Two masses have survived, one for four and one for five voices, as well as a Kyrie for the Easter season, and a famous motet based on the Song of Solomon, Osculetur me, for four voices. The mass for five voices has an unusual arrangement where the voices have divisi parts, indicating that at least ten actual voices would be required to sing it. In this composition the textural contrasts are high, with homophonic passages alternating with polyphonic, and with fast-moving parts weaving around the slower-moving parts. The motet Osculetur me uses low voice tessituras reminiscent of Ockeghem.
Of his secular music, the song \"Een vroylic wesen\", for three voices, became a \"hit\" song all over Europe, appearing in numerous arrangements from places as far apart as Spain, Italy and England; Heinrich Isaac used it as the basis for his own Missa Fr?h wesen. Indeed all three of his surviving secular songs were used as the basis for masses, both by Isaac and Jacob Obrecht.
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