Workbook With More Exercises on Theory of Music Grade 2

Workbook With More Exercises on Theory of Music Grade 2 gives pupils additional exercises and support in preparation for their theory examinations. The exercises are designed to help meet the new syllabus requirements of the ABRSM. Written by Guy C. Cremnitz, an ABRSM examiner since the 1980’s. / Exams, Methods & Tutors / Théorie / Tout Instrument

Workbook With More Exercises on Theory of Music Grade 1 gives pupils additional exercises and support in preparation for their theory examinations. The exercises are designed to help meet the new syllabus requirements of the ABRSM. Written by Guy C. Cremnitz, an ABRSM examiner since the 1980’s. / Exams, Methods & Tutors / Théorie / Tout Instrument

Workbook With More Exercises on Theory of Music Grade 5 gives pupils additional exercises and support in preparation for their theory examinations. The exercises are designed to help meet the new syllabus requirements of the ABRSM. Written by Guy C. Cremnitz, an ABRSM examiner since the 1980?s. / Exams, Methods and Tutors / Théorie / Tout Instrument

First writing skills for musicians. This book has been designed to help the beginner student to read and write commonly used musical symbols, providing a firm grounding in notation from which to progress onto Trinity?s Theory of Music Workbook Grade 1. There is ample opportunity to practise each element throughout this workbook, with symbols often explored in more than one way to build deeper understanding and to consolidate the learning. ?Did you know'?, ?Handy tip? and ?Remember? boxes give advice along the way, encouraging the development of good musical handwriting habits. After completing the exercises in this book, students are sure to feel confident when they begin studying for their first Theory of Music exam.

The very thought of aural especially in examinations strikes fear into the heart of many young pianists and instrumentalists. But aural should not be an occasional optional extra itâ??s something to be developing all the time because having a good ear will help you to improve as a musician more than any other single musical skill.Improve your Aural! Is designed to take the fear out of aural. Through fun listening activities boxes to fill in and practice exercises this workbook with CD focuses on all the elements of the aural test. And because all aspects of musical training are of course connected a range of interconnected activities are includedto help develop the ear including singing clapping playing your instrument writing music down improvising and composing.This new edition of this popular series supports new ABRSM syllabus requirements from 2010 ensuring success in the aural test of graded exams.

Revised 4th Edition With Answers-This revised 4th edition of Practice in Music Theory Grade 6 comes complete with detachable Model Answers! The success of its previous editions for the past two decades has prompted the need for more definitive solutions. Based on the ABRSM theory examination syllabus it is the first of three comprehensive coursebooks leading to Grade 8 and beyond. Students are guided to achieve a high theoretical standard with competent knowledge in harmony counterpoint melodic writing and score analysis. The J Koh?s instructional approach is academic and systematic; yet musically conceived with graphical layouts and selective examples. There are 2 parts to thiscoursebook. Part I ? Harmony The principles of harmony are introduced here: 4-part writing 2-part counterpoint concepts of traditional chord progression use of inversions principles of voice-leading and the use of non-harmony notes. Harmonic guidelines and rules are clearly explained with relevant examples. Exercises are progressively structured to ensure a strong grasp of the theoretical concepts. Part II ? Melodic Composition and Analysis Meloic composition is taught through an analytical approach. The concepts of phrasing use of motifs modulations and melodic contour are illustrated with authentic extracts. By taking students through the works of the great masters their technical skills are sharpened enhanced with useful tools for the creative compositional process. Skills in score analysis involve the acquisition of sound musical knowledge - the study of forms genres history of western music that spans 4 centuries along with the composers? works and styles. Appendices II and III provide guidance for basic research needed at this level. The essential and highly recommended reference texts are: Musical Forms and Terms and Understanding Orchestration The Orchestra and Its Instruments.

This indispensable theory workbook is packed with everything the intermediate-level student needs to know about scales. Pianists and non-pianists alike will benefit from the written exercises covering everything from the major and minor scales to pentatonic scales, modes, blues scales, synthetic scales and more. Concepts are explained in easy-to-understand language and are immediately applied in a variety of written exercises and performance excerpts. Topics covered include: major scales - natural, harmonic and melodic minor scales - pentatonic scales - Gregorian modes - common scales in jazz and popular music - synthetic scales (chromatic, whole tone, et. al) - and more. / Piano