| Ding Oxford University Press
Composed by Zhou Long. 40 pages. Duration 10'. Published by Oxford University Pr...(+)
Composed by Zhou Long. 40
pages. Duration 10'.
Published by Oxford
University Press
(OU.9780193865099).
$30.99 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Five Maskers Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba [Conducteur et Parties séparées] Oxford University Press
Composed by Zhou Long. Score and parts. 60 pages. Duration 9'. Published by Oxfo...(+)
Composed by Zhou Long.
Score and parts. 60
pages. Duration 9'.
Published by Oxford
University Press
(OU.9780193864450).
$39.50 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Dunhuang Fantasia Theodore Presser Co.
Chamber Music Piano SKU: PR.110418500 Composed by Zhou Long. Duration 12 ...(+)
Chamber Music Piano
SKU: PR.110418500
Composed by Zhou Long.
Duration 12 minutes.
Theodore Presser Company
#110-41850. Published by
Theodore Presser Company
(PR.110418500). ISBN
9781491137277. UPC:
680160690039. DUNHU
ANG FANTASIA is a
fascinating 12-minute
drama inspired by art
from grottoes in the
ancient town of Dunhuang
in western China. These
frescoes preserve images
of music and dance
scenes, including the
postures and attitudes of
performers, and of the
musical instruments used.
Zhou Long’s music
begins with a mysterious
introduction driven by
drum-like textures,
followed by a series of
episodes, enhanced by
captions of the artwork
inspiring each section
and evocations of the
ancient musical
instruments. Commissio
ned and with fingering by
Zou Xiang, Dunhuang
Fantasia was composed in
the fall of 2017. The
music was inspired by the
art of the Mogaoku
grottoes in the ancient
town of Dunhuang in
western China. The
frescoes of the Dunhuang
grottos preserve a number
of music and dance
performance scenes,
including images of the
postures and attitudes of
performers, and of a
number of musical
instrument types are
used.The most popular
form of music indigenous
to this region is the
huar, a folk-song type
current among a number of
nationalities. The huar
is actually a kind of
mountain song. Along with
huar, Dunhuang pipa qupu
(Dunhuang pipa notation)
is also an inspiration
for elements in this
music.The music begins in
adagio as a mysterious
introduction. The
drum-like rhythm patterns
beating in the lowest
region of the piano, with
a muted-string sonority,
creates an expanded space
to enhance the echoes
from the grottos. This is
soon followed by the
first main section, Cup
of Happiness, featuring
the huar and Dunhuang
pipa melodies along with
the dance rhythm. In the
next section, Water Drum,
the music becomes medium
tempo. In the section
Dialogue in Presto, the
music becomes more active
and contrapuntal. The
section Tune: Changsha
Girl is in a faster tempo
as a dance scene. The
Coda starts with dense
rhythms, and tension is
gradually intensified to
reach a climax,
culminating in a return
of the opening
section. $24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Happy Tune Theodore Presser Co.
Chamber Music Cello, Flute SKU: PR.114422590 Composed by Chen Yi. Set of ...(+)
Chamber Music Cello,
Flute SKU:
PR.114422590 Composed
by Chen Yi. Set of Score
and Parts. 8+2+2 pages.
Duration 2:30. Theodore
Presser Company
#114-42259. Published by
Theodore Presser Company
(PR.114422590). ISBN
9781491134771. UPC:
680160685493. Chen
Yi describes the cheery
interplay of HAPPY TUNE
as one instrument playing
a lively melody, while
the other plays a vivid
rhythmic pattern as
accompaniment. The pair
of instruments imitates
primitive Chinese folk
song singing, as well as
the traditional wind
instrument sheng, a mouth
pipe organ. One of the
composer’s
favorite themes to
develop for different
textures, HAPPY TUNE is a
variant from Chen
Yi’s Three
Bagatelles from China
West, both versions
appearing in several
scorings. Composed to
celebrate the 25th
Anniversary of the Great
Lakes Chamber Music
Festival, HAPPY TUNE was
originally written as a
violin/viola duet for Kim
Kashkashian and Tien-Hsin
Cindy Wu, and premiered
at the festival on June
16, 2018. The flute/cello
adaptation was created in
2021.I fondly remember
being invited by the
GLCMF (directed by Prof.
James Tocco) to be the
dual Stone
Composers-in-Residence
with my husband Zhou
Long, along with the
Stone Composer Fellow
Nicholas Omiccioli in
2011. We had a dozen of
our chamber works
performed excellently by
the outstanding chamber
ensembles and musicians
during the week, meeting
enthusiastic audiences
and supporters of new
music in various venues
at the festival. The
experience was truly
inspiring, and I created
HAPPY TUNE to honor the
GLCMF, with hopes to
carry on the high spirit
in our new music
society.In this duet,
when one instrument plays
a lively melody, the
other plays a vivid
rhythmic pattern in the
accompaniment. The pair
of string instruments
imitates the sound of
primitive Chinese folk
song singing, as well as
the Chinese traditional
wind instrument sheng, a
mouth pipe organ. $16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Happy Tune Violon Theodore Presser Co.
Chamber Music violin, viola SKU: PR.114419730 For violin and Viola...(+)
Chamber Music violin,
viola SKU:
PR.114419730 For
violin and Viola.
Composed by Chen Yi. Sws.
Set of Score and Parts.
8+2+2 pages. Duration
2:30. Theodore Presser
Company #114-41973.
Published by Theodore
Presser Company
(PR.114419730). ISBN
9781491132333. UPC:
680160681686. 9 x 12
inches. Chen Yi
describes the cheery
interplay of HAPPY TUNE
as: “When one
instrument plays a
livelymelody, the other
plays a vivid rhythmic
pattern in the
accompaniment. The pair
of string
instrumentsimitates the
sound of primitive
Chinese folk song
singing, as well as the
Chinese traditional
windinstrument sheng, a
mouth pipe organ.â€
Published as a shared
score and extracted
parts, and writtenas a
celebration piece
honoring the 25th
anniversary of the Great
Lakes Chamber Music
Festival. Composed to
celebrate the 25th
Anniversary of the Great
Lakes Chamber Music
Festival, my violin and
viola duet HAPPY TUNE was
written for Kim
Kashkashian and Tien-Hsin
Cindy Wu, and premiered
at the festival on June
16, 2018.I fondly
remember being invited by
the GLCMF (directed by
Prof. James Tocco) to be
the dual Stone
Composers-in-Residence
with my husband Zhou
Long, along with the
Stone Composer Fellow
Nicholas Omiccioli in
2011. We had a dozen of
our chamber works
performed excellently by
the outstanding chamber
ensembles and musicians
during the week, meeting
enthusiastic audiences
and supporters of new
music in various venues
at the festival. The
experience was truly
inspiring, and I created
HAPPY TUNE to honor the
GLCMF, with hopes to
carry on the high spirit
in our new music
society.In this duet,
when one instrument plays
a lively melody, the
other plays a vivid
rhythmic pattern in the
accompaniment. The pair
of string instruments
imitates the sound of
primitive Chinese folk
song singing, as well as
the Chinese traditional
wind instrument sheng, a
mouth pipe organ. $16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Chamber Concerto for Saxophone and Six Players - Score and Part Lauren Keiser Music Publishing
Composed by David Stock. LKM Music. Lauren Keiser Music Publishing #X672801. Pub...(+)
Composed by David Stock.
LKM Music. Lauren Keiser
Music Publishing
#X672801. Published by
Lauren Keiser Music
Publishing (HL.153143).
$64.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Three Dances From China South Theodore Presser Co.
Chamber Music Dizi, Erhu, Piccolo, Zheng SKU: PR.11441684S For Dizi, E...(+)
Chamber Music Dizi, Erhu,
Piccolo, Zheng SKU:
PR.11441684S For
Dizi, Erhu, Pipa, And
Zheng. Composed by
Chen Yi. Premiered at
Weill Recital Hall in
Carnegie Hall in New York
City. Traditional. Full
score. With Standard
notation. Composed 2014.
36 pages. Theodore
Presser Company
#114-41684S. Published by
Theodore Presser Company
(PR.11441684S). UPC:
680160625253. 9 x 12
inches. On the
occasion of its 30th
anniversary, the ensemble
Music From China
commissioned Chen Yi for
a new work, which became
Three Dances from China
South, scored for Chinese
instruments. Its three
descriptive movements
(Lions Playing Ball,
Bamboo Dance, Lusheng
Dance) are each inspired
by folk dances from the
southeastern provinces of
China. My chamber
ensemble work Three
Dances From China South
is commissioned by Music
From China tocelebrate
its 30th anniversary, and
scored for Chinese
traditional instruments
dizi, erhu, pipa, and
zheng. The commission
has been made possible by
the Chamber Music America
Classical
CommissioningProgram,
with generous funding
provided by The Andrew W.
Mellon Foundation, and
the Chamber Music America
Endowment Fund. Â The
world premiere is given
at Weill Recital Hall in
Carnegie Hall in New York
City, on November 21,
2014. Â My Three Dances
From China South is
dedicated to Susan Cheng,
the founder and Executive
Director of Music From
China, to celebrate the
30th anniversary of
MFC. There are three
movements in my Three
Dances From China South
for dizi, erhu, pipa, and
zheng. Â Thematerial in
the first movement Lions
Playing Ball is drawn
from a folk tune played
in the
accompanyingensemble for
the folk dance under the
same title in Chaozhou
region in Guangdong
province. Â The image
of the folk dance is
vivid and entertaining.
 The movement includes
several variations on the
theme. Â The variation
methods are inspired by
the various rhythmic
patterns used in the
traditional ensemble
playing. The melodic
material features a
special mode with a
tritone interval taken
from the folk tune.
 There are also
lyrical sections with
polyphonic layers in the
variations.The music in
the second movement is
inspired by the folk
Bamboo Dance, which is
popular in Li
minoritypeople from
Hainan Island in the
south. Â The aged old
folk dance is for ritual
ceremony and harvest
celebration in the
history, in which there
are pairs of people
holding the ends of the
long bamboo rods and
clapping them loudly in
stable pulse, for groups
of dancers to dance
between the bamboo shapes
on the floor, in musical
rhythms and ensemble
patterns. Â A musical
motive with a jumping
interval and articulation
is used throughout the
movement.The third
movement is called
Lusheng Dance. Â I have
witnessed the folk dance
performance of the Dong
minority people in
Guangxi province in the
1980’s.  The
exciting scene inspired
me to imitate the large
lusheng ensemble playing
style in my ensemble of
four Chinese instrumental
musicians without using
the sheng (a wind
instrument with metal
pipes that is popular in
concert music, and
similar to the folk
lusheng). Â On top of
the rhythmic patterns, I
imitated a two--voice
folk song of Zhuang
minority people in the
same province. Â The
melody is played by the
leading erhu and
dizi.—Chen Yi. $31.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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