Album For The Youth Op. 140

Par SCHMITZ MANFRED. Cette collection de pièces originales pour début aux étudiants intermédiaires continue la tradition bien connu et même intitulées collections de Schumann, Khachaturian et autres compositeurs, sauf que cet album se concentre uniquement sur le jazz, rock, pop, blues, boogie woogie, ragtime et easy listening des pièces qui reflètent les populaires d'aujourd'hui, les styles de musique. Dans ce livre, les virages mélodiques stylistiquement uniques, des progressions de corde et anomalies rythmiques de chaque style sont enseignées dans une amusante façon à partir de morceaux plus facile. Les pièces sont ordonnés selon la difficulté facile à très difficile, permettant ainsi des étudiants de différents niveaux d'explorer la variété de style rencontrée dans la musique de tous les jours. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Piano

With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), works by three different composers are selected for each volume of the Urtext Primo series, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.Volume 4 combines works of the German Romanticism by Schumann, Brahms and Theodor Kirchner. Apart from well known pieces from Schumann's 'Album for the Youth' and the easiest waltzes from opus 39 (in the easier version) by Brahms, the selection contains the attractive set of variations from Schumann's first Youth Sonata Op. 118/1 and Brahms' Saraband in A minor WoO 5/1 as well as a number of pleasant pieces by Theodor Kirchner which continue the tonal air of Schumann and Brahms in easy playable pieces. / Piano

Easy Piano Pieces with Practising Tips-With the new Urtext Primo series the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a Piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116) Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8) works by three different composers are selected for each volume of the Urtext Primo series with the aim of offering Piano pupils (or even adults who want to resume Piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. Thepieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons but also lesser known works which are in no way of less importance for Piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles music history and Piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces. Volume 4 combines works of the German Romanticism by Schumann Brahms and Theodor Kirchner. Apart from well known pieces from Schumann's 'Album for the Youth' and the easiest waltzes from opus 39 (in the easier version) by Brahms the selection contains the attractive set of variations from Schumann's first Youth Sonata Op. 118/1 and Brahms’ Saraband in A minor WoO 5/1 as well as a number of pleasant pieces by Theodor Kirchner which continue the tonal air of Schumann and Brahms in easy playable pieces.

As early as the age of four Mozart amazed his father with his quickness of mind as regards Piano-playing. The first works are easy dance movements by the five-year-old who developed with extraordinary speed. During his lifetime he created several Piano pieces apart from the sonatas and variations. The pieces from his youth most of them written down in the music book for Maria Anna Mozart and in the so-called London sketch book are mostly short dance movements but there are already lengthy individual movements as well. From the mid-1770s there are mainly larger individual works including fantasias and rondos which can stand as equals to the sonatas andvariations of the Viennese period.Volume 1 contains the pieces from Mozart's youth which are ideally suited for elementary teaching; they constitute a varied repertoire of alternatives to the few frequently played Piano pieces by young Mozart which of course are contained in this volume as well.

Matching folio to the album from the British piano-playing vocalist sensation who mixes jazz and modern pop into his own unique blend. 14 songs including: Blame It on My Youth · But for Now · I Could Have Danced All Night · I Get a Kick Out of You · Lover You Should've Come Over · These Are the Days · Twentysomething · What a Diff'rence a Day Made · The Wind Cries Mary · and more.

The songbooks from both of the band's compilation albums, in a special edition double-album box-set collection. Over 30 classic U2 Tracks arranged in guitar tablature with chords and lyrics. / Guitare

Par OFFSPRING THE. 'Smash ' par un nom et smash par nature. C'est l'album qui ont fait irruption de The Offspring dans les classements traditionnels aux côtés d'autres bandes neo-punk tels que Green Day et Rancid. L'album sort en avril 1994 et vendu à plus de 11 millions d'exemplaires mondiaux. Ce songbook contient toutes les chansons de l'album transcrites pour guitare. Comprend la tablature, les notations standards, les accords et les paroles. / Authentiques transcriptions guitare (notations sta / Tablatures / Guitare Tablatures

Compiled by Noelle BarkerCONTENTSBUSH Geoffrey: The end of love (C - F)DOWLAND John: Come away come sweet love (F sharp - F)HATTON John Liptrot: The Hag (A - F)HOLST Gustav: Betelgeuse (B - F)IRELAND John: My true love hath my heart (D - F sharp)PARRY Hubert: Dirge in the woods (B - E)PINTO George Frederick: Invocation to nature (D - F)PURCELL Henry: Dear pretty youth (D - E); Sweeter than roses (B - E)SULLIVAN Arthur: The Willow Song (B - E)THIMAN Eric: I wandered lonely as a cloud (C - F)WEBB William: As life what is so sweet (C - E)WELDON John: The wakeful nightingale (D - F)

Jazz Play-Along Volume 47-For use with all Bb Eb and C instruments the Jazz Play-Along Series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets melody cues and other split-track choices on the included CD this first-of-its-kind package makes learning to play jazz easier than ever before. For Study: each tune includes a split track with: Melody cue with proper style and inflection Professional rhythm tracks Choruses for soloing Removable Bass part Removable Piano part For Performance: each tune also has: An additional fullstereo accompaniment track (no melody)Additional choruses for soloing. Jazz Play-Along Volume 47: Classic Jazz Ballads features 10 songs: Blame It on My Youth It Might As Well Be Spring It's Easy to Remember June in January Love Letters More Than You Know A Nightingale Sang in Berkeley Square Some Enchanted Evening When I Fall in Love and You Don't Know What Love Is.