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Informations of Jean Pierre Prudent
Directions to play my music
Written on 2023-09-16 by jpp-osirys Note regarding the
interpretation of all of my
compositions:
All of the following is
indicative and may be adapted.
• The nuances, as
long as we don't go from
a written pianissimo to a
played forte.
• The tempos as long
as we do not go from a quarter
note written at 60 to a
quarter note played at 120.
• piano pedals
• organ registration
• instrumentation
which can be modified
according to the principles of
variable geometry (see the
description of my writing
style)
The pieces can be interpreted
quite freely as long as the
spirit is not altered. To get
an idea, you can listen to my
own interpretations here or on
Bandcamp.
Finally, all partitions can,
if necessary, be reformatted
on request (write me).
JPP-Osirys's scores
Written on 2018-06-12 by jpp-osirys All scores presented here do
not show the same interest
when interpreted.
Some are written for a solo
instrument or small orchestras
and played in a
"conventional"
approach, others are more
variable and freely adaptable
in orchestration or include
partially improvised parts.
To understand how to interpret
this music you can refer to
the elements of style that are
clearly outlined at the start
of "simples
geometries" for piano.
Some pieces are to be played
with rigor, others need the
player to be imaginative and
"interpret" freely
but by keeping the spirit of
the writing which is then
understood as a guide rather
than as a rigorous plane.
Moreover, some of the musics
presented here were recorded
by Osirys, the collective in
which JPP plays his music, and
are available on most download
or streaming platforms. You
can, if you want, inspire you
with these versions for your
own interpretation ....
écouter sur Bandcamp -
Listen on Bandcamp
My music is raw art !
Written on 2018-06-11 by jpp-osirys I don't know if I can
call myself a musician,
I've made music all my
life like others build a
palace without ever having met
an architect or having learned
how to do it.
My goal is to make my music
live, not necessarily that I
live from it. I sincerely
think that being professional
wouldn't have changed a
note of what I wrote. For
someone who wants to be a
composer or creator first and
foremost, being professional
or not doesn't change
anything. Raw Art, because
that's a bit of what
I'm talking about, is
only practiced within an
individual way of life where
social status and profession
do not intervene.
hence, for me, the importance
of putting music, and music
alone, at the center of the
system.
So yes, you can call me
"AMATEUR". And this
term quickly evokes the good
Sunday artist for the school
festival. But it is also a
very great strength, because
the work is then free of any
constraint. I can do what I
want, when I want, how I want,
if I want. So no pressure,
total freedom of artistic
choices. The future must be in
raw art, not in business. The
Result can then present rough
edges, because it does not
come out of any sanitized and
standardized mold and does not
seek the consent of any peer.
Art brut is not necessarily as
it should be, it is as I
perceive it, just to humanize
a universe that is otherwise
devoid of meaning.
(and creation outside of this
freedom is furniture, just a
pretty decor. When you think
about it well: artist/creator
should never be thought of as
a profession. For me, the
painters of Lascaux did not
paint by professionalism,
because it was their job, even
less to become rich or famous,
but rather because they had
the feeling of participating
intimately in the magic of the
world through shamanic
trances. There are very good
craftsmen who can even be
better technicians than some
artists. But here is an
example that clearly marks the
boundary between the two. On a
chair made by a craftsman,
which may be very beautiful,
you will ultimately have to be
able to sit down. On the
artist's chair whether we
can sit down or not: who
cares. The bulls of Lascaux
were not edible...).
Why do I speak like this to
characterize my music or my
texts?
Without any pretension, and
especially without me finally
thinking of being "above
the fray". I don't
take myself for a genius out
of the world, far from
it...
My work is only the result of
an individual life, and
nothing else.
I see my creations only for
themselves, because I have to
bring them to life and I like
that.
In fact: creating is my own
shamanic trance.
And of all his
"principles" I am
absolutely not an ayatollah.
These ideas are simply the
translation of a personal
approach. There are many ways
to create works that will have
nothing in common with my
music, and that's good!
But for me, that's how it
works.
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