You Won't Let Go

SKU: HL.329887

UPC: 840126907087. 5.0x5.0x0.15 inches.

Broadway veteran David Yazbek hasn't written original music for a production that didn't go on to be nominated for Best Original Score at the Tony Awards. This astonishing 5-for-5 streak is currently capped by his work on Tootsie, a musical adaptation of the 1982 film of the same name. I Won't Let You Down is an in-show audition piece, starting out lethargic, but morphing into something grandiose and memorable by the end--a showstopper!

SKU: HL.3746686

UPC: 196288196594. 6.75x10.5 inches.

Some songs from the 80s never seem to grow old and this smash hit recorded by Simple Minds is certainly one of these. With its memorable melody and powerful drive, you won't soon forget about this one!

SKU: PR.16400261S

UPC: 680160038411.

Since the bassoon is my own instrument, many people have asked me why I've written so little for the instrument. Beyond my early Concerto Da Camera for bassoon and small orchestra, written for Leonard Sharrow in 1975, I've not written a single piece that features the bassoon as a solo vehicle (though I have written three woodwind quintets). When I first began composing seriously, critics were quick to point out that my orchestral writing revealed nothing of my roots as a woodwind player--and bassoonists asked why my pieces didn't have more bassoon solos. Perhaps I was so aware that people were looking at me as a bassoonist/composer that I was determined to remove that stigma. Now that my transformation from performer to composer is complete, however, it's time to re-address my instrument. I wanted this new piece to be serious rather than whimsical. The Wind Won't Listen represents my return to the bassoon as the highly expressive, poetic soul that it is.   As such, it shouldn't come as a surprise that the piece is based on a poem, and that the title of the piece as well as both its movement titles come from lines in that poem. I first read Beth Gylys' poem Split at the MacDowell Colony in the summer of 2001, and it made a big impression on me. My personal life had been ruptured by divorce in the preceding year. This poem, with its dry insistence on observation rather than feeling, expressed the wrung-out state of my emotions at the time better than any I had seen. I set it to music, as a song, immediately. In this format, for voice and piano, I was able to put a musical note to every word of the poem. The first lines of the poem, Everyone I know is crying, or should be crying, became a melody that haunted me even without the words.   The work for bassoon and string quartet is an outgrowth of the song. The first movement is labeled Romanza, and has a loose formal arch structure of A-B-C-B-A, with B and C being fast sections framed by the lamenting A music. In addition to hearing the bassoon's first notes attached to the lines Everyone I know is crying, there's a sense of agitation, of loss, of longing, and at times of desperation in the music. At one point, the opening theme from Tristan even appears in the strings.   The second movement follows, without a real pause--the pizzicato final chords of the first movement becoming the increasingly aggressive opening chords of the second. The recitative is actually a foreshadowing of the basic theme that will be varied, again to the words of the song: Life makes itself without us. Don't let me tell you how it is. Go out. Look. The recitative begins in an anguished state, but subsides into more gentle singing by the end, when it simply falls into an ostinato 5/8-3/4 pattern to begin the variations. Marked Very steady tempo; Dancing, this set of variations consists of three dances, each faster than the previous. The first, in the aforementioned 5/8-3/4 meter, gives way to a 3/8 scherzo, which in turn takes on a furious 2/4 scurrying motion. The music becomes breathless, almost pulse-less, and an ethereal theme appears in the violins while the rushing music continues, sotto voce in the bassoon. This new theme is also from the song: Why do I do this? The wind won't listen. The bassoon re-states its Everyone I know is crying melody from the first movement, and at length the 5/8-3/4 music returns, more subdued this time. The piece ends on a major-minor chord, suspended.   The Wind Won't Listen is dedicated to the man who commissioned it, bassoonist Steven Dibner--who shares my passion for poetry and language. --Dan Welcher.

SKU: HL.138238

ISBN 9781495002427. UPC: 888680030797. 9.0x12.0x0.344 inches.

The perfect uke songbook for that next coffeehouse gig! This songbook includes lyrics, chord symbols and chord diagrams for 44 hit songs, including: Black Horse and the Cherry Tree * Constant Craving * Don't Know Why * Hallelujah * If It Makes You Happy * Lucky * Meet Virginia * One of Us * Put Your Records On * Save Tonight * Skinny Love * Tom's Diner * What I Am * Wonderwall * and more. Listen to a Spotify playlist of all the songs featured in this book!

About Strum & Sing

The Strum & Sing series provides an unplugged and pared-down approach to your favorite songs- just the chords and the lyrics, with nothing fancy. These easy-to-play arrangements are designed for both aspiring and professional musicians.

SKU: HL.282484

ISBN 9781540034410. UPC: 888680789282. 9.0x12.0x0.709 inches.

64 pop hits which have become modern-day standards are included in this collection for easy piano. Includes: Billie Jean (Michael Jackson) • Don't Stop Believin' (Journey) • Dream On (Aerosmith) • Every Breath You Take (The Police) • Free Bird (Lynyrd Skynyrd) • Free Fallin' (Tom Petty and the Heartbreakers) • Hallelujah (Jeff Buckley) • Imagine (John Lennon) • Landslide (Fleetwood Mac) • Purple Rain (Prince) • Ring of Fire (Johnny Cash) • Rolling in the Deep (Adele) • Tears in Heaven (Eric Clapton) • With or Without You (U2)• You Raise Me Up (Josh Groban) • and more.

SKU: HL.242081

ISBN 9781785588617. UPC: 888680704407. 4.75x7.75x0.956 inches.

A pocket-sized collection of 195 Beatles hits presented in chord songbook format. Includes complete lyrics, chord names & a handy chord box reference sheet. Including classic hits such as: All You Need Is Love • Can't Buy Me Love • Day Tripper • Do You Want to Know a Secret • Eleanor Rigby • From Me to You • Get Back • Help! • Hey Jude • I Want to Hold Your Hand • Let It Be • Magical Mystery Tour • Ob-La-Di Ob-La-Da • Please Please Me • Ticket to Ride • Twist and Shout • and more.

SKU: CL.011-3202-01

Bill Bailey not only won’t come home, he’s gone off on an around-the-world trip and he’s taking your band with him. This novel Larry Neeck arrangement of the old favorite Bill Bailey Won’t You Please Come Home and presents it as it could sound in the Far East, Carribbean, France, Italy, Middle East, Mexico and the USA! A terrific addition to any concert and a real audience pleaser!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

SKU: HL.1136474

ISBN 9781705183250. UPC: 196288113492. 9.0x12.0x0.237 inches.

This one-of-a-kind collection arranged by Fred Sokolow features accessible, must-know songs for anyone ready to start playing lap steel guitar, or any player wanting to expand their repertoire. Each song is presented in a combination of tab, standard notation, chords, and lyrics for the most popular songs lap steel players like to play. This collection features songs in several tunings, including open G, open E and C6, in these genres: country, Hawaiian, Western swing, rock/pop, folk, and blues. It also includes many transcriptions of solos by famous steel players. Songs include: Back in the Saddle Again â?¢ Blue Eyes Crying in the Rain â?¢ Can't Help Falling in Love â?¢ Crazy â?¢ Faded Love â?¢ Happy Trails â?¢ I'm So Lonesome I Could Cry â?¢ Mama Tried â?¢ (Ghost) Riders in the Sky (A Cowboy Legend) â?¢ Together Again â?¢ Waikiki â?¢ Walkin' After Midnight â?¢ Won't You Ride in My Little Red Wagon â?¢ Your Cheatin' Heart â?¢ and more.

About First 50

You've been taking lessons, you've got a few chords under your belt, and you're ready to buy a songbook. Now what? Hal Leonard has the answers in its First 50 series. The First 50 series steers new players in the right direction. These books contain easy to intermediate arrangements for must-know songs. Each arrangement is simple and streamlined, yet still captures the essence of the tune.