Wind Ensemble 2 Band 2

Standard US Set (without european suppl. parts)-Commissioned by the Michigan State University Alumni Band this three movement work by Karel Husa was the winner of the first Louis Sudler International Wind Band Composition Competition in 1983. A note from thecomposer: 'Divided into three movements this work is a display of virtuoso passages given to solo instruments as well as to the groups of the ensemble. In the Fanfare of the first movement the Brass section concertises in groupsof four Brass quintets (2 Trumpets Horn Trombone and Tuba or Baritone) spread from left to right in back. The Saxophones (SATB) are placed in front of the Brass quintets and the Woodwinds occupy the front of the stage withPercussion on the left and right side. These groups like the Brass quintets play in the concertante style particularly in the first and last movements. 'At the same time each movement contains individual solo passages(for example Timpani and Flute in Movement I - Drum Ceremony and English Horn and other low Woodwinds in Movement II - Elegy). The composition of this piece was prompted by the excellence of Wind and Percussion players today andby the incredible growth of Wind ensembles orchestras and bands in the last 25 years. It is intended for their enjoyment.'

Scales and Tuning Exercises for Superior Bands is a great resource for those bands seeking to improve their development in scale studies intonation and balance through chorales and harmonized studies. This book can be used as a daily warm-up for intermediate or advanced ensembles.Included is an in-depth explanation of how major and minor key signatures and scales are constructed as well as exercises for the students to complete. In addition to major and minor scales the whole tone blues and pentatonic scales are included.Balance is also addressed in detail. The student will not only study band balance but sectional balance as well. When playing the choralesand harmonized studies in this book the student should understand the importance of tone quality intonation blend and balance. Tips for playing chorales and harmonized studies are also included.This book continues the sequence of books in the Superior Bands series. Earlier books include Superior Bands in Sixteen Weeks and Chorales and Rhythm Etudes for Superior Bands.

Grades 0-3-A wonderful set of three very easy Blues numbers for beginner bands and ensembles. They are designed to be as flexible as possible including optional parts for Keyboard instruments guitrars drums and percussion depending on availability of performers and instruments. Simple arrangements of fantastic original tunes make these pieces suitable for Grades 0 - 3.

Firefly was composed by award-winning composer Simon Dobson (b.1981) to provide an entertaining up-tempoconcert work for community and youth bands. Composed in funk-rock style and is based on the groove beat with which it opens. Dobson says “Firefly was written as a break from my more serious music and as a ‘hat tip’ to the various types of beat orientated music I listen to.” It was first performed by Oslofjord Brass in Norway and in its wind version by Harmonie Shostakovich Switzerland. Duration: 5-6 minutes. INSTRUMENTATION:1 EflatSop. Cornet Solo Cornets (4) Bflat Rep. Cornet (1) 2nd Bflat Cornets (2) 3rd Bflat Cornets (2);Flugel horn Solo Eflat Horn 1st Eflat Horn 2nd Eflat Horn; 1st Bflat Bar. 1 2nd Bflat Bar. 1st Trombone 2ndTrombone Bass Trombone; Bflat Euphoniums (2); Eflat Tubas (2); Bflat Tubas (2); 2 percussion

Score-Commissioned by the Michigan State University Alumni Band this three movement work by Pulitzer Prize-winning composer Karel Husa was the winner of the first Louis Sudler International Wind Band Composition Competition in 1983.Previously available only in rental we are proud to offer this important work for publication.A note from the composer: Divided into three movements this work is a display of virtuoso passages given to solo instrumentsas well as to the groups of the ensemble. In the Fanfare of the first movement the brass section “concertizes” in groups of four brass quintets (2 trumpets horn trombone and tuba or baritone) spread from left toright in back. The saxophones (S A T B) are placed in front of the brass quintets and the woodwinds occupy the front of the stage with percussion on the left and right side. These groups like the brass quintets play in theconcertante style particularly in the first and last movements. At the same time each movement contains individual solo passages (for example timpani and flute in Movement I – “Drum Ceremony” andEnglish horn and other low woodwinds in Movement II – “Elegy”). The composition of this piece was prompted by the excellence of wind and percussion players today and by the incredible growth of wind ensembles orchestras and bands in the last 25 years. It is intended for their enjoyment.

for Brass Quintet and Concert Band-Legendary composer arranger and author Rayburn Wright is responsible for initiating the storied jazz program at the Eastman School of Music and was also a composer for film and television. His masterful setting of Shakermelodies includes the familiar Simple Gifts along with The Happy Journey and I've Set My Face for Zion's Kingdom. Used to feature a separate brass quintet or with members within an ensemble's brass section this is truly a memorable setting adapted by current Eastman Wind Ensemble conductor Mark Davis Scatterday. Dur: 9:50 (Grade 5)Audio recorded by the Canadian Brass and the Eastman Wind Ensemble on Manhattan Music (OD7368) – Mark Davis Scatterday conductor Dur: 9:50

Malcolm Arnold's Three Shanties arranged for Wind Octet by João M. Pereira. Full Score.Three Shanties was composed in 1943 and is dedicated to the Portuguese Navy Band Wind Octet.The piece is arranged here for two Oboes two Clarinets in Bb two Horns in F and two Bassoons.

The TV Detectives brings together five of Nigel Hess’s best-known television themes all originally written for small-screen sleuths in whodunnits that have been enjoyed by TV audiences worldwide. The themes stand alone as imaginitive and challenging pieces that will stretch wind ensembles and delight audiences. This is a continuous suite arranged for wind band.

Nærmere Gud til Dig / Nearer My God to Thee - Paraphrase for Wind Band by Carl Nielsen.The present score is a photographic reproduction of the work as it appears inCarl Nielsen Work - Published by the Carl Nielsen Edition The Royal Library Copenhagen - INSTRUMENTAL MUSIC Vol. II/8