SKU: LP.OR-9199
UPC: 765762092402.
Expressive and memorable Christmas worship experience leading us to Christ through His many biblical names. Each name reveals who He is and the immensity of His love for His children.
Expre ssive and memorable Christmas worship experience leading us to Christ through His many biblical names. Each name reveals who He is and the immensity of His love for His children.
SKU: LP.OR-2659
UPC: 765762085800.
A wonderful anthem with the opportunity to involve your entire congregation. This wonderfully expressive arrangement features a heartfelt solo and infectious chorus that's easy to sing and truly inspiring.
SKU: WD.080689539671
UPC: 080689539671.
One of the Bible verses most often associated with Christmas, Isaiah 9:6, lays an important foundation, both for how we remember the birth of Christ and how we should celebrate His coming. First, a simple reminder, a declaration of fact... For unto us a child is born... It then goes on to proclaim His great Name in many forms... He shall be called Wonderful, Counselor, The Mighty God, The Everlasting Father, The Prince of Peace.This Christmas, as you choose music with which to declare His blessed birth, as you select the songs your choir, orchestra, band, and praise teams will use to celebrate the miracle and significance of His arrival, let the words of this Bible verse inspire your search. Discover the new musical, He Shall Be Called, a true gospel-inspired, praise & worship-influenced, contemporary Christian music hybrid, which is guaranteed to ignite a spark with your choir, musicians, and congregation! Each song is based on one of the powerful, holy Names of Jesus...He Shall Be Called, Wonderful Counselor, Mighty God, Everlasting Father, Prince of Peace, Emmanuel, Bless the Name of Jesus and Savior... from beginning to end, this dynamic new musical honors and glorifies His Name and celebrates His glorious birth!Song Titles: He Shall Be Called * Wonderful Counselor * Mighty God * Everlasting Father * Prince of Peace * Emmanuel * Bless the Name of Jesus * Savior
SKU: WD.080689582233
UPC: 080689582233.
Simplistically worshipful, expressive, and unforgettable, Covenant Worship’s Isn’t the Name, arranged and orchestrated by Cliff Duren, basks in the glory of the personal and descriptive names of Jesus for all of those Who believe. His Name is so wonderful, so beautiful, so powerful…< em>Isn’t the Name is the perfect altar invitation song or reflective song for worship. Give your choir the opportunity to share His Name with the world, lifting it high for all to see. His Name is all we need!
SKU: LP.765762083103
UPC: 765762083103.
South ern gospel enthusiasts rejoice! Here is an outstanding collection of your gospel favorites. These are songs of testimony fellowship and the hope of heaven - vital components for each of us in our walk of faith. Features Easy 2 Excel Flexible choral format for choirs of all sizes; Includes a complete Keyboard Accompaniment Edition; Pieces from today's most trusted (and revered) gospel arrangers. Choirs will find this book to be a staple in their choral diet and a refreshing addition to their customary worship collection. Southern Gospel Favorites is an ideal resource for summer choirs revivals camp meetings or any gathering place where southern gospel music is loved!
SKU: CF.CPS225
ISBN 9781491152515. UPC: 680160910014.
Tarta n Tapestries is an original piece that sets out to emulate Scottish folk music. Composer Larry Clark has created a concert overture in triple meter to capture the essence of music from Scotland. After a lilting first section, lush and beautiful moments weave a tapestry of sounds with the lyrical, middle section of the piece. There is an optional part for bagpipes, and an optional ending should you chose to use this instrument as part of the piece. Alert your contest music committee about this strong new piece for advancing groups.Tartan Tapestries was commissioned by Friends of the Arts for the Saint Andrew's School Band in Boca Raton, Florida. The band program at Saint Andrew’s School is under the direction of Andrea Wolgin. The premiere took place on November 29, 2017.When I was asked by their conductor Ms. Wolgin to write a piece for the Saint Andrew’s School, I asked her what kind of involvement she wanted the students to have in the process. We discussed several options for having the students involved in the process of creating with the type of piece they wanted. We set up a “Skype†meeting with members of the band to discuss the piece. During this discussion, the consensus of the students was that they wanted a piece depicting the Scottish influence to the school. They also wanted a piece that would challenge all sections of the band and to include bagpipes if possible. I asked that the students be involved in helping to name the piece once it was completed, for which they agreed and were very helpful. Armed with this information, I set out to compose a piece for them, and Tartan Tapestries is the result.The piece begins with a fanfare gesture based upon rhythms and harmonies that appear throughout the piece. I chose the lilting triple feel to the piece, to bring about the Scottish flavor. I wanted the fanfare to be bardic sounding, to depict the strength of the Scottish people and for the piece to have a dynamic opening. The fanfare contains material that alludes to the main theme and with a bit of dissonance and tension that is resolved in the main body of the piece.The main theme is a lilting original melody, but one that I hope with have the essence of Scottish folk songs. The main idea is followed by a more modal and dark sounding secondary theme, first stated in the horns. This material is later used in the development section of the piece. The main theme returns several times, with different and varied orchestrations and harmonic treatments. This is followed by a short transition leading to the more lyrical and slower second section of the piece. A transparent presentation of the lyrical theme, which is based on aspects of the main theme, is presented first by a solo flute. This section is a nod to famous composer Malcom Arnold’s wonderful works for orchestra in its style and orchestration. After a transition or bridge section with a solo euphonium, the piece builds to a dramatic climax of the lyrical theme by the full band. This subsides to a return of the solo flute to end this second section of the piece, followed by a transition back the main theme.The solo bagpipes play a central role in the return of the main theme and take center stage after being heard in the distance earlier in the work. The piece brings back a shortened version of the darker secondary theme, followed by a hint of the fanfare material that builds to one last statement of the main theme by the full band, before leading to a dramatic coda to complete the work.It has been my pleasure to have been given the opportunity to compose this piece for the Saint Andrew’s School Band! I thank Andrea Wolgin for making it happen, and I hope that you enjoy it as much as I have enjoyed bringing the piece to life.–Larry ClarkLakeland, Florida 2017.
SKU: CF.CPS225F
ISBN 9781491153192. UPC: 680160910694.
SKU: BT.DHP-1043551-140
The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,†which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.†In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.†His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,†and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,†they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.†Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252.
SKU: WD.080689631238
UPC: 080689631238.
From the Integrity Choral Series, arranged and orchestrated by Jay Rouse, His Name Is Jesus (Heaven’s Hope) reminds us of the one Name that brings glory, wonder, peace, favor, and rejoicing. Combining the beautiful melody from Travis Cottrell and the popular Hillsong worship song, What a Beautiful Name, this anthem gives you the ultimate, worshipful Christmas anthem.
SKU: XC.MCB1903
UPC: 812598032246. 9 x 12 inches.
Inspired by the poem of the same name by American author Emma Lazarus, Composer Gene Milford has crafted a wonderful new addition to the concert march repertoire. Written in a standard march format, The New Colossus is sure to excite the crowds and challenge the musicians.
SKU: XC.MCB1903FS
UPC: 812598031621. 9 x 12 inches.
SKU: BT.CMP-0804-04-040
Mozart belongs to everyone! The experience of actually playing Mozart's music makes him real and more than just a name we associate with old music. Stephen Bulla's arrangement of the first movement of what may arguably be Mozart's greatest symphony has a great deal of authenticity. Much more than many just the tune type transcription/ arrangements, Mr. Bulla's work ambitiously explores a good portion of Mozart's miraculous musical development, so that your musicians can begin to understand the true genius of the Classical icon. Those who know Mozart will appreciate the integrity of the transcription. Those who don't know Mozart have a wonderful treat in store!A classic!In de zomer van het jaar 1788 schreef Mozart drie symfonieën tijdens een periode van ruim zes weken. Zijn Symfonie nr. 40 in G mineur (KV 550) was een van die grootse werken. Deze bewerking van het eerste deel van die symfoniegetuigt van de gratie van de componist, evenals zijn inventiviteit en zijn gevoel voor humor, dat altijd weer doorklinkt in zijn mooie muziek.Wolfgang Amadeus Mozart war zeit seines leider nur kurzen Lebens ein äußerst produktiver Komponist. Im Sommer 1788, drei Jahre vor seinem Tod, schrieb er innerhalb von gut sechs Wochen drei Sinfonien. Die Sinfonie Nr. 40 in g-Moll ist eine davon. Stephen Bulla bearbeitete nun Auszüge aus dem ersten Satz dieses Werkes für Blasorchester. In seinem Arrangement arbeitete er trefflich die Anmut, den Erfindungsgeist und den unwiderstehlichen Humor, der Mozarts Musik zu eigen ist, heraus.
SKU: HL.49046205
0.07 inches.
'Ri-Tratto, written on 12 October 2011 as a little birthday present for Hansheinz Schneeberger to whom I owe so many wonderful musical experiences: attempt of a portrait in the form of prelude and fugue on the name of the dedicatee whose inexhaustible thirst for discovery has been an example to me ever since.' (Heinz Holliger).
SKU: CF.CPS165F
ISBN 9781491140796. UPC: 680160628858. 9 x 12 inches.
New composer Tyler Arcari depicts the mythical Gryphon in this delightful piece. You will hear the contrasting lighter-than-air sounds of a soaring eagle followed by the more dark and aggressive sounds of the lion. This is a fresh new piece from a fresh new composer who we are very excited to be adding to the Carl Fischer Music catalog. Tyler's different approach to composition is refreshing, and his scoring, melodic vision and harmonic choices are so wonderful. We expect great things from this young man in the years to come. Alert your festival music list committee about this piece and the name Tyler Arcari!
SKU: CL.026-3976-01
Adapted by the composer for the Barnhouse Build-A- Band Series from his original concert band composition of the same name, Wild Horse Canyon is wonderful program music for very small bands suggesting the imagery of wild horses roaming free in the Red Rock canyons of Utah. Playable by any instrumentation as long as the four basic yet very interesting parts are covered. Perfect for any concert or festival performance!
About Build-A-Band Series
The Build-A-Band Series provides educational and enjoyable music for bands with incomplete or unbalanced instrumentation. Written using just four or five parts (plus percussion), these effective arrangements will work with any combination of brass, woodwind, string and percussion instruments as long as you distribute the parts so that each of the five parts is covered. All of the publications in the Build-A-Band Series have been arranged to be playable with any instrumentation as long as each part is used: 1st Part, 2nd Part, 3rd Part, 4th Part, and Bass Part. (Please note: In some of these arrangements the 4th Part, and the Bass Part are the same, making it possible to play those arrangements with only 4 parts.)
SKU: CL.015-3540-01
Named for the famous first flight of the Wright Brothers, this lively march will have your students at the edge of their seats performing at their very best! Simple and straightforward rhythmically, this selection provides a wonderful opportunity for teaching march style and phrasing. With limited ranges and difficulty, Kitty Hawk March is a great choice for the spring concert or festival performance of your first or second year group. Highly recommended as an educational tool with great musical value and audience appeal.
SKU: BT.CMP-0905-05-140
English.
If you seek truly dramatic music, look to opera. Opera has been enormously influential on Classical, Popular, and Film and Television music over the years. James L. Hosay’s new intermediate level piece, Operatica, incorporates the important elements of Opera and Classical music to bring exhilarating drama to the concert band stage. Style and technical considerations make this a rich learning experience for the band. Add in the dimension of music history by studying Opera and Classical music, and you have a wonderful teaching tool! The grand theme explores a multitude of colours as it twists and turns its way through opera-style development and variation. Whether for formal,festival, or just concert use, you will find this to be a thrilling addition to your library. Opera heeft in de loop der jaren enorm veel invloed gehad op klassieke, populaire, film- en televisiemuziek. In Operatica zijn belangrijke elementen (drama, spanning en passie) uit de operamuziek van de achttiende en negentiendeeeuw verwerkt. Deze ouverture, voornamelijk in de stijlen van Wagner en Mozart geschreven, is meeslepend en geeft uw muzikanten tevens de mogelijkheid om belangrijke aspecten uit de klassieke muziek te leren kennen. Het hoofdthemaomvat een veelvoud van kleuren terwijl het zijn weg vindt in opera-achtige variaties. Operatica: een aanwinst voor uw repertoire!Sind Sie auf der Suche nach wahrhaft dramatischer Musik? Denken Sie an die Oper. James L. Hosays Komposition verbindet wichtige Elemente von Oper und klassischer Musik miteinander und bringt somit ganz große Dramatik auf Ihre Konzertbühne. Das großartige Thema von Operatica entwickelt eine Fülle an Klangfarben, während es sich durch zahlreiche Variationen im Stil der Oper schlängelt. Eine wunderbare neue Erfahrung für die Musiker und ein Erlebnis für das Publikum!
SKU: CL.012-4342-01
It doesn’t get any better than to have the wonderful opportunity to hear or perform a classic march composed by the great Karl King. Interesting themes, strong counter-melodies, and tasteful percussion parts are a trademark of his uncanny writing skills. Now add the talents of James Swearingen’s arranging skills, and the combination of these two musical giants is the perfect match for achieving a highly successful performance. Two names that you can trust!
About Heritage of the March
Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style
SKU: CL.012-4342-75
It doesn't get any better than to have the wonderful opportunity to hear or perform a classic march composed by the great Karl King. Interesting themes, strong counter-melodies, and tasteful percussion parts are a trademark of his uncanny writing skills. Now add the talents of James Swearingen's arranging skills, and the combination of these two musical giants is the perfect match for achieving a highly successful performance. Two names that you can trust!
