SKU: KU.GM-1954_VA
ISBN 9790206208188. Key: A minor.
SKU: HL.48181839
UPC: 888680861032. 9.0x12.0x0.046 inches.
To this day, Eugene Bozza (1905-1991) remains one of the most prolific composers for wind instruments, despite being a violinist himself. His Varied Theme for Tuba, Bass Saxhorn or Bass Trombone with Piano accompaniment is an exquisite and unique addition to the repertoire. During his studies at the Paris Conservatoire, Bozza won prizes for Violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opera-Comique and became Head of the Conservatoire in Valenciennes, whilst remaining a prominent composer. Composed in 1957, Bozza's Varied Theme reflects the composer's ability to compose for a variety of instrumentations. As music educationalist, Paul Griffiths has written of Bozza's compositions, his works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities..
SKU: HL.48182974
UPC: 888680877118. 9.0x12.0x0.022 inches.
Written by Robert Clerisse, Serenade Variee is a serenade piece for Bb soprano saxophone or tenor and piano accompaniment. Perfect for intermediate players, this volume features the score and parts. The serenade itself is very melodious. It starts Andantino to evolve to Andante before coming back to the main tempo before a harmonious finale. Robert Clerisse (1899-1973) was a saxophonist and composer. He was the founder of the Marcel Mule Saxophone Quartet.
SKU: HL.48182945
UPC: 888680863210.
Henri Busser: Theme varie Op.68 (Flute & Piano).
SKU: HL.48182973
UPC: 888680877101. 9.0x12.0x0.055 inches.
French composer and saxophonist, Robert Clerisse (1899-1973) is best known for founding the Marcel Mule Saxophone Quartet. As a prolific saxophonist, Clerisse's compositions are composed with a wealth of understanding, Varied Serenade being no exception. Varied Serenade is a modern work, exploiting rhythm, tonality and structure, amongst other aspects. For all aspiring, advanced saxophonists, Clerisse's Varied Serenade provides an alternative, exciting performance work..
SKU: HL.48181533
UPC: 888680842529. 9.75x12.5x0.093 inches.
Gaston Litaize: Récitatif et Thème varié (Clarinet & Piano).
SKU: HL.48182013
UPC: 888680850265. 9x12 inches.
Robert Clérisse: Thème varié (Trumpet & Piano).
SKU: HL.48183486
UPC: 888680948238. 9x12 inches.
Edison Denisov: Choral varié (Trombone & Piano).
SKU: UT.DM-8
ISBN 9790215300477. 9 x 12 inches.
Musicologo e musicista hanno rappresentato, in questi ultimi decenni, due entita distinte. Il musicologo e quasi sempre uno studioso di preparazione o di inclinazione piu teorica che pratica e che possiede conoscenze scientifiche e letterarie di gran lunga superiori a quelle musicali pratiche. Il musicologo e stato ed e tuttora di grande aiuto al musicista pratico nel suo rendere nota una grande mole di documenti riguardanti la prassi esecutiva delle epoche passate, in particolare del Rinascimento e del Barocco. Cio nonostante, sembra quasi che il musicologo e il musicista pratico lavorino su due piani paralleli destinati a non incontrarsi mai: da un lato la musicologia spesso dimostra di essere fine a se stessa o comunque non destinata a scopi immediatamente pratici, dall'altro il musicista e di solito abbastanza recalcitrante nell'apprendere tecniche esecutive diverse da quelle imparate in conservatorio.Come risolvere questo problema? Qualcuno lo ha gia fatto fondendo nella stessa persona le due specialita: questo sembra difficile - e forse lo e - ma probabilmente e l'unica soluzione pos- sibile per lo sviluppo futuro della prassi esecutiva della musica antica. Qualcuno potrebbe obiettare che anche nell'antichita convivevano 'musici teorici' e 'musici pratici', ma questi ultimi era- no certamente preparati sia negli aspetti che oggi consideriamo attinenti la musicologia sia in quelli puramente pratici, cioe riguardanti la tecnica vocale e strumentale. Inoltre, gli antichi musici teorici avevano ben poco in comune con i moderni musicologi: essi appartenevano ad una speciale categoria di scienziati-filosofi, indagatori di speculazioni teoriche e matematiche nonche astrologiche e cabalistiche, tesi a investigare i segreti piu occulti in relazione con la musica.E quindi auspicabile che il musicista moderno approfondisca la sua conoscenza della prassi esecutiva della musica antica per poterla eseguire rispettandone la vera natura. Il presente studio, gia in uso nella classe di Flauto Dolce del Conservatorio <> di Bologna, rappresenta un utile supporto per giungere a questo scopo. Il contenuto delle varie sezioni e sintetico, ma, crediamo, esauriente e comprensibile a tutti coloro che desiderano elevare il proprio livello di conoscenza nel campo della musica antica o che, piu semplicemente, necessitano di un'agevole guida che permetta di risolvere rapidamente eventuali dubbi di carattere storico e pratico.(G. Pacchioni).
SKU: HL.14024814
ISBN 9788759866702. Danish.
Paganini Variations was composed by Karl Aage Ramussen in 1974.
SKU: GH.CG-7084
10 korta variationer over kvallspsalmen Sv.Ps. 185 (Medeltida hymn).
SKU: BT.ALHE31338
French.
Tibor Harsányi: Danses variées (PH154) (Orchestra).
SKU: HL.50603662
ISBN 9781705127834. UPC: 840126952292.
This work is a reworking of the music written by Nino Rota for the film of the same name by Federico Fellini, Oscar winner in 1957. In 1967 Rota composed the music for the ballet La strada for the Teatro alla Scala, in collaboration with the choreographer Mario Pistoni, where Carla Fracci was expected to play the role of Gelsomina. This show has always remained alive in my memory since in those years I began the profession of flutist at La Scala, where I also had the opportunity to perform ballet. The transcription traces the salient moments of the plot, highlighted by the captions taken from the original score. Free of virtuosity, so appreciated by the flutists, it is conceived with the intention of restoring the dramaturgical tension of the Fellini-Rota masterpiece. (C. Tabarelli).
SKU: UT.CH-335
ISBN 9790215326538. 9 x 12 inches.
The Trois airs variés for violin and piano belong to the small nucleus of compositions for this scoring which, in the Catalogo tematico, also includes the Cantabile in D major (M.S.109), the only original manuscript piece for violin and piano recently published in a critical edition, and the Quattro Notturni a quartetto (M.S.15). This ‘triptych’, whose authorship is unknown, is familiar thanks to the nineteenth-century editions Ricordi, Pacini and Hofmeister, the only evidence of the piece which is placed in the Catalogo tematico at n. 3 of the uncertain works (Section V, pp. 346-347), that is, those works whose authorship remains in doubt due to the lack of objectively valid documents. This placing does not categorically exclude the originality of the piece, at least as regards the violin part, and that Gustavo Carulli ‘completed’ them later by adding the piano part. Given that to date there is no evidence to deny Paganini’s authorship of the piece, we rely on the editorial tradition documented by the three publications mentioned above and, of course, on the style of the composition. Regarding the instrumental aspect, the technical peculiarity is given by the exclusive use of the 4th string which must be transposed one tone above, in all three airs, including the variations. Concerning the piano part composed by Gustavo Carulli, it can only be said that it is simple and functional, aimed at highlighting the violin part, nothing more. Since the piano part is not original, the guitar has been thought of as the ideal instrument (as indeed is proved by Paganini’s considerable musical production for this scoring) to support the violin part and which is better suited to these small but pleasant pieces. In the transposition for guitar, however, the aim has been to include Gustavo Carulli’s musical lesson, where it is convincing, in other cases, however, the preference has been to find different solutions, while trying to remain within Paganini’s ‘style’ also as regards writing for the guitar. The present edition therefore seeks to be a plausible alternative to the previous editions, also in order to make these delightful but forgotten pieces more usable.
SKU: LM.C06743
ISBN 9790230367431.
Petit air varie No. 1 sur un theme de Paccini - Petit air varie No. 2 sur un theme de Donizetti - Petit air varie No. 3 sur un theme de La Famille Suisse - Petit air varie No. 4 sur un theme de Mercadante.
SKU: FG.55011-618-4
ISBN 9790550116184.
Juhani Nuorvala's (b. 1961) Variations ex Bene quondam for string orchestra was commissioned by the Ostrobothnian Chamber Orchestra in 2017. Collaboration with the musicians led to experiments with microtonality. The work is based on a late medieval song from the Finnish collection Piae cantiones (Pious songs). The song is processed with various means of contemporary music. It also meets the New Age of California - the musical scene of the teenaged composer. The duration of the work is 25 minutes, and the performance material is available for hire from the publisher.
SKU: HL.49044585
ISBN 9783795749736. German - English - French.
Following on from the successful Keytainment (ED 21233), now it's getting really easy. This songbook for keyboard players contains a large selection of easy-to-play arrangements from various music genres. There really is something for everybody! Includes: Dexter (theme song) - I'm Always Here (Baywatch theme) - and many more.