World Famous Classicscontient seize mélodies mondialement célèbres extraites du répertoire de la musique classique. Certaines mélodies vous sont familières d autres sont à découvrir à travers ce voyage dans l histoire de la musique (Henri VIII Bach Mozart Rossini Offenbach Tchaïkovski etc.) / [CD inclus - version intégrale + play-along].
SKU: BT.DHP-1135315-070
ISBN 9789043146814. 9x12 inches. English-German-French-Dut ch.
More Classical Highlights is the follow-up to Classical Highlights, a collection featuring arrangements of classical themes dating from the 17th century up to the19th century. The parts are quite easy and attractively written, but the arrangements stay as faithful as possible to the original works. Baroque music is represented with two highlights: the well-known Canon by Pachelbel may well be the most performed 17th century composition. The power of the piece lies in a bass line of only eight notes, above which the melodic line of the round itself develops. Réjouissance from Music for the Royal Fireworks is a very joyful composition bythe Anglo-German baroque composer Handel. The 18th century classical style gives us the refined minuet by Boccherini, the Italian composer who wrote a wealth of chamber music. The 19th century features in three famous works: the lively Marche Militaire No 1 by the Austrian composer Schubert originates from 3 Marches Militaires for four-handed piano. The Can Can from Orphée aux enfers (Orpheus in the Underworld) is the best-known separately performed piece by the operetta composer Offenbach. Following this exciting dance music there is the beautiful, lofty Largo theme from the second movement of Czech composer Dvorákâ??s From the New World Symphony. In short: Six varying arrangements - challenging and very suitable for performances! More Classical Highlights is het vervolg op Classical Highlights, een verzameling arrangementen van klassieke thema´s die dateren uit de periode van de 17e eeuw tot en met de 19e eeuw. De partijen zijn eenvoudig en aantrekkelijk geschreven; tegelijkertijd blijven de arrangementen dicht bij het origineel. De barokmuziek is vertegenwoordigd met twee highlights. De bekende Canon van Pachelbel is wellicht de meest gespeelde 17e-eeuwse compositie. De kracht ervan ligt in een baslijn van slechts acht noten waarboven zich het lijnenspel van de canon ontspint. Réjouissance uit Music for the Royal Fireworks is een zeer opgewekte compositie van deDuits-Engelse barokcomponist Händel. De 18e-eeuwse klassieke stijl horen we terug in het verfijnde menuet van Boccherini, een Italiaanse componist die een schat aan kamermuziek schreef. De 19e eeuw komt naar voren in drie beroemde stukken. De uitbundige Marche militaire nr. 1 van de Oostenrijkse componist Schubert komt uit 3 Marches militaires voor vierhandig piano. De Can Can uit Orphée aux enfers (Orpheus in de onderwereld) is het beroemdste afzonderlijk uitgevoerde stuk van de operettecomponist Offenbach. Na deze opzwepende dansmuziek volgt het prachtige, gedragen thema uit het tweede deel van de symfonie Uit de nieuwe wereld met de titel Largo, van de hand van de Tsjechische componist Dvorák. Kortom: zes zeer afwisselende arrangementen, uitdagend en uitermate geschikt voor uitvoeringen! More Classical Highlights ist die Fortsetzung von Classical Highlights, einer Sammlung von Arrangements klassischer Themen aus der Zeit vom 17. bis zum 19. Jahrhundert. Die Stimmen sind recht einfach gehalten und reizvoll ausgearbeitet; zugleich sind die Arrangements nah an den Originalstu cken. Der Barock ist mit zwei musikalischen Höhepunkten vertreten: Der bekannte Canon von Pachelbel ist vielleicht die meist gespielte Komposition aus dem 17. Jahrhundert. Die Kraft dieses Stu ckes liegt in einer Basslinie aus nur acht Noten, u ber der sich das eigentliche Gefu ge des Kanons entwickelt. Réjouissance aus der Feuerwerksmusik ist einesehr fröhliche Komposition des deutsch-englischen Barockkomponisten Händel. Ein Kleinod der Klassik aus dem 18. Jahrhundert ist das raffinierte Menuett von Boccherini, einem italienischen Komponisten, der einen groÃ?en Schatz an Kammermusik schrieb. Das 19. Jahrhundert ist mit drei beru hmten Werken vertreten: Der lebhafte Marche militaire No. 1 des Ã?sterreichers Schubert stammt aus 3 Marches militaires fu r Klavier zu vier Händen. Der Can-Can aus Orphée aux enfers (Orpheus in der Unterwelt) ist das beru hmteste separat aufgefu hrte Stu ck des Operettenkomponisten Offenbach. Nach dieser mitreiÃ?enden Tanzmusik folgt ein schönes, erhabenes Thema aus dem zweiten Satz der Sinfonie Aus der Neuen Welt mit dem Titel Largo aus der Feder des tschechischen Komponisten Dvorák. More Classical Highlights, qui fait suite au recueil Classical Highlights, rassemble une collection dâ??arrangements de thèmes classiques couvrant une période de trois siècles, du XVIIe au XIXe siècle. Les diverses parties instrumentales sont faciles et agréables jouer, mais les arrangements restent néanmoins fidèles aux compositions originales. La musique baroque est représentée par deux oeuvres toujours appréciées. Parmi toutes les compositions du XVIIe siècle, le célèbre Canon de Pachelbel est peut-être celle que lâ??on entend le plus souvent. Sa puissance réside dans une simple ligne de basse de huit notes par-dessus laquelle se développe le motif ducanon lui-même. Réjouissance, tirée de Music for the Royal Fireworks, est une pièce très enjouée du compositeur baroque anglo-allemand Haendel. Le style classique du XVIIIe siècle est inclus sous la forme dâ??un élégant menuet de Boccherini, un compositeur italien qui a écrit une quantité de musique de chambre. Le XIXe siècle est évoqué par trois oeuvres célèbres. La dynamique Marche militaire n° 1, du compositeur autrichien Schubert, extrait des Trois marches militaires pour piano quatre mains. Le Cancan dâ??Orphée aux enfers est la plus connue des oeuvres dâ??Offenbach, célèbre pour ses opérettes. Cette danse endiablée est suivie du Largo, admirable thème du deuxième mouvement de la Symphonie du Nouveau Monde, du compositeur tchèque Dvorák. En résumé : six arrangements variés, stimulants et parfaits pour être interprétés en concert !
SKU: BT.MUSVWP000125
Born in Nottingham, England, in 1862, Edmund Severn moved to the United States at the age of four along with his family who settled in Hartford, Connecticut. Severn began to study the Violin with guidance fromhis father, who taught the instrument professionally. He later studied with Franz Milcke and Bernard Listemann, concertmaster of the Boston Symphony Orchestra, before moving to Berlin to study bowing technique under Emanuel Wirth,the first assistant of Joseph Joachim at the Berlin Hochschule.
As a composer Edmund Severn wrote mainly orchestral music, as well as many pieces for the Violin including a concerto; he also wrote threestringquartets.
SKU: HL.841331
ISBN 9780793595556. UPC: 073999593716. 9x12 inches. Book/Online Audio.
Master Solos book/online audio packs are a fresh source of solo literature in a comprehensive package for developing instrumentalists. The collections for the various instruments were personally selected and performed by world-famous performing artists and educators (see below), and each features a specially prepared lesson. Every Master Solos pack includes 8 selections by renowned composers â?? different for each instrument â?? and a piano accompaniment book. The accompanying audio is uniquely designed to serve in practice and performance situations, and offer immeasurable benefits for the intermediate soloist and for the instrumental instructor. The first track features the solo performance with piano accompaniment providing tempo and musical style, and the second track is the piano accompaniment only, designed for rehearsal. The recorded accompaniment can also be used in performances. Flute by Gary Sigurdson, Oboe by Don Jaeger, Bassoon by Leonard Sharrow, Bb Clarinet by Ramon Kireilis, Eb Alto Saxophone by Larry Teal, Bb Trumpet/Cornet by Robert Getchell, Horn by Louis Stout, Trombone by Buddy Baker, Baritone Horn by Larry Campbell, Tuba by Daniel Perantoni, Percussion by Peter Magadini. All books edited by Linda Rutherford. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
SKU: CY.CC2475
Equali were works written for equal, or similar, instruments; in the eighteenth century they were almost always used for funeral services and usually employed a quartet of trombones. The most famous of these were the three Beethoven wrote for the Linz Cathedral in Austria on All Soul's Day 1812. Two of these were adapted later for male voices and were sung at Beethoven's funeral.
These pieces are some of the most famous works for trombones, no doubt due to the fact that they were composed by Beethoven. They were commissioned by Franz Xaver Gloggl, Kappelmeister of the city of Linz, while Beethoven was visiting his brother. According to later accounts by Gloggl's son, although his father had a complete collection of trombones (soprano, alto, tenor, bass or quart) the three Equali were performed by a traditional quartet of alto, tenor and bass trombones.
This edition offers a compromise: the original score and parts are given exactly as written in the complete works, and a version designed for the less experienced players: the three movements are transposed down one step, edited with minor musical suggestions, and all four parts are written in bass clef.
Dr. Mathie has done the Trombone world a great service in bringing this great work in its two forms to publication.
SKU: HL.51481120
UPC: 196288034773. 9.0x12.0x0.625 inches.
This volume brings together Mozart's youthful attempts at this later so central genre of the string quartet: the astonishing “Lodi Quartet†K. 80 by the only fourteen-year-old composer, the three “Quartet-Divertimen ti†K. 136-138 which are also readily played by chamber orchestras, and Mozart's first true string-quartet cycle K. 155-160 which was composed during his third (north-)Italian journey in 1772/73. Mozart's cleanly written scores of all the compositions have been preserved so that the edition stands on a secure foundation. In his informative commentary, Wolf-Dieter Seiffert, the experienced Mozart editor at G. Henle Publishers, devotes a separate, comprehensive explanatory section to the well-known articulation problem “dot or wedge.†The Armida Quartet provided artistic input for this edition.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: HL.51487272
UPC: 840126989366. 6.75x9.5x0.245 inches.
Alexander Zemlinsky's music was long unjustly overshadowed by what was regarded as the “more progressive†Second Viennese School. Although Zemlinsky was close friends with its protagonist Arnold Schönberg, he never did take the latter's radical step into dodecaphony. At the same time, he composed works that were no less original or fully fledged. Composed between 1913 and 1915, his Second String Quartet in particular pushed the contemporaneous understanding of form and tonality to its limits. With just one movement but spanning over 1,200 measures, this multi-faceted work numbers among the most significant contributions to the genre of the time and has long merited a critical new edition. The Urtext edition by G. Henle Publishers corrects many errors and inaccuracies in the first edition that came to light after careful comparison with the autograph sources in Vienna and Washington. For the first time, too, the metronome markings that survive only in one of Zemlinsky's letters have been incorporated. Editorial work was kindly supported by the Alexander Zemlinsky Endowment Fund in Vienna.