SKU: HL.48189301
UPC: 888680870539. 8.25x12.0x0.69 inches.
Le Touze Requiem Aeternam Choeur Ssssaaaa A Cappella Choral.
SKU: HL.49021091
ISBN 9783795711931. German. Peter Wank.
Kinder erarbeiten sich nicht die Beziehung zu ihrer Umwelt, sondern erspielen sie sich durch viele verschiedene, den ganzen Korper miteinbehiezende Sinneserfahrungen. Diese intensiven Erlebnisse und Bewegungserfahrungen im Spiel sind Grundvoraussetzungen fur die Entwicklung der Intelligenz, der Gesamtkorperkoordination, der Sprachentwicklung und des sozialen Verhaltens. Absicht der Autorinnen ist es, Spielsituationen fur Kinder anzubieten, in denen Sinneserfahrungen gemacht werden konnen, die die heutigen reduzierten Spielwelten haufig nicht mehr bieten. Wolkenspiel und Trommeltanz ist aus der Unterrichtspraxis mit Kindern entstanden.Fur Kinder im Alter von ca. 2-11 Jahren.
SKU: LO.15-3863H
ISBN 9780787774585.
This SATB divisi concert piece was inspired by those who leave us too soon and reminds us that they live on in our memories. The piece opens with a piano motif establishing the melodic material on which will be developed. Upon the entrance of the voices, a unison melody soon cascades into falling SSA harmonies and echoes. The piece picks up tempo with a rhythmic drive and a TB feature that expands into full choir before going into a developing section that introduces the Latin phrase “Stellae in Aeternum†meaning “Forever with the stars.†A broad musical climax features numerous overlapping independent melodies previously featured before a dramatic final key change and a slow, soft ending.
SKU: HG.GH-11757
ISBN 9790202824627.
Notenformat, 84 Seiten, illustriert, mit eingelegtem Lehrerkommentar auf 32 Seiten Was haben alle vier Streichinstrumente gemeinsam? Ganz klar: die Schnecken! Dieser tierische gemeinsame Nenner bleibt Kindern meist sofort im Gedachtnis. Und so haben wir ihn zum Namensgeber unseres Unterrichtswerks gemacht. Die Autorinnen. Das praxisnahe Unterrichtswerk Die Schneckenklasse wurde fur Klassenmusizieren fur Streicherklassen in der allgemein bildenden Schule konzipiert. Es ist auf die Dauer von zwei Jahren (Bd. 1/1. Jahr, Bd. 2/2. Jahr) ausgelegt und richtet sich an Kinder im Alter von 8-12 Jahren, die das 3. bis 6. Schuljahr besuchen. Die Schneckenklasse ist eine stilistisch vielfaltige Stuckesammlung mit Texten zum Mitsingen. In den Schulerheften sind die Begleittexte auf das Wesentliche beschrankt, das Partiturheft ist um Informationen und Ideen fur Lehrkrafte erganzt. Der Lehrerkommentar bietet ausfuhrliche Handreichungen fur Lehrkrafte inkl. eines eigenen Jahresplans, der das methodische Vorgehen der Autorinnen widerspiegelt und Lehrkraften als Kompass dienen kann. Das Unterrichtswerk ist themenbezogen gestaltet, so dass Lehrkrafte frei entscheiden konnen, ob sie sich am Jahresplan orientieren oder Unterrichtsthemen frei zusammenstellen wollen. Das Partiturheft enthalt die Partitur zu den Die Schneckenklasse-Schulerheften fur Geige, Bratsche, Cello und Kontrabass. Die 'Schneckenklasse' verdankt ihren Namen dem Instrumentenbau, nicht dem didaktischen Voranschreiten, denn die Autorinnen verstehen etwas von ihrem Fach. Loblich ist auch, dass das Material viele Singanlasse bietet, sodass das Instrumentalspiel das Singen nicht verdrangt sondern erganzt. (Neue Musikzeitung 05/2012) Die Schneckenklasse ist eine Bereicherung fur den Klassenunterricht an Schulen und fur den Gruppenunterricht an Musikschulen. Kinder werden mit viel Freude grundlegende musikalische und instrumentale Erfahrungen machen und Lehrende in ihrer Vorbereitung auf den Unterricht hilfreich und mit vielen methodischen Ideen unterstutzt. (Bianka Wustehube, uben & musizieren 06/2012, S. 61) Das neue Lehrmittel fur Streicherklassen 'Die Schneckenklasse' schopft aus der Praxis und basiert auf einer schwungvollen Tradition. (Walter Amadeus Ammann, SMZ Nr. 12/Dezember 2012, S. 35) Sehr zu empfehlen! (Regine Schultz-Greiner, NMZ 2/14).
SKU: CF.SPS78
ISBN 9781491152553. UPC: 680160910052. Key: Bb major.
Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic.Festival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  .
SKU: CF.SPS78F
ISBN 9781491153239. UPC: 680160910731.
Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic.About the CompositionFestival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  .
SKU: BT.DHP-1033505-010
9x12 inches.
Maxime Aulio composed Les Voyages de Gulliver (Gulliver’s Travels) for the concert band of the Conservatoire National de Région in Toulouse (France) conducted by Jean-Guy Olive. The first performance took place in Toulouse (Auditorium Saint-Pierre des Cuisines) on April 25, 2001. The Anglo-Irish author Jonathan Swift (1667-1745) took about six years to complete his epic tale of adventure. The creative storyline, clear writing and subtlety of Gulliver’s Travels have been engaging readers for generations. This literary travel between reason and foolishness was Maxime Aulio’s inspiration for this piece. Each of the four movements of this suite is a review of Gulliver’sadventures, resembling the effect of a kaleidoscope, which juxtaposes small fragments of colour in a linear pattern. Jonathan Swifts satirischer Roman Gullivers Reisen - eine literarische Reise zwischen Vernunft und Verrücktheit - regte auch die Phantasie des Komponisten Maxime Aulio an. Seine Suite für Blasorchester besteht aus mehreren kurzen, teilweise wie eine Kette aneinander gereihten Sätzen. Zyklisch in veränderter Form wiederkehrende Motive und Themen beschreiben Gullivers Gedanken und Gefühle oder auch Landschaften und Personen, die ihm unterwegs begegnen.1. Voyage Lilliput • 2. Voyage Brobdingnag • 3. Voyage Laputa/Voyage Balnibarbi; l’Académie de Lagado/Voyage Glubbdubdrib, l’île des Magiciens /Voyage Luggnagg; Les Struldbruggs • 4. Voyage chez les Houyhnhnms / Maxime Aulio a composé Gulliver's Travels (Les Voyages de Gulliver) pour l’Orchestre d’Harmonie du Conservatoire National de Région de Toulouse placé sous la direction de Jean-Guy Olive. L’œuvre a été donnée en création mondiale le 25 avril 2001, l’Auditorium Saint-Pierre des Cuisines de Toulouse, par la formation dédicataire.Vers 1720, lorsque Jonathan Swift (1667-1745), écrivain irlandais d’origine anglaise, envoie Lemuel Gulliver,un vieux chirurgien malicieux, la découverte de contrées extraordinaires, il débute en réalité l’écriture d’un roman satirique sur la vanité, la morale et l’hypocrisie de la société humaine. L’utopie littéraire était alors l'unique moyen d’éviter la censure. Mais en écrivant ce livre, dont la rédaction dura six ans, Swift eut le temps de m rir ses idées, si bien que sa réflexion grinçante sur la condition humaine est toujours d’actualité. Le génie imaginatif, la finesse d’esprit et la prose simple qui caractérisent Les Voyages de Gulliver ont fasciné des générations de lecteurs. Ce voyage littéraire entre raison et folie s’est également arrimé dans l’imaginaire de Maxime Aulio qui nous offre avec sa suite en quatre mouvements, une vision musicale des pérégrinations de Gulliver, la manière d’un kaléidoscope qui juxtapose de petits fragments de couleur dans une trame linéaire.
SKU: HL.49013220
ISBN 9790200100433. 19.75x10.75x0.09 inches. Latin.
SKU: BR.MN-704
ISBN 9783765199028. 6.5 x 9 inches. German.
Interviews und Beitrage von 16 Autoren und Autorinnen zum Thema ,,Musikerziehung heute: Interviews mit Vladimir Ashkenazy, Rudolf Baumgartner, Edison Denissow, Vinko Globokar, Piero Farulli und anderen. Beitrage von P. Roman Bannwart, Caspar Diethelm, Andreas Gutzwiller, Peter Reidemeister u.a.
