... so weit die Wolken gehen

Solo A, Coro SATB, Fl, Org

SKU: CA.742800

Composed by Kay Johannsen, Johann Walter. Contemporary Choir Music. Secular choral music. Full Score. Duration 8 minutes. Carus Verlag #CV 07.428/00. Published by Carus Verlag (CA.742800).

ISBN M-007-24313-5. German.

... so weit die Wolken gehen (... as far as the clouds reach) (2016) represents a chorale arrangement of the song about the Good Shepherd, framed by supplementary verses from Psalms 34 and 36. Flute and organ contribute to the interpretation of the text by independent motivic lines. Verses 2 and 4 are sung by the solo contralto; structural variety is created by means of free melodic lines. At the end, the interaction between soloist and choir, as well as the compression of the setting results in an enthralling intensification.

Solo A, Coro SATB, Fl, Org

SKU: CA.742821

Composed by Kay Johannsen, Johann Walter. Contemporary Choir Music. Flute. Secular choral music. Single Part, Flute. Duration 8 minutes. Carus Verlag #CV 07.428/21. Published by Carus Verlag (CA.742821).

ISBN M-007-25345-5. German.

... so weit die Wolken gehen (... as far as the clouds reach) (2016) represents a chorale arrangement of the song about the Good Shepherd, framed by supplementary verses from Psalms 34 and 36. Flute and organ contribute to the interpretation of the text by independent motivic lines. Verses 2 and 4 are sung by the solo contralto; structural variety is created by means of free melodic lines. At the end, the interaction between soloist and choir, as well as the compression of the setting results in an enthralling intensification.

Solo A, Coro SATB, Fl, Org

SKU: CA.742805

Composed by Kay Johannsen, Johann Walter. Contemporary Choir Music. Secular choral music. Choral Score. Duration 8 minutes. Carus Verlag #CV 07.428/05. Published by Carus Verlag (CA.742805).

ISBN M-007-25320-2. German.

... so weit die Wolken gehen (... as far as the clouds reach) (2016) represents a chorale arrangement of the song about the Good Shepherd, framed by supplementary verses from Psalms 34 and 36. Flute and organ contribute to the interpretation of the text by independent motivic lines. Verses 2 and 4 are sung by the solo contralto; structural variety is created by means of free melodic lines. At the end, the interaction between soloist and choir, as well as the compression of the setting results in an enthralling intensification.