Wind Conversations

SKU: CL.012-4572-01

In the American Declaration of Independence, Thomas Jefferson wrote, If there's something wrong, those who have the ability to take action have the responsibility to take action... Chandler Wilson’s Conversations is based on the idea of conversations that are needed for society to progressively move forward, most profoundly in the areas of racial issues and equality. The music eloquently expresses the importance of considering and respecting the points of view of other’s. A musical work which is truly thought-provoking.

SKU: CL.012-4572-75

SKU: CL.012-4572-00

In the American Declaration of Independence, Thomas Jefferson wrote, If there's something wrong, those who have the ability to take action have the responsibility to take action... Chandler Wilson’s Conversations is based on the idea of conversations that are needed for society to progressively move forward, most profoundly in the areas of racial issues and equality. The music eloquently expresses the importance of considering and respecting the points of view of other’s. A musical work which is truly thought-provoking.

SKU: AY.FRD40

ISBN 9790302114666.

John La Montaine's Conversations was composed so that it might be realized in terms of a variety of instruments with piano. The four movements (Encounter, Dispute, Affections, and Word Games) are based on a twelve-tone row which forms the basis of both the solo and accompaniment parts. Serial technique is carefully and consistently used throughout, though listeners might not even realize it!

SKU: SU.50600930

Alto Flute & Clarinet Duration: 6 ' Composed: 2012 Published by: Seesaw Music.

SKU: PR.114422120

UPC: 680160681877.

SKU: PR.11442212S

UPC: 680160681884.

SKU: SU.50028490

Alto Flute, Clarinet Duration: c. 5' Composed: 1975 Published by: Seesaw Music.

SKU: PR.114419490

ISBN 9781491131435. UPC: 680160677320. 9 x 12 inches.

The depth and inventiveness of Amanda Harberg’s SUITE FOR WIND QUINTET can only be described as remarkable. Harberg combines the rich tradition of renaissance and baroque dance suites with her own American voice, stirring up dramatic, exciting sounds and stories. Cantus uses the imitative entries of renaissance motets as a jumping off point into a more contemporary world. The playfully virtuosic Furlana refers to the Italian folk dance rhythm in 6, punctuated by lots of unexpected 5’s. Fantasia hints at being a lullaby with an animated and jazz-influenced middle section, and the closing Cabaletta is true to its 19th-century meaning of a rousing closing section following beautiful lyricism. SUITE FOR WIND QUINTET was commissioned and premiered by the Dorian Wind Quintet.
Amanda Harberg’s Suite for Wind Quintet was commissioned by the Dorian Wind Quintet in 2017. The piece was the result of a conversation in a bar between Harberg, Dorian’s flutist Gretchen Pusch and Pusch’s husband Richard Bayles, on the occasion of Dorian’s clarinetist Ben Fingland’s 40th birthday party. A year and a half later, the Dorian Wind Quintet gave the world premiere of Harberg’s quintet at Bargemusic, and has incorporated it into their repertoire ever since. Suite for Wind Quintet is in four movements- 1. Cantus, 2. Furlana, 3. Fantasia and 4. Cabaletta. The melodic material heard in the very opening of the piece can be heard recurring and transforming throughout the four movements, until it unites triumphantly in the final coda with the theme of the concluding movement. The piece was inspired by the concept of placing Renaissance and Baroque-inspired dance suites into Harberg’s idiom as a 21st century composer.

SKU: CF.YPS242

ISBN 9781491159675. UPC: 680160918263.

I love the winter season, perhaps because I was born in February. My hometown is known for its cold weather in winter. In fact, my first name Yukiko means snow girl. My parents gave me this name because it was snowing on the day I was born. Before I started to write the piece, various images depicting the scenery of a snowy morning developed in my mind. Imagine that there is no wind, no sound, and it is a very clear morning. I heard the sound of an organ playing a traditional chorale somewhere from a distance. This is the scenery of my imagination for this piece. You will find many inner melodies, dialogues and conversations between the instruments throughout the piece. Listen carefully to the other instruments and stay in tune while you play.
I love the winter season, perhaps because I was born in February. My hometown is known for its cold weather in winter. In fact, my first name “Yukiko” means snow girl. My parents gave me this name because it was snowing on the day I was born.Before I started to write the piece, various images depicting the scenery of a snowy morning developed in my mind. Imagine that there is no wind, no sound, and it is a very clear morning.  I heard the sound of an organ playing a traditional chorale somewhere from a distance. This is the scenery of my imagination for this piece.  You will find many inner melodies, dialogues and conversations between the instruments throughout the piece. Listen carefully to the other instruments and stay in tune while you play.

SKU: CF.YPS242F

ISBN 9781491159682. UPC: 680160918270.

I love the winter season, perhaps because I was born in February. My hometown is known for its cold weather in winter. In fact, my first name Yukiko means snow girl. My parents gave me this name because it was snowing on the day I was born. Before I started to write the piece, various images depicting the scenery of a snowy morning developed in my mind. Imagine that there is no wind, no sound, and it is a very clear morning. I heard the sound of an organ playing a traditional chorale somewhere from a distance. This is the scenery of my imagination for this piece. You will find many inner melodies, dialogues and conversations between the instruments throughout the piece. Listen carefully to the other instruments and stay in tune while you play.
I love the winter season, perhaps because I was born in February. My hometown is known for its cold weather in winter. In fact, my first name “Yukiko” means snow girl. My parents gave me this name because it was snowing on the day I was born.Before I started to write the piece, various images depicting the scenery of a snowy morning developed in my mind. Imagine that there is no wind, no sound, and it is a very clear morning.  I heard the sound of an organ playing a traditional chorale somewhere from a distance. This is the scenery of my imagination for this piece.  You will find many inner melodies, dialogues and conversations between the instruments throughout the piece. Listen carefully to the other instruments and stay in tune while you play.

SKU: CL.012-4406-75

This exciting piece depicts the many facets of the once-endangered jaguar. The longing opening statements and animated main theme transition into a soloistic, lonesome melodic section that offers a haunting conversation amongst several key instruments. An energetic pursuit and capture of prey is depicted by several percussion instruments, and is followed by a return to the original theme with a powerful finish. Performers will enjoy working on this mixed-meter adventure, which can easily be incorporated into your project-based learning opportunities.

SKU: CL.012-4406-01

This exciting piece depicts the many facets of the once-endangered jaguar. The longing opening statements and animated main theme transition into a soloistic, lonesome melodic section that offers a haunting conversation amongst several key instruments. An energetic pursuit and capture of prey is depicted by several percussion instruments, and is followed by a return to the original theme with a powerful finish. Performers will enjoy working on this mixed-meter adventure, which can easily be incorporated into your project-based learning opportunities.

SKU: CL.012-4406-00

This exciting piece depicts the many facets of the once-endangered jaguar. The longing opening statements and animated main theme transition into a soloistic, lonesome melodic section that offers a haunting conversation amongst several key instruments. An energetic pursuit and capture of prey is depicted by several percussion instruments, and is followed by a return to the original theme with a powerful finish. Performers will enjoy working on this mixed-meter adventure, which can easily be incorporated into your project-based learning opportunities.

SKU: SU.29050150

Ten Short Conversations for two flutes Duration: 12' Composed: 2008 Published by: Whitco Press.

SKU: FJ.B1552S

English.

Using no eighth notes in the winds, this relaxed work reflects a light-hearted stroll through the big city. An air of calm, cool confidence sets the mood as people dress to impress and hit the streets. Brief musical conversations are interjected as they meet others on their walk around town in this easy-to-play, yet tuneful offering.

About FJH Concert Band

Desig ned for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5

SKU: HF.FH-1010

ISBN 9790203410102. 9 x 12 inches.

1. Tanz allein (Dance Alone) / 2 Git; 2. Sieben Turme (Seven Towers) / 2 Git; 3. Nachtschwarmer (Night Owl); 4. Vogelsein (To be a Bird); 5. Simba (Simba); 6. Fur Carla (For Carla); Morgenstimmung (Morning Mood) / 2 Git; 8. In die Ferne getraumt (Distant Dreaming) / 2 Git; 9. Schneeganstanz (Snow Goose Dance); 10. Schneeganstanzgesang (Snow Goose Dance Song); 11. Das Geheimnis (The secret); 12. Regenstille, Nacht (Calm Rain, Night); 13. Parade der Glucksritter - Oktavius kehrt zuruck (Parade of Lucky Knights - Octavius is coming back); 14. Letzten Sommer (Last Summer); 15. Unter Sternen (Under the Stars) / 2 Git; 16. Eine Wanderung (A Walk) / 2 Git; 17. Kolibris Traum (Hummingbird's Dream); 18. Weite (Wideness); 19. Fruhjahrswind (Spring Wind); 20. Hoffnungsvoll (Hopeful); 21. Uber den Dachern (Above the Rooftops) / 2 Git; 22. Warme Tage (Warm Days) / 2 Git; 23. Wilder Westen (Wild West); 24. 1959 (1959); 25. Gesprach (Conversation); 26. Fantasie (A Fancy); 27. Quintus traumt (Quintus dreams); 28. Leuchtturmprinzessin (Light Tower's Princess) / 2 Git; 29. Schaukeln (Swing) / 2 Git; 30. Tanzen mocht' sie (She likes to dance) / 2 Git; 31. Zur Nacht (At Night); 32. Anda, Lucian (Hurry up, Lucian); 33. Vertraumt (Dreamy); 34. Geistermond (Ghost Moon).

SKU: PR.446413390

UPC: 680160667383. 9 x 12 inches.

Concertino is about relationships and how they change over time. My first goal in writing the piece was to create two distinct characters, in this case the Oboe and English Horn. The Oboe begins with a berceuse-like melody, while the English Horn's entrance is more ambiguous and rhythmically jagged. Over the course of the piece, these two characters interact through a variety of musical settings, their material or personalities continually developing. The strings, more than mere accompaniment, provide commentary on the dramatic action, much like a Greek chorus. They establish each musical scene, interact with the two woodwinds, and further develop the musical material. And while there is a strong concertante element in the piece, it is essentially chamber music. There is a conversational quality, a sense of give-and-take between everyone involved that makes the two woodwinds first among equals as opposed to featured concert soloists. Each of the eight instruments has something unique and important to say.
Concertino is about relationships and how they change over time.  My first goal in writing the piece was to create two distinct characters, in this case the Oboe and English Horn.  The Oboe begins with a berceuse-like melody, while the English Horn’s entrance is more ambiguous and rhythmically jagged.  Over the course of the piece, these two characters interact through a variety of musical settings, their material or personalities continually developing.The strings, more than mere accompaniment, provide commentary on the dramatic action, much like a Greek chorus.  They establish each musical scene, interact with the two woodwinds, and further develop the musical material.  And while there is a strong concertante element in the piece, it is essentially chamber music.  There is a conversational quality, a sense of give-and-take between everyone involved that makes the two woodwinds first among equals as opposed to featured concert soloists.  Each of the eight instruments has something unique and important to say.

SKU: PR.44641339L

UPC: 680160667390. 11 x 14 inches.

Concertino is about relationships and how they change over time. My first goal in writing the piece was to create two distinct characters, in this case the Oboe and English Horn. The Oboe begins with a berceuse-like melody, while the English Horn's entrance is more ambiguous and rhythmically jagged. Over the course of the piece, these two characters interact through a variety of musical settings, their material or personalities continually developing. The strings, more than mere accompaniment, provide commentary on the dramatic action, much like a Greek chorus. They establish each musical scene, interact with the two woodwinds, and further develop the musical material. And while there is a strong concertante element in the piece, it is essentially chamber music. There is a conversational quality, a sense of give-and-take between everyone involved that makes the two woodwinds first among equals as opposed to featured concert soloists. Each of the eight instruments has something unique and important to say.
Concertino is about relationships and how they change over time.  My first goal in writing the piece was to create two distinct characters, in this case the Oboe and English Horn.  The Oboe begins with a berceuse-like melody, while the English Horn’s entrance is more ambiguous and rhythmically jagged.  Over the course of the piece, these two characters interact through a variety of musical settings, their material or personalities continually developing.The strings, more than mere accompaniment, provide commentary on the dramatic action, much like a Greek chorus.  They establish each musical scene, interact with the two woodwinds, and further develop the musical material.  And while there is a strong concertante element in the piece, it is essentially chamber music.  There is a conversational quality, a sense of give-and-take between everyone involved that makes the two woodwinds first among equals as opposed to featured concert soloists.  Each of the eight instruments has something unique and important to say.