Afterthought

SKU: SU.29000022

Piano Duration: 3' Composed: Published by: Crystal Silence Music.

SKU: GI.G-CD-491

Too often instrumental music in the liturgy is an afterthought, mere filler. but even the most abstract piece can inspire the listener and move one to a place where words can't possibly take them. Bob Moore has assembled a wealth of fresh and contemporary musical selections that can be used for many different services.Fantasia/This Is the Day from Music for Contemporary Ensemble, Vol. II— An enchanting melody that adds splendor to any Prelude, wedding, or other joyous occasion. Soliloquy: My prayers rise like incense from Music for Contemporary Ensemble Vol. I— This selection sets the mood for relaxation and reflection perfect for Lent and morning or evening prayer. Folk Dance from Five Liturgical Meditations— With a lively medieval flavor, this folk dance will leave you humming and toe tapping! An up-beat and charming selection for any celebration. Sonnet from Liturgical Suite— An elegant, yet uncomplicated, composition. Music that is light and mild for funerals or personal meditation.

SKU: CF.BAS81F

ISBN 9781491151631. UPC: 680160909131. 9 x 12 inches.

A lively and exhilarating new piece for beginning string groups, Effervescence lives up to its title but is so much more. It also contains lush harmonies, sweeping melodic gestures reminiscent of the America school of composers like Copland.  It is a sophisticated musical presentation, but with limited technical demands, making it easy for young students, but very musically satisfying.
Effervescence is commonly known as the act of a gas escaping a liquid and the “fizzing” result that occurs. A secondary definition, however, is a show of liveliness or exhilaration. It is this secondary definition that is the inspiration for this piece.The piece begins with a broad, sweeping introduction followed by a statement of the main theme in the first Violins at m. 11. The second Violins perform the melody at m. 19, while the first Violins perform a countermelody which morphs into the main idea of the B-section that follows at m. 27. The Celli and Bass restate the main theme at m. 35, while the upper strings provide a sweeping harmony with a somewhat “Americana” feel.  After a restatement of the B-section at m. 43, a subdued section with new material occurs at m. 51. This pushes into a final restatement of the main theme at m. 59 and leads to a vibrant conclusion, followed by a pianissimo afterthought.

About Carl Fischer Beginning String Orchestra Series

This series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

SKU: CF.BAS81

ISBN 9781491151266. UPC: 680160908769. 9 x 12 inches. Key: D major.

A lively and exhilarating new piece for beginning string groups, Effervescence lives up to its title but is so much more. It also contains lush harmonies, sweeping melodic gestures reminiscent of the America school of composers like Copland.  It is a sophisticated musical presentation, but with limited technical demands, making it easy for young students, but very musically satisfying.
Effervescence is commonly known as the act of a gas escaping a liquid and the “fizzing” result that occurs. A secondary definition, however, is a show of liveliness or exhilaration. It is this secondary definition that is the inspiration for this piece.The piece begins with a broad, sweeping introduction followed by a statement of the main theme in the first Violins at m. 11. The second Violins perform the melody at m. 19, while the first Violins perform a countermelody which morphs into the main idea of the B-section that follows at m. 27. The Celli and Bass restate the main theme at m. 35, while the upper strings provide a sweeping harmony with a somewhat “Americana” feel.  After a restatement of the B-section at m. 43, a subdued section with new material occurs at m. 51. This pushes into a final restatement of the main theme at m. 59 and leads to a vibrant conclusion, followed by a pianissimo afterthought.

About Carl Fischer Beginning String Orchestra Series

This series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement