Was ist die Welt?

SKU: HL.49023841

ISBN 9783795756932. 6.25x9.5x0.436 inches. German.

Das Buch enthalt 130 Lieder zu diesem grossen und immer dringlicher werdenden Thema unserer Zeit - der Erhaltung unserer Umwelt. Die Liedsammlung reprasentiert im Hinblick auf Genre, Stilebene und Stilmittel ein sehr breites Spektrum. Sie berucksichtigt bemerkenswerte Texte von Kindern, Jugendlichen, Liedermachern und Dichtern, wie z. B. Bert Brecht, Hermann Hesse, Eugen Roth oder James Kruss. Auch sind ausgewahlte Lieder von Vertretern der Popmusik enthalten: Reinhard Mey, Peter Maffay, Ester und Abi Ofarim, Alexandra, Pete Seeger, Rolf Zuckowski und den Beatles. Sie alle setzen sich mit ihren eingangigen Melodien fur eine bessere Umwelt ein! Das Buch richtet sich sowohl an Kinder und Jugendliche als auch an Erwachsene und wird uberall dort besonders begrusst werden, wo der Umweltgedanke ein wichtiges Anliegen ist, also etwa in Jugendgruppen, Schulen, Jugendzentren, Naturschutzzentren, Kirchen, Initiativen oder zu Hause.

SKU: HL.49044706

ISBN 9783795708900. 6.5x9.5 inches. German.

Inwieweit ist die oft zu horende These berechtigt, der zufolge sich die zeitgenossische Musik der letzten Jahre in vollig neuartiger Weise auf die Gegenwart bezieht und sich in ihr eine konzeptionelle Wende vollzieht? Die 68. Fruhjahrstagung des Instituts fur Neue Musik und Musikerziehung in Darmstadt vom 23. bis 26. April 2014 diskutierte grundsatzliche Erfahrungen und Auffassungen zu dem, was Aspekte wie etwa Engagement, Alltaglichkeit oder Wirklichkeitsbezug in Musik uberhaupt heissen konnen.Sie portratierte die Komponisten Helmut Lachenmann und Manos Tsangaris. Und sie brachte KomponistInnen der mittleren und jungeren Generation ins Gesprach, die mit bestechender Energie und einer neuen Vielfalt an digitalen Moglichkeiten auf einen Paradigmenwechsel zielen: Brigitta Muntendorf, Annesley Black, Trond Reinoldtsen, Hannes Seidl, Martin Schuttler, Mesias Maiguashca und Manos Tsangaris. Weitere AutorInnen des Bandes sind Jorn Peter Hiekel, Dieter Mersch, Patrick Frank, Lydia Jeschke, Wolfgang Rudiger, Rainer Nonnenmann, Barbara Balba Weber, Wolfgang Lessing und Raoul Morchen.

SKU: BR.OB-5326-15

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

ISBN 9790004334225. 9 x 12 inches.

Thanks to the Mozart specialist Franz Beyer, the cantata Dir, Seele des Weltalls has been completed in its original scoring and with an unerring feeling for stylistic accuracy. One already finds echoes of the Magic Flute in this fragment, which Mozart wrote in 1785. The two introductory and two closing bars added by Beyer along with the full orchestration of the piece allow musicians to discover a Mozart cantata that will ring familiar with many modern-day listeners. - The traditional version by Maximilian Stadler (for soprano solo, mixed chorus and orchestra without organ) continues to remain available.

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

SKU: CA.5021900

ISBN 9790007087364.

Rhei nberger's popularity during his lifetime was based, for the most part, on his secular choral music. His cycles for men's and women's choir, most of which were commissioned works, are contained in two volumes of the Complete Edition (vols. 19 and 20). Among this music there are humorous songs and drinking songs, idyllic settings of texts drawn from nature, and songs in a folk-like idiom which are light and easily performable, as well as several more ambitious compositions which were written for choral competitions in Rheinberger's day.

SKU: BR.OB-5326-26

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

ISBN 9790004334256. 9 x 12 inches.

Thanks to the Mozart specialist Franz Beyer, the cantata Dir, Seele des Weltalls has been completed in its original scoring and with an unerring feeling for stylistic accuracy. One already finds echoes of the Magic Flute in this fragment, which Mozart wrote in 1785. The two introductory and two closing bars added by Beyer along with the full orchestration of the piece allow musicians to discover a Mozart cantata that will ring familiar with many modern-day listeners. - The traditional version by Maximilian Stadler (for soprano solo, mixed chorus and orchestra without organ) continues to remain available.

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

SKU: BR.OB-5326-16

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

ISBN 9790004334232. 9 x 12 inches.

Thanks to the Mozart specialist Franz Beyer, the cantata Dir, Seele des Weltalls has been completed in its original scoring and with an unerring feeling for stylistic accuracy. One already finds echoes of the Magic Flute in this fragment, which Mozart wrote in 1785. The two introductory and two closing bars added by Beyer along with the full orchestration of the piece allow musicians to discover a Mozart cantata that will ring familiar with many modern-day listeners. - The traditional version by Maximilian Stadler (for soprano solo, mixed chorus and orchestra without organ) continues to remain available.

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

SKU: BR.KM-2525

World premiere: Stuttgart, November 30, 1981

ISBN 9790004504383. 11.5 x 13.5 inches.

CD: Deutsches StreichtrioAulos 53595 und Koch-Schwann-Aulos 3-1417 2Bibliography:Kostakeva, Maria: Metamorphose und Eruption. Annaherung an die Klangwelten Adriana Holszkys, Hofheim: wolke 2013 (p. 59f).

SKU: BR.OB-5326-19

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

ISBN 9790004334249. 9 x 12 inches.

Thanks to the Mozart specialist Franz Beyer, the cantata Dir, Seele des Weltalls has been completed in its original scoring and with an unerring feeling for stylistic accuracy. One already finds echoes of the Magic Flute in this fragment, which Mozart wrote in 1785. The two introductory and two closing bars added by Beyer along with the full orchestration of the piece allow musicians to discover a Mozart cantata that will ring familiar with many modern-day listeners. - The traditional version by Maximilian Stadler (for soprano solo, mixed chorus and orchestra without organ) continues to remain available.

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

SKU: BR.OB-5326-30

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

ISBN 9790004334263. 9 x 12 inches.

Thanks to the Mozart specialist Franz Beyer, the cantata Dir, Seele des Weltalls has been completed in its original scoring and with an unerring feeling for stylistic accuracy. One already finds echoes of the Magic Flute in this fragment, which Mozart wrote in 1785. The two introductory and two closing bars added by Beyer along with the full orchestration of the piece allow musicians to discover a Mozart cantata that will ring familiar with many modern-day listeners. - The traditional version by Maximilian Stadler (for soprano solo, mixed chorus and orchestra without organ) continues to remain available.

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

SKU: BA.BVK02070

ISBN 9783761820704. 24.2 x 16 cm inches. Language: German. Preface: Hottmann, Katharina.

Coproduc tion Barenreiter/Metzler.

SKU: BR.PB-5326

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

ISBN 9790004210680. 9 x 12 inches.

Thanks to the Mozart specialist Franz Beyer, the cantata Dir, Seele des Weltalls has been completed in its original scoring and with an unerring feeling for stylistic accuracy. One already finds echoes of the Magic Flute in this fragment, which Mozart wrote in 1785. The two introductory and two closing bars added by Beyer along with the full orchestration of the piece allow musicians to discover a Mozart cantata that will ring familiar with many modern-day listeners. - The traditional version by Maximilian Stadler (for soprano solo, mixed chorus and orchestra without organ) continues to remain available

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

SKU: BR.EB-8667

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

ISBN 9790004180877. 7.5 x 10.5 inches.

Thanks to the Mozart specialist Franz Beyer, the cantata Dir, Seele des Weltalls has been completed in its original scoring and with an unerring feeling for stylistic accuracy. One already finds echoes of the Magic Flute in this fragment, which Mozart wrote in 1785. The two introductory and two closing bars added by Beyer along with the full orchestration of the piece allow musicians to discover a Mozart cantata that will ring familiar with many modern-day listeners. - The traditional version by Maximilian Stadler (for soprano solo, mixed chorus and orchestra without organ) continues to remain available

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

SKU: BR.CHB-5271-02

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

ISBN 9790004412121. 7.5 x 10.5 inches.

Thanks to the Mozart specialist Franz Beyer, the cantata Dir, Seele des Weltalls has been completed in its original scoring and with an unerring feeling for stylistic accuracy. One already finds echoes of the Magic Flute in this fragment, which Mozart wrote in 1785. The two introductory and two closing bars added by Beyer along with the full orchestration of the piece allow musicians to discover a Mozart cantata that will ring familiar with many modern-day listeners. - The traditional version by Maximilian Stadler (for soprano solo, mixed chorus and orchestra without organ) continues to remain available.

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

SKU: HG.GH-11594

ISBN 979-0-2028-2326-2.

Fur Blockflotenquartett und Perkussion ad lib. - funf Weltstadte (Paris, Tel Aviv, Rio, St. Louis, Thun) sind klanglich auf kurzweilige Art charakterisiert - Alle vier Stimmen sind nahezu gleich behandelt - Die Stucke sind rhythmisch gepragt und konnen noch pfiffiger gestaltet werden, wenn sie mit einem oder mehreren Perkussions- Instrumenten begleitet werden.