Since I seem to always enjoy your pieces & interpretations I will restrict myself to point out what I found particularly surprising, interesting, or whatever. The first movement has in my opinion a clear "Pagian" essence but its very beginning and a handful of other passages in which melody is played by both hands, as well as details like measure 23 somehow contrast with that style and I do like it. This movement seems very paused overall, there are many chunks of bars that put both hands "at rest" simultaneously, it's interesting.
The second movement is indeed very relaxing and perhaps a bit joyful but not exactly happy, not at all, some chords used vanish that feeling in my mind. That C minor chord preceding the next movement... I would not expect less!
I often enjoy ternary measures more than binary measures. This third movement comes with that, and minor plus major sections. It never gets boring, and again the use of certain chords gives it more colour which I like.
Again a magnificent job, Paul. I'd possibly pick the first one over the other two, but they three form a very nice sonatina. The 50º already!
Hoping you'll be posting the other more than a half soon :).
SHEET MUSIC
The second movement is indeed very relaxing and perhaps a bit joyful but not exactly happy, not at all, some chords used vanish that feeling in my mind. That C minor chord preceding the next movement... I would not expect less!
I often enjoy ternary measures more than binary measures. This third movement comes with that, and minor plus major sections. It never gets boring, and again the use of certain chords gives it more colour which I like.
Again a magnificent job, Paul. I'd possibly pick the first one over the other two, but they three form a very nice sonatina. The 50º already!
Hoping you'll be posting the other more than a half soon :).