Matériel : Partition
Weaving for Chamber Orchestra by Asbjørn Schaathun (2009). To Ensemble BIT20’s 20th Anniversary This chamber orchestra version of Weaving is based on the eighth movement with the same title from my work for full orchestra entitled WIE DIE ZEIT DIE MATERIE VERÄNDERT III.
SKU: LO.30-3245L
UPC: 000308142471.
One Silent Night long ago, a birth story began that forever changed the world. Lying in a crude manger was a new-born babe, who would become the Source of our Christian faith and our abiding hope. Using the power and simplicity of the event itself, composer and creator Pepper Choplin presents each of the familiar elements of that story through ballad-like recitatives of scripture, surrounded by anthems ranging from outbursts of unbridled joy to moving moments of introspection and gentleness. Weaving familiar carols and songs throughout original music, this timeless tale emerges in a deeply moving presentation that will lift one’s faith and deepen one’s understanding of the profound significance of that One Silent Night. Orchestration by Larry Shackley for 2 Fl, Ob, 2 Cl, Bsn (sub Bass Cl), 2 Hn (sub 2 A Sax), 3 Tpt, 2 Tbn (sub 2 T Sax), Tuba, 2 Perc, Timp, Harp, Pno, 2 Vln, Vla, Cello, Bass, Digital Strings.
SKU: KJ.SO301F
UPC: 8402702895.
The dance-like feel of this well-known folk song is downright fun! All sections have fantastic parts, and the interweaving of several motives give students a vehicle for improving listening and ensemble skills.
SKU: KN.KCS2303
12 x 9 inches.
Skillfully arranged, Katie has created a Christmas medley of themes from The Nutcracker along with familiar carols weaving in and out. This is your one stop shop for all things Christmas...beautifully tied up with a bow in about 3 1/2 minutes. A really fun addition to Christmas repertoire!
SKU: HL.14075776
SKU: CL.012-4524-01
The Ocean of Fire is a unique and challenging work that takes the listener on an exciting journey through the mysterious and vast untamed nature of the Arabian Peninsula deserts. Clever use of the Arabic (or Byzantine) scale creates the characteristic Arabic or middle-eastern sound that is popularly used in film scores. This exciting work focuses on providing every instrument with engaging and challenging music by interweaving motives and melodies to create a unique soundscape. Compelling!
SKU: CF.CY3188F
ISBN 9780825885334. UPC: 798408085339. 9 x 12 inches.
The string sextet setting from the original work for string orchestra was premiered by Musical Elements (Daniel Asia, director) in 1980 and recorded by them on New World Records NWCR682 Martin Bresnick: Music for Strings. From the liner notes: The title Wir Weben, Wir Weben (We're Weaving, We're Weaving) is taken from the refrain of Heinrich Heine's poem 'The Silesian Weavers.' The poem was written in sympathy with a strike by German textile workers in 1844. The musicians' repeated melodic and contrapuntal patterns imagines the work of the weavers - an audible realization of the terrible beauty of repetitive labor..
SKU: AP.47425S
UPC: 038081548289. English.
More fantastic entertainment from the world of wizards that gave us Harry Potter! Including a harp/synth part that can be played on harp, synth, or piano, the interweaving lines of this piece are perfect for string orchestra. Beautiful music that will delight audiences and players!
SKU: CL.012-4064-01
A colorful and romantic adaptation of Franz Gruber's famous Christmas melody, interweaving fanciful jazz harmony with a touch of passionate dissonance. This fantasia explores the wide variety of flavors afforded by the concert band and, while not too technically challenging, provides your players with an exercise in ensemble cohesion.
SKU: KJ.SO301C
UPC: 8402702893.
The dance-like feel of this well-known folk song is downright fun! All sections have interesting parts, and the interweaving of motivic materials give students a vehicle for improving listening and ensemble skills. 2:23.
SKU: KN.KCS2304
Filled with life and vitality this piece is contemporary and fresh. The bold, colorful harmony is blended perfectly with interweaving melodic lines. This would be a wonderful selection for an opening or closing concert piece.
SKU: CL.012-4524-75
SKU: BT.PWM5363020
The Third Symphony occupies an special place in the evolutionary process of Szymanowskis style. The Symphony The Song of the Night, Op. 27, is a setting of the poem of the same title, from the second divan of Mawlana Jalal-ad-din Rumi, for tenor solo, mixed choir and orchestra. It was completed in the summer 1916. Szymanowskis interest in oriental music at this period is not so much , as far as the Third Symphony is concerned, an attempt at some formal stylisation of eastern music, but rather an indication of his search for some mode of expression which would best reflect the conflicts of his aesthetic and artistic ideas. It was the direct contact made with the art of the Grecian and Arabic worlds during his travel to Sicily and North Africa in 1911 and 1914 that provided the external stimulus for this interest. The Third Symphony can be classed with those symphonies for chorus and solo voices so often favoured by the neo-romantic and expressionist composers. It is written in a free ternary form, the thematic material being the basic unifying structural element, which imparts a conciseness to the form, and retaining the function despite the significant changes that occur in the melodic character of the music. The texture is polymelodic, and a score reveals a masterly interweaving of the multiplicity of parts, melodic lines and patterns of sound. This symphony is consummation of all Szymanowskis mastery in instrumentation and colour, and a superb study of orchestral polyphony. Here, Szymanowski liberates himself from the rigid relations of the functional harmonic system. In the place of tonal progressions, he shifts chromatically from one sound lane to another, of which the smallest units are chords made up of tritones and seconds, using only a free intervallic structure, far more remote in Szymanowski from the dominant centralistic harmony then Debussy. In style, the Third Symphony belongs to the neo-romantic period, if this can be broadly defined as including modernistic and expressionistic trends, and to musical impressionism. (based on the Preface to the ''Works'' by Teresa Chyli ska, PWM 1985).
SKU: AP.12-0571538800
ISBN 9780571538805. English.
Zadok Rules---Hallelujah! was commissioned by The Hanover Band Foundation to celebrate the 60th anniversary of the Coronation of Queen Elizabeth II, June 2013. Inspired by the works of G. F. Handel, the text traces all of the English monarchs from William the Conqueror to the present day, as well as interweaving well-known pieces such as Zadok the Priest and the Hallelujah Chorus. A celebratory anthem for unison children's choir, SATB chorus, and chamber orchestra.
