collection for any mixed voice choir wanting to explore the latest and best in choral repertoire. 'Serene and Beautful' Gramophone Magazine 'Mealor is the most important composer to have emerged in Welsh choral music since William Mathias' The New York Times Paul Mealor - A Tender Light by DeccaRecords / SATB

This very joyous Alleluia from Telemann's Laudate Jehovam omnes gentes in a 2-part arrangement makes an excellent feature for treble chorus. Opt. two flutes.Available separately: 2-Part and VoiceTrax CD. Performance Time: Approx. 1:30. Level 2.

Purcell Beati Omnes Qui Timent Dominum arranged for SSAB with Organ accompaniment.

from The Yellow Cake Revue-Farewell To Stromness and Yesnaby Ground are two beautiful interludes for Solo Piano from The Yellow Cake Revue a sequence of cabaret style pieces composed by Peter Maxwell Davies.

Latin Text-Missa Wellensis composed by John Tavener for unaccompanied double choir (SSAATTBB/SSAATTBB) was first performed on Sunday 18th May 2014 during the festival new music wells 74-14 by Wells CathedralChoir conducted by Matthew Owens. It was commissioned by Cathedral Commissions of Wells Cathedral.This setting of the missa brevis was written as a tribute to the Spanish Renaissance composer Victoria who inspiredTavener throughout his life. The final movement (Agnus Dei ) includes a quotation from Victoria’s O Vos Omnes from the Tenebrae Responsories.Duration: c. 13 minutes.

INSTRUMENTATION : 5 SOLO PARTS, CHOIR AND ORCHESTRA VERSION : STUDY SCORE CONTENU : PREFACE - VORWORT - I. MAGNIFICAT ANIMA MEA (CHOR) - II. ET EXULTAVIT (SOPRAN II) - III. QUIA RESPEXIT (SOPRAN I) - IV. OMNES GENERATIONES (CHOR) - V. QUIA FECIT MIHI MAGNA (BASS) - VI. ET MISERICORDIA (ALT/TENOR) - VII. FECIT POTENTIAM (CHOR) - VIII. DEPOSUIT POTENTES (TENOR) - IX. ESURIENTES (ALT) - X. SUSCEPIT ISRAEL (SOPRAN I/II/ALT) - XI. SICUT LOCUTUS EST (CHOR) - XII. GLORIA (CHOR) NOMBRE DE PAGES : 96 LANGUE : LATIN COLLECTION : EULENBURG MINIATURE SCORES FORMAT : ETP SMALL

The big recorder ensemble book: score
An anthology published by the Flanders Recorder Quartet
?Fantasia in C Major? ? Johann Sebastian Bach
(1685-1750) The original organ work (BWV 570) was arranged for recorder quartet
?Ut te per omnes celitus? ? Johannes Ciconia
for 4 recorders (2A / 2T)
The motet manuscript, dedicated to Francesco Zarabella, is located in Museo Civico, Bologna
Sonata à tre Flauti ? Gottfried Finger
Originally in D major, the sonata was transposed a little third up for 3 treble recorders.
?Drei Melodien? (?Three Melodies ) ? Matthias Maute
for recorder quartet
Sonata in D major à 5 ? Johann Rosenmüller
(2S/A/T/B) Nuremberg 1682
Concerto in G major ?Alla Rustica? ? Antonio Vivaldi
for 4 recorders (2S/A/B)
The source (R. op.51/4 for strings and b.c.) is kept in Biblioteca Nazionale, Turino
/ Partitions classique / Bois / Flûte à bec / MIEROPRINT

 sous la direction de François Zamour De la sculpture antique à la peinture moderne, du cinéma de fiction à la captation d'opéra, ce recueil de textes, réuni à partir de deux colloques organisés par le département d'histoire et théorie des arts de l'Ecole normale supérieure, s'interroge sur toutes les formes de la relation entre l'image et la musique, L'instrument, le musicien, le geste occupent le coeur de cette étude de la représentation, mais ce travail s'interroge également, à travers les oeuvres de Nicolas de Stael, Vincente Minnelli ou Jean-Luc Godard, sur les modalités de la présentation du concert, les tentatives de donner à voir la musique qui ont jalonné l'histoire de la représentation, Résolument pluridisciplinaire, 'La Musique au risque des images' croise les regards et les analyses d'archéologues, d'historiens, de musicologues, de spécialistes de peinture ou de cinéma, SommaireMartine ClouzotLe jongleur musicien au risque de l'image et du son dans les livres enluminés (1200-1330)Juliette SéjournéLes caricatures de pianistes au premier XIXe siècleSylvain PerrotDu son à la pierre : trois prestations musicales dans la sculpture à DelphesGuillaume SoulezDé-concerter : Les Grandes Répétitions, une collection du service de l'ORTFAnne-Zoé Rillon-MarneViderunt omnes, La musique à l'épreuve de l'oeil dans un manuscrit musical du XIIIe siècleStéphane Metge' La musique elle-même est dramaturgie ' (entretien)Karol BeffaArt et littérature comme sources d'inspiration chez LigetiCaroline Barbier de ReulleGuitariste, pianiste, violoncelliste : Présence et représentation du musicien dans l'oeuvre de Salvador DalíSarah Barbedette' Quelque chose d'enlevé et d'enlevant ' : Notes sur la couleur dans Le Concert de Nicolas de StaëlHervé LacombePenser musicalement le cinéma : Prénom Carmen de Jean-Luc GodardMartin GuerpinMusique distinguée ou musique débraillée ? : Le jazz mis en image dans Rhapsodie in Black and Blue et Symphony in BlackFrançoise ZamourPortrait de l'artiste en musicien : Le moment-musique dans les films de fictionAgnès PerraisChronique d'Anna Magdalena Bach ou la chair de la musiqueAlain MassonL'Homme-orchestre Collection Filigrane Découvrez les précédents numéros de la Revue Filigrane? / Formation Musicale

34 Latin Motets for female voices in 2-4 parts by Lassus Victoria Palestrina Gabrièli and Croce and a 5-part Kyrie by Mozart. All have English translations. CONTENTSAGOSTINI Paolo: Adoramus te CONSTANTINI Alessandro: Confitemini Domino CROCE: Et resurrexit GABRIÈLI Andrea: Crucifixus LASSO Orlando di: Adoramus te (1); Adoramus te (2); Agimus tibi gratias (1); Agimus tibi gratias (2); Alleluja laus et gloria; Benedictus qui venit; Expandi manus; Hodie apparuit in Israel; Ipsa te cogat pietas; In pace in idipsum dormiam; Oculus non vidit; Sanctimei MOZART Alleluja; Ave Maria; Kyrie eleison PALESTRINA Giovanni: Adoramus te;Benedictus qui venit (1); Benedictus qui venit (2); Confitemini Domino; Crucifixus; Hodie Christus natus est; Jesu Rex admirabilis; Pleni sunt coeli; Salve regina; Tua Jesu dilectio VICTORIA T L a: Accende lumen sensibus; Christe eleison; Duo seraphim; O sacrum convivium; O vos omnes