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Jean Pierre Prudent (1960 - )
France , LEFOREST Registered before 2010
Associate : SACEM | IPI/CAE code : 00491 21 69 51 What about JPP: he is primarily a creator. Making music is first of all an invention. Among other influences he cites Olivier Messiaen, Bach, Debussy, or Frank Zappa, but also progressive rock, or magma and pink-floyd. Above all, his music is multifaceted and unconstrained. There are passages of classical music, modern jazz, rock, or new-age atmosphere with medieval overtones. The pipe organ rubs the electric guitar, the string orchestra and the synthesizer. The pieces sound like mysterious atmospheres, definitely avant-garde, or strictly classical. The ear travels constantly between consonance and dissonance. In short, today's music without compromise.
multifaceted Music ...
independent of words. No words, the sounds say it all. The music defines itself by itself.
Independent of technologies. Although there are electronics, pieces can be designed and played without electricity.
Independent of styles. Multiform, it use the pipe organ, the computer, the piano ballads, the strings, the orchestra, progressive rock, dissonance, the synthesizers, musique concrète, the melody that sings itself naturally, the atonality. The taste of sudden breaks and the choice to reject any constrained form of writing.
Structured music, but alive by improvising.
Simple, but uncompromising, sincere and thoughtful, with enough mathematics inside (should not necessarily be a virtuoso to play music or musicologist to understand it).
Invented beyond all One-way signs.
New music, a kind of today's classic, but composed in the spirit of rock and jazz.
Last but not least, JPP claims first and foremost the art brut, only practice allowing, according to him, today to give birth to free and sincere works whose commercialization is in no way the objective.
Regarding the scores, you can request a version corresponding to your interpretation needs (separate parts, layout etc.). Simply send your project via FreeScores or via Osirys (www.osirys-jpp.fr).
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Instruments : piano - organ Skills Composer, Interpreter Website Osirys Followers members follow this artistScores
36 compositions Audio 25 MP3
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Informations of Jean Pierre Prudent
Directions to play my music
Written on 2023-09-16 by jpp-osirys Note regarding the
interpretation of all of my
compositions:
All of the following is
indicative and may be adapted.
• The nuances, as
long as we don't go from
a written pianissimo to a
played forte.
• The tempos as long
as we do not go from a quarter
note written at 60 to a
quarter note played at 120.
• piano pedals
• organ registration
• instrumentation
which can be modified
according to the principles of
variable geometry (see the
description of my writing
style)
The pieces can be interpreted
quite freely as long as the
spirit is not altered. To get
an idea, you can listen to my
own interpretations here or on
Bandcamp.
Finally, all partitions can,
if necessary, be reformatted
on request (write me).
JPP-Osirys's scores
Written on 2018-06-12 by jpp-osirys All scores presented here do
not show the same interest
when interpreted.
Some are written for a solo
instrument or small orchestras
and played in a
"conventional"
approach, others are more
variable and freely adaptable
in orchestration or include
partially improvised parts.
To understand how to interpret
this music you can refer to
the elements of style that are
clearly outlined at the start
of "simples
geometries" for piano.
Some pieces are to be played
with rigor, others need the
player to be imaginative and
"interpret" freely
but by keeping the spirit of
the writing which is then
understood as a guide rather
than as a rigorous plane.
Moreover, some of the musics
presented here were recorded
by Osirys, the collective in
which JPP plays his music, and
are available on most download
or streaming platforms. You
can, if you want, inspire you
with these versions for your
own interpretation ....
écouter sur Bandcamp -
Listen on Bandcamp
My music is raw art !
Written on 2018-06-11 by jpp-osirys I don't know if I can
call myself a musician,
I've made music all my
life like others build a
palace without ever having met
an architect or having learned
how to do it.
My goal is to make my music
live, not necessarily that I
live from it. I sincerely
think that being professional
wouldn't have changed a
note of what I wrote. For
someone who wants to be a
composer or creator first and
foremost, being professional
or not doesn't change
anything. Raw Art, because
that's a bit of what
I'm talking about, is
only practiced within an
individual way of life where
social status and profession
do not intervene.
hence, for me, the importance
of putting music, and music
alone, at the center of the
system.
So yes, you can call me
"AMATEUR". And this
term quickly evokes the good
Sunday artist for the school
festival. But it is also a
very great strength, because
the work is then free of any
constraint. I can do what I
want, when I want, how I want,
if I want. So no pressure,
total freedom of artistic
choices. The future must be in
raw art, not in business. The
Result can then present rough
edges, because it does not
come out of any sanitized and
standardized mold and does not
seek the consent of any peer.
Art brut is not necessarily as
it should be, it is as I
perceive it, just to humanize
a universe that is otherwise
devoid of meaning.
(and creation outside of this
freedom is furniture, just a
pretty decor. When you think
about it well: artist/creator
should never be thought of as
a profession. For me, the
painters of Lascaux did not
paint by professionalism,
because it was their job, even
less to become rich or famous,
but rather because they had
the feeling of participating
intimately in the magic of the
world through shamanic
trances. There are very good
craftsmen who can even be
better technicians than some
artists. But here is an
example that clearly marks the
boundary between the two. On a
chair made by a craftsman,
which may be very beautiful,
you will ultimately have to be
able to sit down. On the
artist's chair whether we
can sit down or not: who
cares. The bulls of Lascaux
were not edible...).
Why do I speak like this to
characterize my music or my
texts?
Without any pretension, and
especially without me finally
thinking of being "above
the fray". I don't
take myself for a genius out
of the world, far from
it...
My work is only the result of
an individual life, and
nothing else.
I see my creations only for
themselves, because I have to
bring them to life and I like
that.
In fact: creating is my own
shamanic trance.
And of all his
"principles" I am
absolutely not an ayatollah.
These ideas are simply the
translation of a personal
approach. There are many ways
to create works that will have
nothing in common with my
music, and that's good!
But for me, that's how it
works.
Sheet music books (shipped from USA)
(No shipping European Union )
Two Duets for Oboe and Viola (or Cello) Oboe, viola and cello [Score and Parts] Praha
$21.95 - See more - Buy online Pre-shipment lead time: 1 to 2 weeks
Music for Three, Volume 1 - Piano Quartet (Violin, Viola, Cello, Keyboard - Set of 4 Parts) Piano Quartet: piano, violin, viola, cello Last Resort Music Publishing
$75.00 - See more - Buy online Pre-shipment lead time: 1 to 2 weeks
Duet for Viola and Cello Viola, Cello (duet) [Book] Kalmus
$7.99 - See more - Buy online Pre-shipment lead time: 4 to 6 weeks
Bucolics For Viola And Cello Viola, Cello (duet) Chester
$25.95 - See more - Buy online Pre-shipment lead time: 24 hours - In Stock
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Sheet music books (shipped from Europe)
3 Quartets For
Pianoforte, Violin, Viola
And Violoncello Woo 36
(BEETHOVEN LUDWIG VAN) Piano Quartet: piano, violin, viola,
cello [Sheet music] Barenreiter
68.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier
Forellen Trio (PANNI
MARCELLO) String Trio: violin, viola, cello Ricordi
32.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier
Quartetto N. 1 Per 2
Violini, Viola E
Violoncello (Bonelli) String Quartet: 2 violins, viola,
cello [Sheet music] Ricordi
25.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier
3 Quartetti Concertanti,
Per Due Violini, Viola E
Violoncello - Parti
Staccate (VIOTTI GIOVANNI
BATTISTA) String Quartet: 2 violins, viola,
cello [Sheet music] Ricordi
51.51 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier
More sheet library results ⇒