Album II: Violin and Accomp.: Instrumental Album

für Violine und Klavier. The Romances op. 22 are today among Clara Schumann?s most popular chamber music works. For violinists and pianists, they?re also of particular importance due to the wealth of information by Schumann, Joseph Joachim, and Wilhelm Joseph von Wasielewski on fingering, bowing, and phrasing in these three pieces. While working on the composition and publication of the Romances op. 22, Schumann was in close contact with these two great violinists of the nineteenth century. She consulted Wasielewski while completing an early version of Romance no. 1, while Joachim was involved in a later, complete version and the preparation of the first edition. Jacqueline Ross? scholarly-critical edition is the first to include, in addition to the first edition, the numerous manuscript sources that survive today, such as: Schumann?s draft manuscript, presentation autographs for Wasielewski and Joachim, as well as copyists? parts once owned by the two violinists. This edition has two separate parts for the violin, allowing its use in two ways: first, as a straightforward Urtext edition: and second, as an edition informed by historical performing practice, supported by the detailed Performing Practice Commentary on nineteenth-century violin and piano technique.

With Piano Accompaniment-These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known others will sound fresh and new tomost players. The pieces may be performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the pianoaccompaniment is not necessary. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas Inc. If performed with full orchestra no solo parts should beplayed except the 1st violin part. Note also if you wish to perform these works with full orchestra and you are short certain instruments you still have some flexibility with the score. For example if there are not enoughviolas for balance the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas.

for Violin and Piano-This adagio and allegro edited by Lorenzo Sansone has versions available for horn violin viola and cello from the publisher.

pour violon et piano. This volume in the series ?Les éditions originales Durand ? Salabert ? Eschig? contains a selection of sonatas for violin and piano composed between the end of the 19th century and the beginning of the 20th. The original engravings are reproduced, giving musicians a valuable record of how these major works were first published, whether in the composer?s lifetime or posthumously.

A selection of ten classical favourites arranged with you as the soloist! A diverse selection of classical themes from JS Bach and Handel to Dvorak and Tchaikovsky have all been carefully arranged for the solo Violin. Theaccompanying CD features a full set of specially recorded backing tracks that are ideal for both rehearsal and for solo concert performance. Grab the opportunity to step into the spotlight as the star soloist with thisdelightful selection of melodies!

For violinists Miranda Cuckson Curtis Macomber Desiree Ruhstrat Eleanor Bartsch and Wei He.