Format : Listening CD
SKU: GI.G-9739
ISBN 9781622773398. English.
The Renaissance era, lasting from the mid 1400s to about 1630, is one of the most distinctive and revolutionary periods in the arts, and music is no exception. Composers like Dufay, Josquin, Tallis, Victoria, Palestrina, Gabrieli, Praetorius, and Byrd were visionaries whose transformational music developed alongside the paintings and sculptures of Botticelli, da Vinci, Michelangelo, and Raphael. In this remarkable book, a companion to Performance Practices in the Classical Era and Performance Practices in the Baroque Era, noted scholar and conductor Dennis Shrock draws from primary sources to document and explain authentic performance practices of Renaissance era music—in many cases eye opening and rarely employed today. Insightful chapters cover topics including vocal and instrumental sound, tempo, articulation, phrasing, ornamentation, and expression. Like a restorer uncovering the original brilliance of the ceiling of the Sistine Chapel, Shrock’s work reveals the rich and colorful nature of this wonderful music as originally intended. Performing Renaissance Music—together with Shrock’s companion recording Renaissance Reborn—is an insightful, colorful, and comprehensive portrait, certain to assist anyone who seeks to better understand the music of the great Renaissance composers. This book is a vital resource for any conductor, performer, or aficionado of Renaissance music. Dennis Shrock is author of six books published by GIA: Performing Renaissance Music (2018), Performance Practices in the Baroque Era (2013), Performance Practices in the Classical Era (2011), Handel’s Messiah: A Performance Practice Handbook (2013), Music for Beginning Conductors (2011), and A Conductor’s Guide to Choral/Orchestral Repertoire, co-authored with James Moyer (2017). In addition, Dr. Shrock is author of three books published by Oxford University Press: Choral Repertoire (2009), Choral Scores (2015), and Choral Monuments (2017). Dr. Shrock has held faculty positions at Boston University, Westminster Choir College, the University of Oklahoma, and Texas Christian University, and has had residencies at Baylor University, the University of Southern California, the University of Mississippi, and Yale University. He has also served as Artistic Director of the Santa Fe Desert Chorale and Canterbury Choral Society of Oklahoma City, Interim Conductor of the Dallas Symphony Chorus, and Editor of The Choral Journal. In addition, he has been a frequent All-State conductor and lecturer at conferences of the American Choral Directors Association. He has received a number of awards and recognitions for his work. The City of Santa Fe declared December 22, 2003 “Dennis Shrock Day,†Westminster Choir College granted him an “Alumni Merit Award,†the state of Oklahoma conferred on him a citation for “Contributions of Excellence,†and the University of Oklahoma granted him two “Distinguished Lectureships†and named him a “Presidential Professor.†Dr. Shrock received a bachelor’s degree in music education from Westminster Choir College and both master’s and doctoral degrees in choral conducting from Indiana University. The cover artwork is a depiction of monks singing the office from a Gradual illuminated in the 1440s and used by the Olivetan Benedictines.
SKU: GI.G-1039
Conte • Stephenson • Grantham • Cuong • Kozlevnikov • Dooley North Texas Wind Symphony Eugene Migliaro Corporon, Conductor The latest release from the GIA WindWorks label, Taylor Made, features compositions by David Conte, James M. Stephenson, Donald Grantham, Viet Cuong, Boris Kozhevnikov, and Paul Dooley. Under the direction of Eugene Migliaro Corporon, the North Texas Wind Symphony continues the tradition of superior recordings of some of the best works written for wind symphony. Winds magazine writes “This series has immense historic value in documenting the best of the repertoire…as well as providing much sheer listening pleasure for the level of artistry in the performances….these discs represent the standards to which all must aspire.†GIA Publications, Inc. is proud to partner with Eugene Corporon and the North Texas Wind Symphony to provide first-class recordings that accentuate the comprehensiveness, depth, and value of the wind symphony medium and its music. Contents 1. A Copland Portrait (1999) (8:44) David Conte (b. 1955)/trans. Ryan Nowlin • Copyright © E.C. Schirmer Music Three Bones Concerto (2013) (15:31) James M. Stephenson (b. 1969) • Copyright © Stephenson Music Cuban (2:52) Lazy (4:19) Hip (8:20) • Tony Baker, Natalie Mannix, Steven Menard – Trombone Soloists Symphony No. 2, “after Hafizâ€Â (2016) (18:08) Donald Grantham (b. 1947) • Copyright © Piquant Press Listen to This Music (4:38) Greeting God (5:46) I Hold the Lion's Paw (7:44) Moth (2013) (8:38) • Viet Cuong (b. 1990) • © Viet Cuong Music Symphony No. 3, “Slavyanskaya†(1950) (15:22) Boris Kozhevnikov (1906–1985)/ed. John R. Bourgeois • Copyright © Wingert-Jones Music Allegro, decisively (5:45) Slow Waltz (2:46) Vivace (2:16) Moderato, joyously (4:35) 13. Mavericks (2016) (8:02) Paul Dooley (b. 1983) • Copyright © Paul Dooley Music Total Time (75:00)  The creation of the WindWorks label represents an expanded relationship between the North Texas Wind Symphony and GIA Publications. GIA’s generous support and ongoing dedication to wind music has made it possible for the ensemble to continue producing recordings of the highest quality that are a testament to the perseverance and work ethic of everyone involved. While the first 34 releases in the series, initiated in 1989, remain with the Klavier label, this broadened alliance with GIA affords the opportunity to consolidate all of the current projects under one publishing roof. The diverse set of offerings consists of WindWorks (which includes the CD and DVD series), the Composer’s Collection, and the Teaching Music through Performance in Band resource recordings. Partnering in this way creates exciting possibilities that allow the imaginative output to stay focused on the ongoing mission: to provide first-class recordings that accentuate the comprehensiveness, depth, and value of the wind symphony medium and its music.  .
SKU: GI.G-936
UPC: 785147093626.
Visit 2013 Midwest Clinic Page The GIA Composers Collection brings together recordings of the master- works of the most respected composers of all time. Stunningly performed by the North Texas Wind Symphony under the direction of Eugene Corporon, this series also includes extensive liner notes about each composer and his or her contribution to the wind band. George Gershwin (1898–1937) is recognized as one of America’s best-known composers, often mentioned in the same breath as Aaron Copland and Leonard Bernstein. In Bernstein’s words: “Gershwin was certainly one of the true authentic geniuses American music has ever produced. Time and history may even show him to be the truest and most authentic of his time and place.†This incredible recording features the North Texas Wind Symphony, under the direction of Eugene Migliaro Corporon, performing his most beloved works, including Rhapsody in Blue and An American in Paris. This recording is a wonderful tribute to Gershwin’s genius and a true musical treasure. Contents: Cuban Overture (1932), Rhapsody in Blue (1924), An American in Paris (1928), Porgy and Bess: A Symphonic Picture (1943), Promenade: Walking the Dog (1937), Three Preludes (1926), Strike Up the Band (Overture) (1927).
SKU: GI.G-CD-986
UPC: 785147098621.
The creation of the WindWorks label represents an expanded relationship between the North Texas Wind Symphony and GIA Publications, Inc. Composers, conductors, music critics, and connoisseurs worldwide have praised the recordings conducted by Eugene Migliaro Corporon for their innovation, excellence, and professional standards. Bells Across the Atlantic (2013) Adam Gorb • Auguries of Innocence (2014) William Pitts • Concerto Grosso a Quattro Chori (ca. 1730/2013) Gottfried Heinrich Stölzel • Allegro • Adagio • Vivac • Meditation at Lagunitas (2014) Paul Booley • Vulcan (2014) Michael Daugherty • Pon Farr • Mind Meld • Vulcan’s Forge • The Three Embraces (2013) Carter Pann • Antique, calming • With quiet longing • With rubato, a joyous ceremony at first • Jungla (2006) Ferrer Ferrán .
SKU: GI.G-CD-1043
Ford • McCarthy • Abe • Higdon • Goto Since the inception of the projects, composers, conductors, music critics, and connoisseurs worldwide have praised the recordings conducted by Eugene Migliaro Corporon for their innovation, excellence, and professional standards. These exceptional videos and compact discs identify and preserve the standard repertoire and globally encourage composers to contribute to the ever-growing legacy of great music that has the power of universality. The breadth and variety of the discs highlight the fact that the wind symphony, in its many forms throughout hundreds of years of music history, has been and continues to be a significant original medium for serious aesthetic expression. The projects have yielded more than 100 discs that showcase the creative energy of thousands of world-renowned composers and gifted musicians. Winds magazine offers the following regarding the body of work: “This series has immense historic value in documenting the best of the repertoire...as well as providing much sheer listening (and viewing) pleasure for the level of artistry in the performances. The acoustic quality of the recording is state-of-the- art...All of the works are superbly realized and worthy of exploration...these discs represent the standards to which all must aspire.† This is a monumental recording that should be listened to and studied by every serious concert percussionist. The writing for percussion and winds is innovative and cutting edge, and there is much here for composers to learn about scoring for percussion and winds. The [University of North Texas] Wind Symphony performs these works fabulously and flawlessly, and the baton of Maestro Corporon is evident throughout. —Tom Morgan, Percussive Notes • Vol. 56, No. 3 • July 2018 Watch this video: Eugene Corporon and Mark Ford Discuss Contact Read Mark Ford's commentary on his project with Eugene Corporon: Contact Contents 1. Stubernic Fantasy (2012) • Mark Ford (b. 1958) • (13:04) Copyright © Innovative Percussion • Mark Ford, Paul Rennick, Sandi Rennick – Marimba Soloists Chamber Symphony No. 1 for Marimba (1993) • Daniel McCarthy (b. 1955) • (16:03) Copyright © C. Alan Publications 2. Deer Hunting in Michigan (4:07) 3. Harmonic Rhythms (4:33) 4. The Stuff of Adventure (7:23) Mark Ford – Marimba Soloist 5. Prism Rhapsody II (1996) • Keiko Abe (b. 1937) • (15:54) Copyright © Xebec Music • Mark Ford, Keiko Abe – Marimba Soloists 6. Percussion Concerto (2009) • Jennifer Higdon (b. 1962) • (25:21) Copyright © Lawson Press • Mark Ford – Percussion Soloist 7. Ruffles Call from Afar (2013) • Yo Goto (b. 1958) • (10:26) Copyright © C. Alan Publications • Mark Ford – Snare Drum Soloist Total Time (70:22)  .
SKU: GI.G-CD-987
The creation of the WindWorks label represents an expanded relationship between the North Texas Wind Symphony and GIA Publications, Inc. Composers, conductors, music critics, and connoisseurs worldwide have praised the recordings conducted by Eugene Migliaro Corporon for their innovation, excellence, and professional standards. Fanfare Ritmico (2000) Jennifer Higdon • Homage to the Dream (2013) Mark Camphouse • The Fly (2013) Óscar Navarro • Variations on “Mein Junges Leben hat ein End†(1975) Jan Pieterszoon Sweelinck • Brooklyn Bridge (2005) Michael Daugherty East • South • West • North • Rapture (2012) Patrick Harlin • Magnolia Star (2012) Steve Danyew .
SKU: CL.011-4221-01
An exciting and intriguing work for your next concert or festival performance. Based on the legend of ghost riders and a ghost herd in the state of Texas, the piece captures the imaginations of the band and audience as they embark on a dark and mysterious journey through the night. Exciting, intense and educationally rewarding, The Phantom Herd will be a favorite for your developing concert band!
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
