Waltz From Faust

These virtuoso transpositions of themes by Mozart, Verdi, Bellini, and other masters offer unforgettable music for piano. This affordable anthology was published in association with the American Liszt Society.Table of Contents for Piano Transcriptions from French and Italian OperasSarabande and Chaconne from Almira, Concert Arrangement (Handel)[Sarabande und Chaconne aus dem Singspiel Almira]Reminiscences of Don Juan [Don Giovanni] (Mozart)[Réminiscences de Don Juan]Reminiscences of Robert le Diable: Valse Infernale (Meyerbeer)[Réminiscenes de Robert le diable /Valse Infernale]Overture to William Tell (Rossini)[Ouverture de l'Opéra Guillaume Tell]Reminiscences of Lucia di Lammermoor (Donizetti)[Réminiscences de Lucia de Lammermoor/Fantaisie dramatique]Concert Waltz on Two Themes from Lucia and Parisina (Donizetti)[Valse de concert sure deux Motifs de Lucia et Parisina]Grand Concert Fantasy from Sonnambula (Bellini)[Grosse Concert-Fantaisie aus der Oper Sonnambula]Reminiscences of Norma (Bellini)[Réminiscences de Norma/Grande Fantaisie]Concert Paraphrase of Rigoletto (Verdi)[Rigoletto/Oper von Verdi/Concert-Paraphrase]Miserere from Trovatore (Verdi)[Miserere aus Trovatore von Verdi/Concert-Paraphrase]Concert Paraphrase of Ernani (Verdi)[Ernani/Oper von Verdi/Concert-Paraphrase]Waltz from Faust, Concert Paraphrase (Gounod)[Valse de l'Opéra Faust de Gounod/Paraphrase de Concert]Polonaise from Eugene Onegin (Tchaikovsky)[Polonaise aus Tschaikowskys Oper Jewgeny Onegin]

Une superbe collection de valses, tangos et polkas de Beethoven à Joplin, et d'Alberniz à Agay. / Piano

This volume spanning the composer's output from 1835 to 1879 presents a selection of his paraphrases and fantasies on operas written chiefly in the French and Italian traditions. His masterful transcriptions and fantasies reveal his exceptional ability to transform the essence of an operatic theme into unforgettable music for the piano. Selected and with an introduction by Charles Suttoni. Published in association with the American Liszt Society.

After the volumes on baroque and classical composers Piano Duets: Romantic Composers is the next instalment in this successful series. The collection includes new editions of celebrated works written for Piano duet (by Brahms Dvorak and Schumann) and attractive new arrangements of orchestral and chamber pieces including a Piano quartet by Mendelssohn and an orchestral suite by Tchaikovsky.To complete its survey of the Romantic age the collection features a Piano study by Liszt and a nocturnal song-without-words by Fanny Mendelssohn. Providing varied accessible and attractive repertoire this volume is ideal for duettists looking for recitalmaterial or for those exploring the medium.Contents:Hector Berlioz: Hungarian March from La Damnation de Faust Op. 24Georges Bizet: 'La toupie' Impromptu from Jeux d'enfantsJohannes Brahms: Waltzes Nos. 1 and 2 Op. 39Anton n Dvo'rák: Slavonic Dance No. 2 Op. 72Franz Liszt: Étude No. 5 'La Chasse' from Grandes études de PaganiniFanny Mendelssohn: Lied No. 3 (Lenau) from Vier Lieder Op. 8Felix Mendelssohn: Intermezzo from Piano Quartet No. 2 Op. 2Robert Schumann: 'Versteckens' No. 10 from 12 Vierhändige Clavierstücke für kleine und grosse Kinder Op. 85Pyotr Ilyich Tchaikovsky: Waltz from Suite No. 2 Op. 53

Une célébration joyeuse des plus illustres et des thèmes duistinguished et des pièces de George Gershwin ! La joie de Gershwin contient 27 mélodies fantastiques et tunes, tous sélectionnés et arrangés pour Piano Solo, par Gerald Martin. / Piano / 64 pages / Partition

Supplementary Volume: Gretchen (from Faust Symphony); Scherzo & March; Fantasia & Fugue on B-A-C-H; 3 Schubert Marches; Wagner ? Tannhäuser Overture; Meyerbeer - Skaters' Waltz /

Trente-sept thèmes plus aimés du famous ballets. Arrangé pour piano solo. / Piano

Sérénades, Romances, Valentines et bien d'autres musiques romantiques, en arrangements simplifiés au piano par Denes Agay. / Piano

Corpus Cum Figuris is a uniform composition in three major parts. The first part is a slow marche funébre a kind of prologue with dark and sombre sounds and a massive wall of chords which leads us to the other part of the works where the static and solemn atmosphere is suddenly stopped and replaced by a rhythmic/melodic ritual which accelerates the music. In the third part the block structure is softened gradually different figurations and stylistic elements arise to live their own lives: distant waltzes and pictures from the Middle Ages appear in this gigantic sonorous body. After a wild percussion orgy a short flash-back and a scream from the edge end Corpus cumFiguris. The piece has no literal content at all even though the title leads the thought to Adrian Leverkühn?s Apocalipsis cum Figuris from Thomas Mann?s Doctor Faustus. More likely my piece will arouse associations as with all my music. It has to be heard in it?s own conditions in this case as a big body of music or perhaps as a great screen where the details of course are part of the whole body but at the same time are foreign and odd. It is as if one climbs a mountain and from the top of that mountain discovers a world which is completely different from expected. Corpus cum Figuris for 20 musicians was composed in 1984 commissioned by Ensemble InterContemporain and the Danish Radio. Ensemble InterContemporain world premiered the work in April 1985 conducted by Peter Eötvös. The piece was also played at the ISCM-festival in Amsterdam by Netherland Radio Chamber Orchestra conducted by Ernest Bour.

Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

Arrangement: Scott Daniel. Par SCOTT DANIEL. XIXe siècle Paris - une ville pour les amateurs et les artistes, une ville de la vie nocturne, scandale, cabarets et sleazy café-concerts dans le district de Bohême de Pigalle - et de clair de Lune reflète sur la Seine. Une ville dont appétit insatiable pour la vie, l'amour, enthousiasme et gaieté est évoquée par les affiches brillants de Toulouse Lautrec et par la musique tout also exubérante de Satie, Gounod, Bizet, Berlioz et Offenbach, ne hetic Can-Can encapsule l'esprit de la Belle Epoque. Mais pas tous est révélé dans la torche fumée des feux de la rampe. Découvrez la shimmer de couleurs impressionnistes sur la ville de la lumière à travers les miniatures exquis de Faure. Debussy et Ravel - et Paris vont se dérouler une autre facette de fils charme mystérieux. Cette sélection de mélodies enchanteurs par La crème de la crème des compositeurs français vous mènera dans le temps à Paris y a un siècle - la ville plus romantique du monde./ Recueil / Piano